| | Amy Lowe I Like Gum CD Amy Lowe Discography of CDs
Liner Note Author: Amy Lowe.
Photographer: Tanya Tucka.
Arranger: Amy Lowe.
Personnel: Amy Lowe (vocals, guitar); Amy Lowe; Scott May (guitar, background vocals).
Audio Mixer: Larry Millas.
I Like Gum Music | List Price | $12.98 (You save $1.79) | | Category | Rock/Pop Albums, Children's CDs, Spoken | | Label | July | | Orig Year | 1997 | | CD Universe Part number | 2919972 | | Discs | 1 | | Release Date | Feb 24, 1998 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Amy Lowe; Scott May; Amy Lowe | | Engineer | Scott May | | Personnel | Scott May - guitar, background vocals
Amy Lowe - vocals, guitar
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Amy Lowe I Like Gum Songs | 1. | Wake Up |
| 2. | I Like Gum |
| 3. | There Is Music All Around Us |
| 4. | Inside/Outside |
| 5. | Intro to Gordon's Gracious Giggle |
| 6. | Gordon's Gracious Giggle |
| 7. | Chicago, Chicago Is My Home |
| 8. | Boy, Was I Surprised |
| 9. | No Pockets |
| 10. | Global Family |
| 11. | Sticky Glue |
| 12. | Grandma's Farm |
| 13. | Lickety Split |
| 14. | Haunted House |
| 15. | Are You Afraid of Monsters |
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I Like Gum Review
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Soulful. Awesome. Pervasive. These words describe the dynamic sounds of internationally renowned R&B group Yamama'nym. Created in the Spring of 2002, this super group has snapped the bonds of being described as merely another band from the Baltimore/DC area and are taking the international music scene by storm.Hand picked by Tre Barr (producer/writer) and Dennis Turner (music director/bass player), Yamama'nym, was formed in 2002 as a collective of eclectic musicians and vocalists with diverse musical backgrounds. Combining sultry southern soulful sounds with a touch of uptown Jazz and downtown R&B swagger, healthy servings of soul, and pinches of gospel, Yamama'Nym has been stirring up audiences since their inception. With exceptionally vibrant vocalists, and perhaps some of the best live musicians in all the land, Yamama'Nym evoke feelings of 70's nostalgia and New Millennium attitude with their youthful appearance, yet seasoned performances, often being compared to acts of past and present the way they bring the overall Yamama'Nym experience to fans. Over the past year and a half, they have played on many stages abroad and have left their signature "soulful" style sticking to the noggins of unsuspecting audiences. Staying hungry and humble, paying their dues Yamama'Nym travels the map to bring 'real' music to those who have been longing for it.The band members are from the Washington, DC and Baltimore, Maryland area. Yamama'Nym's debut album "2A.M." (Outta Control Entertainment 2003) has enjoyed international acclaim, reaching the hearts and minds of soul aficionados in the US over to the Canary Islands, from the U.K. to Japan, the band's strengths of Soul, R&B, Jazz and Hip-Hop help drive their musical vision to an ever expanding and embracing audience, it is a perfect blend of soul and jazz. It's what's been missing from today's popular R&B (Fan, CDBABY.com). Now with the second album entitled Due Time slated for a Spring 2005 release, audiences can expect funkier upbeat ...
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To my loard and savior jesus christ, I get my strength from you, thy will be done. To my family,(who are no longer anonymous!)thank you for the inspiration and the supporting me emotionally while making this album.I love you.My Team:To ...
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Saxophonist and composer Steve Lehman is one of those new breeds of contemporary musicians. As a jazzman he's played with everyone from Vijay Iyer to Dave Burell. He's studied with both Jackie McLean and Anthony Braxton, and recorded a handful of records as a leader or co-leader; he is a Fulbright scholar and has taught in Paris. His album titles -- like this one -- sound like the titles of doctoral dissertations: Demian as a Posthuman, anyone? All of that said, Lehman could throw down on the horn and write some exciting music for a band that makes it spark and fire. Chris Dingman on vibes, Drew Gress on bass, drummer Tyshawn Sorey (who nails all kinds of breakbeats in this set), and trumpeter Jonathan Finlayson work with Lehman's alto in scattering post-bop notions off a wall filled with tough new vanguard tricks, but which are all kept in tight rein by the compositions themselves. While these tunes don't exactly sing, they can and do swing, in places. In others they scatter, punch, kick, and dart here and there at a moment's notice, sometimes quicker, sometimes slower. Themes like that of the title track juxtapose thematic constructions and taut melodic invention along several planes at once in a metonymic manner -- it's not a long, single line in linear horizontal fashion, but in linear fashion, period, using all the referents of what came before for what comes after. The vibes add both color and punch the rhythm section, as well as act as a melodic extension of three different themes put into play by Lehman and Finlayson. "Open Music," introduced by some stellar snare work by Sorey and Finlayson, creates a series of contrapuntal lines that Gress comes in to play between as a balancing act. The horns don't enter for almost a minute and then scalar counterpoint in call and response becomes the beginning of a linguistic exercise that actually spits fire, an uneasy tension and mild dissonance that leads into the frame of a tune that gets worked out in the spaces between the various lyric themes being stated. Quite impressive, and Sorey is all killer on the kit, keeping it not only moving, but flowing, jumping off, coming back, and then further pushing Finlayson to put more and more chime on that vibe.
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