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Purchase Musik Hofkapelle Zu Kremsier CD To buy, Click on price to add to cart | Yo-Yo Ma Songs Of Joy And Peace CD (2008)
Musik Hofkapelle Zu Kremsier album
$15.05 Yo-Yo Ma's holiday album SONGS OF JOY AND PEACE admirably aims to be all-inclusive by featuring songs from the Christian, Jewish, and Islamic traditions, as well as feel-good ...
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Musik Hofkapelle Zu Kremsier CD music
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Musik Hofkapelle Zu Kremsier songs
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Musik Hofkapelle Zu Kremsier album
$9.35 The Ghost Opera CompanyW. A. Mathieu, DirectorIn the early 1960s, as musicians began using theater games to teach each other improvisation, a new style of ensemble music gradually emerged. The seeds of the Ghost Opera Company were planted in Chicago in 1963. By then I had learned from Viola Spolin, the revered mother of theater games, to develop methods of musicalizing actors’ work. In the process, I was developing a solo piano style of my own. Seeking like-minded musicians I began to experiment first with percussionist George Marsh, and then bassist Clyde Flowers and woodwind master Rich Fudoli. Our quartet, The Chicago Improvising Players, was probably the first free-music group to use musical games as the foundation for improvisatory technique. Our early concerts were wild, complex, randomized, and very happy. Over time, as our listening became more refined, the games became subtler, the details finer. Games played in sequence became Game Symphonies. The drama implicit in the form became more and more conscious. Eventually, the game discipline proved itself authentic by falling away, leaving players free to create a spontaneously woven ensemble music.Three of us (Mathieu, Marsh, and Flowers) moved to San Francisco. From 1968 through 1974 I taught improvisation at the San Francisco Conservatory of Music, a core-curriculum course required of all freshmen. Some students became such excellent players that we formed a performance ensemble called The Ghost Opera Company with the trio at its core. The singers, using spontaneously made-up languages, and the instrumentalists all became characters in our own unwritten opera; there were as many interpretations as there were listeners. The idea behind the name was that the opera’s narrative was amorphous as a ghost, floating freely from mind to mind.A few of the games we practiced:Pete and Repeat: each player keeps looping back, but to different placesSparse As Possible: play as little as you can get away withNothing New: play only what you’ve heard someone (including yourself) playSyllogism: the ensemble collectively plays three phrases ...
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