| | Alien Sex Fiend Singles: 1983-1995 CD Alien Sex Fiend Discography of CDs
(3 Customer Reviews)
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Our Price: $9.59 CDFor Sale Limited Availability
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In the wake of shock rock's introduction to the mainstream via Marilyn Manson, it is easy to forget that several bands toiled in the underground making much better noise with similar theatrics. One such artist is Nik Wade, known to fans as "Nik Fiend," the creative mind behind Alien Sex Fiend. On this retrospective, 23 examples of the Fiend sound are packaged together, and the various strengths and weaknesses of Wade's vision poke their way through. The biggest problem is simply song length; both "E.S.T." and "Inferno (Oscar Madness Mix)" are way too long and the album drags in both spots. In a few other instances, most notably "Bun Ho," there is very little going on even if the track is not that long. These add to the overlong, dragging feel of the album. But then absolute classics like "New Christian Music," "Smells Like...," and the horror rock anthem "Now I'm Feeling Zombiefied" rear their ugly heads and the legend of Alien Sex Fiend is redeemed. The centerpiece of the collection is "I Walk the Line," an underground classic that defines the attitude that Wade was trying to express. Devoid of the band's wonderfully campy visual theatrics, this is only half of what Alien Sex Fiend is really about. Those wishing to get an idea of how ahead of its time the band was should try to find a live video first. But much of the music here is really good, and this is a perfect example of what any Alien Sex Fiend album would be like: a few classics mixed in with a few overlong borefests. ~ Bradley Torreano
Live Recording
Includes liner notes by Mark Brennan.
Alien Sex Fiend includes: Nik "Fiend" Wade (vocals).
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| | Segarini Goodbye L.A. CD (1980) Bonus Tracks; Remastered
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$12.05 Bob Segarini's follow-up to his instant classic Gotta Have Pop didn't earn him the same degree of drooling fandom from pop obsessives around the world, but that's certainly not because of the material. Goodbye L.A. may be a notch or two down on the quality meter from Segarini's solo debut, but anyone who dug his first album is bound to find plenty to love here. Segarini's songs are every bit as good as they were on Gotta Have Pop, and the best stuff even manages to up the cleverness quotient a bit, such as the red-blooded "Teenage Love," the pithy social observations of "Odd Couples," and the excellent opener "I Like the Beatles (And My Baby Likes the Rolling Stones)." The band sounds sharp and eclectically gifted whether kicking it out on "Demographics" or going for a more subtle approach on the country tinged "Who's Loving You," and Segarini's tough, soulful vocals are excellent, communicating both wit and fury without losing his passionate focus. And there weren't many other guys in 1980 who were cool enough to cover both Ducks Deluxe and Eddie Cochran on the same album, let along do right by them. Goodbye L.A. lacks one or two killer tunes and a slam-bang ending like "Love Story" to put it on a par with Gotta Have Pop, but anyone who considers it a disappointment is nit-picking; Segarini delivered another set of great songs played with fire, great chops and no small wit on this album, and it certainly deserves a better reputation than it's gained over the years. ~ Mark Deming
Bob Segarini's follow-up to his instant classic Gotta Have Pop! didn't earn him the same degree of drooling fandom from pop obsessives around the world, but that's certainly not because of the material; Goodbye L.A. may be a notch or two down on the quality meter from Segarini's solo debut, but anyone who dug his first album is bound to find plenty to love here. Segarini's songs are every bit as good as they were on ...
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