| | Gypsi Fari Band Reggae From The Mountain Top CD Gypsi Fari Band Discography of CDs
Constantine Atsaves (keyboards); Vincent Huckaby (bass, background vocals);
Michael Shockley (drums, percussion).
Recorded at Island Recorders, Chicago, Illinois.
Producers: Leroy Webster, Jerry Dornbusch, Jah Rasta Fari, Vincent Huckaby.
Persoonel includes: Leroy Webster (vocals, percussion); Ron Prince (guitar);
Reggae From The Mountain Top Music Gypsi Fari Band Reggae From The Mountain Top Songs | 1. | Genocide |
| 2. | Hail Jah |
| 3. | Stairway to Heaven |
| 4. | Gypsy Dub |
| 5. | Dreamlover |
| 6. | We Got Love |
| 7. | La la Means Love |
| 8. | Smokin Boy |
| 9. | Inspiration Dub |
| 10. | Now I'm Crying |
| 11. | Gypsy Boy |
| 12. | Calypso Breakdown in Chi-Town - (bonus track) |
| Reggae From The Mountain Top Review
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Purchase Reggae From The Mountain Top CD To buy, Click on price to add to cart | Bob Marley - One Love: The Bob Marley All-Star Tribute Concert DVD (1999)
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$10.99 This remastered version of LEGEND contains a 28 page booklet, and two bonus tracks.
Recorded between 1972 and 1981. Originally released on Island (90169).
Digitally remastered by Ted Jensen (2001, Sterling Sound, New York).
Digitally remastered by Ted Jensen (2001, Sterling Sound, New York, New York).
There are few musicians ...
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| | 4Hero Creating Patterns CD (2001) (Import) Bonus Tracks; Japan
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$36.79 While it may seem 4hero's Mark Mac and Dego have been looking in different directions since 1998's Two Pages, their twin visions of music aren't so very far from each other. During the three-year interim, Dego spearheaded the programming-heavy broken beat community around West London, while Mark Mac explored small-group jazz using fusion and jazz-funk as a springboard (the Ronnie Scott's scene). Though the workload on Creating Patterns is distressingly one-dimensional (not one track features both of them), Dego's rugged breakbeats never sound too synthetic to clash with all the acoustic instruments, and Mark Mac's tracks feature a wealth of independent-minded musicians as well as the half-machine, half-human drummer Luke Parkhouse. After a fine -- though rather long-winded -- opening jam, return guest Ursula Rucker turns in one of her finest performances on "Time," revealing much more emotion than usual and flitting gracefully between sung and spoken vocals. A promising collaboration with Jill Scott turns out flat, though two other groove iconoclasts -- Mark Murphy and Terry Callier -- were recruited for great tracks. Murphy appears on the evocative spoken word performance "Twelve Tribes" (virtually no one else could've pulled off these pseudo-mystical lyrics with the same authority), while Callier performs on a misty, somber "The Day of the Greys." The single "Les Fleur" is easily the most beautiful moment of the record, except this trilling, spring-like performance (by Carina Andersson) is an unbelievably similar remake of a song from Minnie Riperton's solo debut, Come to My Garden. While Creating Patterns doesn't hit the heights of the brilliant, sprawling Two Pages, it's definitely a tighter record, more effective as a statement of art and music-making. The result is 4hero's usual synthesis of old and new, artificial and organic, strange and familiar. ~ John Bush
While it may seem 4hero's Mark Mac and Dego have been looking in different directions since 1998's Two Pages, their twin visions of music aren't so very far from each other. During the three-year interim, Dego spearheaded the programming-heavy broken beat community around West London, while Mark Mac explored small-group jazz using fusion and jazz-funk as a springboard (the ...
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Reggae From The Mountain Top album
$12.39 This 2003 album by Brazilian bossa nova diva Joyce and her Banda Maluca is every bit as strong as her last outing for Far Out, Gafieira Moderna in 2001. Just a Little Bit Crazy takes the jazzier aspects of that album and mixes them up with some modern electronic keyboard work courtesy of the Norse keyboard whiz Bugge Wesseltoft. Wesseltoft and drummer Tutty Moreno construct a series of spacy bossa and jazz soundscapes with gorgeous reed and woodwind work from Nailor Proveta and Teco Cardoso. The saxophones and flute work not so much as punchy accent devices or melodic constructs but as elements that float inside Joyce's well-constructed melodies. They hover around her voice and fill space with lilting, drooping, sometimes floating lines when she is not singing. Joyce's guitar playing and the bass work of Rodolfo Stroeter are the absolute bedrock, or pillow cases, for this breezy, shimmering, summery bossa. But the deft improvisations Joyce works in vocally as well as the small-space ideas that come from the band are what make these 13 songs so revolutionary. This is pop music of the highest order, but it is also jazz vocalizing on a similar level. Take a listen to "Na Paz" or "Samba Do Joyce," her idiosyncratically beautiful version of the Beatles' "A Hard Day's Night," for examples. ...
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