| | Ash Ra Tempel Inventions For Electric Guitar CD - Import Ash Ra Tempel Discography of CDs
 (1 Customer Review)
INVENTIONS FOR ELECTRIC GUITAR is a 1974 album by the Krautrock artist Manuel Gottsching who was formerly a member of Ash Ra Tempel.
This album is sometimes credited to Ash Ra Tempel, but the music was composed and performed by Manuel Göttsching alone. All sounds were created with guitar, but Göttsching's use of echo, delay, and assorted treatments give these pieces the flavor of sequenced synthesizer music, occasionally reminiscent of Tangerine Dream's work from the period. The opening "Echo Waves" is a trance-inducing space guitar masterpiece, with repeating rhythm figures and gradual phase shifts creating a warped sense of time. The first 14 minutes of the track consist of short, subtly changing melodic phrases, until Göttsching questionably chooses to close with a searing, acid-fried guitar solo. "Quasarsphere" is much more contemplative, with Göttsching processing his guitar to sound like a synthesizer in the vein of Robert Fripp. The closing "Pluralis" consists of endless variations constructed around a simple guitar sequence; it possesses a structure similar to "Echo Waves" (down to the late-breaking blast of psychedelic soloing) with a bit more space and a slower tempo. In some respects a precursor to the groundbreaking proto-techno of E2-E4, Inventions for Electric Guitar is an essential document for space rock enthusiasts. ~ Mark Richardson
French reissue of the German electronica artist's 1974 album. Digipak. Spalax.
French reissue. Inventions For Electric Guitar Music Ash Ra Tempel Inventions For Electric Guitar Songs | 1. | Echo Waves |
| 2. | Quasarsphere |
| 3. | Pluralis |
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Inventions For Electric Guitar Music Review Purchase Inventions For Electric Guitar CD To buy, Click on price to add to cart | Gov't Mule By A Thread CD (2009)
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When Nikola Sarcevic's first solo project, Lock-Sport-Krock, was released in 2004, fans were shocked by how different it was from his work as Millencolin's lead vocalist. Instead of embracing the sort of brash, stomping, boisterous punk that Millencolin is known for, Sarcevic the solo artist moved in a much calmer, more introspective folk-rock/adult alternative direction -- minus the rest of Millencolin, Sarcevic favored an approach that drew comparisons to John Mayer and Gin Blossoms rather than NOFX, the Clash or Cock Sparrer. But the Swedish singer didn't become a full-time solo artist, and Kingwood -- his first post-Lock-Sport-Krock album with Millencolin -- finds him hell-bent for punk once again. This 2005 release doesn't contain even the slightest hint of Lock-Sport-Krock's singer/songwriter aesthetic; Kingwood is punk all the way, and the Swedes spare no passion on melodic but in-your-face offerings like "Mooseman's Jukebox," "Farewell My Hell" and "Shut You Out." Guitarist Erik Ohlsson has claimed that Kingwood is, as of 2005, "our best, most focused record yet"; the 'best' part is questionable, and many longtime Millencolin fans will insist that Pennybridge Pioneers is still the band's crowning achievement. But Ohlsson certainly speaks the truth when he describes Kingwood as focused; Millencolin does bring a lot of conviction to this material, which thrives on the sort of simplicity and gut-level rawness that old-school punk was known for back in the late '70s and early '80s. Kingwood isn't as essential as Pennybridge Pioneers, but it's still an inspired, enjoyable addition to Millencolin's catalog -- and while Sarcevic has a lot of potential as a folk-rock singer/songwriter, it's good to know that he can still belt out punk with a lot of passion and fury. ~ Alex Henderson
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The Harvest is a Vancouver, BC based original rock quartet which brings together ...
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