| | Jimmy Scott But Beautiful CD Jimmy Scott Discography of CDs
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Personnel includes: Jimmy Scott, Freddy Cole (vocals); Eric Alexander, Bob Kindred (tenor saxophone); Wynton Marsalis, Lew Soloff (trumpet); Renee Rosnes (piano); Joe Beck (guitar); George Mraz (bass); Lewis Nash, Dwayne Broadnax (drums). Recorded at The Studio, New York, New York in August 2001. Includes liner notes by David Ritz. Personnel: Little Jimmy Scott (vocals); Freddy Cole (vocals); Joe Beck (guitar); Eric Alexander , Bob Kindred (tenor saxophone); Lew Soloff, Wynton Marsalis (trumpet); Renee Rosnes (piano); Lewis Nash (drums). Audio Mixer: David Luke. Liner Note Authors: David Ritz; Todd Barkan. Recording information: Studio, New York, NY (08/16/2001-08/19/2001); The Studio, New York, NY (08/16/2001-08/19/2001). Photographer: John Abbott . Arrangers: Freddy Cole; Joe Beck ; Renee Rosnes; Robert Sadin. There's something in the languid soprano of Jimmy Scott's voice that communicates heartache in a way few other vocalists can touch; even when he's singing a relatively upbeat number, the nooks and crannies of Scott's stretched-out phrasing and subtle vibrato conjure vivid images of late nights and lost loves, while managing to make romantic melancholy sound almost luxurious in its beauty. But Beautiful, Scott's third album for Milestone (and seventh since his comeback in the early '90s -- not bad for a man who once went 15 years between sessions), is cut from the same cloth as his previous sets for the label, Mood Indigo and Over the Rainbow. Producer Todd Barkan has once again set Scott up with a small combo of superb jazz players (including Joe Beck on guitar and guest shots from Wynton Marsalis and Freddy Cole) and subtle but compelling arrangements (mostly by pianist Renee Rosnes) of ten classic standards; if But Beautiful is less ambitious than Scott's "comeback" albums for Warner Bros., there's no arguing that it plays to his strengths and captures Scott in marvelous form. At the age of 76, Scott's voice is losing just a bit of its elasticity, but for the most part his instrument is in surprisingly good shape, and his sense of phrasing remains impeccable; plenty of Oscar-winning actors could not express longing and loss as eloquently as Scott does on "Darn That Dream" and "Please Send Me Someone to Love," and the agonizing clarity of his hope on "When You Wish Upon a Star" is enough to move the hardest heart. Jimmy Scott's recent work gives the lie to F. Scott Fitzgerald's famous remark that there are no second acts in American lives, and if But Beautiful doesn't capture him at the absolute peak of his form, plenty of singers half his age would be grateful to make an album that commanded a fraction of this set's power to move the heart and soul. ~ Mark DemingJazzTimes (6/02, p.101) - "...A priceless collection....Scott sounds something akin to a rich, mellow blend of Rosemary Clooney and Julie Wilson at their mature best..." Jimmy Scott But Beautiful Songs But Beautiful Review
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$12.95 2004 album from the ethereal Lisa Gerrard & award winning Irish composer Patrick Cassidy who is known for his traditional and mythological orchestral music. Ten tracks. 4AD.
Personnel: Lisa Gerrard (vocals); Patrick Cassidy. Personnel: Lisa Gerrard (vocals). Audio Mixer: Simon Bowley. Arrangers: Lisa Gerrard; Patrick Cassidy. Immortal Memory is a collaboration between vocalist Lisa Gerrard and Irish composer Patrick Cassidy. Billed as a cycle of life and death and rebirth, Immortal Memory is better described as an orphaned film score. Cassidy's warm arrangements allow the former Dead Can Dance singer to step out of the dark medieval world that she's called home for nearly 20 years -- though there is much of that world within these castle walls -- and focus on the simplicity of love, faith, and loss with a grace that's bereft of the icy perfection of her previous work. Gerrard, whose voice has aged like the finest oak, displays an almost supernatural mastery of the material. Her effortless contralto wraps itself around the ten Gaelic, Latin, and Aramaic spirituals like an evening prayer, making each stunning entrance the equivalent of audio comfort food. Echoing her collaboration with composer Hans Zimmer on the Academy Award-winning Gladiator -- Gerrard and Cassidy framed this work during the recording of the film's soundtrack -- ethereal pieces like the solo showpiece "Elegy" and the Cassidy-penned lament for his late father, "Psallit in Aure Dei," are powerful statements hatched by two people who understand each other like old friends. The majestic opener, ...
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