| | Omar & The Howlers I Told You So CD Omar & The Howlers Discography of CDs
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Our Price: $12.79 CDFor Sale Usually ships in 1-2 days
Our Price: $8.91
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I Told You So is one of the finest records Omar & the Howlers ever released, filled with roaring, impassioned performances and a sharp set of material. ~ Thom Owens
Recording information: Austin's Riverside Sound.
Omar & The Howlers: Omar Dykes (guitar); Bruce Jones (bass); Gene Brandon (drums).
Personnel: Omar Kent Dykes (vocals, guitar, harmonica); Gene Brandon (drums).
Omar & The Howlers I Told You So Songs I Told You So Review
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Purchase I Told You So CD To buy, Click on price to add to cart | Junior Wells Pleading The Blues CD (1979)
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$11.99 Digitally remastered by Jim Phillips (Universal Mastering Studios West, North Hollywood, California).
Although it omits three songs from the far less comprehensive (and deleted) 1983 12-track Best Of, and doesn't include any live or post-A&M music, this 2000 release stands as the final word on the Ozark Mountain Daredevils' ...
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$6.09 In 1975, Reuniting with longtime producer Bob Ezrin (who was absent for Cooper's prior record, MUSCLE OF LOVE), Cooper released an album whose title explains the subject matter--WELCOME TO MY NIGHTMARE. Now on his own and in total control, Cooper was able to explore rock theatrics in a way that was impossible in his band. The ensuing tour was one of the most over-the-top excursions of that era.
"Cold Ethyl" is a disturbing little ditty about necrophilia. The soft, melodic "Only Women Bleed" became a surprise smash for Alice, and there's a low-key feel as well on the chilling "Steven." The somewhat funky title track works as a kind of theme song, while Cooper's expected heavy metal tendencies are explored on "The Black Widow." Most of Lou Reed's band joined Cooper for this record. Guitarists Steve Hunter and Dick Wagner, as ...
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$9.35 Olga sounds as if she's gone to the Paul Westerberg or Grandpaboy school of recording, but it's a sound that works to all her assets. "One Good Thing" starts this soulful blues journey that has her veering from a Delta blues format into something Janis Joplin would sink her teeth into. When she opts for a relaxing and melodic groove during "Gotta Put My Hands on You," she pulls it off strongly. But if the listener puts an imaginary bassline to the song in their head, it works infinitely better. Olga resembles a cross between Bonnie Raitt and Rickie Lee Jones on this tune, reaching at times for notes that don't come out pristinely. A fine effort comes along with the murky guitar riff and flute accenting the dark yet spiritual "My Baby Blue." Here the singer shines without question, nailing the tune the way few others could. It's a voice that doesn't need multiple octaves or one hand reaching to the sky to hit the listener's gut! "The Way We Were" veers into a folksy blues mix as Olga adds a tambourine to keep some sort of tempo flowing into an almost hypnotic format. The jazzy delivery on "Leaving So Soon" is also a highlight, with Olga working herself into a Cassandra Wilson-ish performance. A rocking tune comes along with the pretty and toe-tapping "I'm Off Your Sugar," with the performer making the most of a very strong melody. Perhaps the one track that stands apart from the others is the rough demo entitled "Ain't It True (My Love for You)" that has Olga sounding like she's singing in another room. It's a simple and yet quite alluring blues-folk song that she immerses herself into quickly. One miscue is the somber and insipid coffeehouse folk of "Mama's Boy," which relies on clichéd touches. She gives it a great send-off though, with "219 Train." Overall Olga has a powerful and inviting style and voice for this homemade album. ~ Jason MacNeil
Hailing from San Francisco of Austrian parentage, Olga is among the vanguard of new blues artists combining innovation with a deep sense of roots. Like a backroads crooner come back to haunt us, her dedication to the blues shines through her voice and hollow-body electric Washburn. Having received classical training in voice, piano, and violin from a young age, she later discovered a connection to the genre; specifically classic and country blues.Her early mentors Maria Muldaur and Los Lobos played pivotal roles in schooling this young talent. Under the tutelage of living legend Jessie Mae Hemphill, Olga continues her study of the blues. "Jessie Mae is without a doubt a major influence on me," she affirms, "I feel like I've been looking for her my whole life."Olga now calls Memphis home. In addition to her extensive gigs producing local and nationally syndicated radio shows, she participated in Martin Scorcese's documentary on the blues with Jessie Mae, among others. She's shared the stage in recent years with ...
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