| | Cheap Trick Budokan CD Cheap Trick Discography of CDs
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Cheap Trick: Robin Zander (vocals); Rick Nielsen (guitar); Tom Petersson (bass); Bun E. Carlos (drums). Producers: Cheap Trick, Jack Douglas. Reissue producer: Bruce Dickinson. Recorded live in April 1978. All tracks have been digitally remastered. Cheap Trick: Robin Zander (vocals, guitar); Rick Neilsen (guitar); Tom Petersson (bass); Bun E. Carlos (drums). Recorded live at the Budokan, Tokyo, Japan in April 1978. This is an Enhanced CD, which contains both regular audio tracks as well as multimedia computer files. CHEAP TRICK AT BUDOKAN: THE COMPLETE CONCERT includes the original album's ten songs plus nine other tracks from the same concert, one more from a show in Osaka recorded on the same tour, multi-media content and lavish packaging. Cheap Trick: Robin Zander (vocals); Rick Nielsen (guitar); Tom Petersson (bass); Bun E. Carlos (drums). Producer: Cheap Trick. Reissue producers: Bruce Dickinson, Cheap Trick. Recorded live in Budokan, Tokyo, Japan in April 1978. Includes liner notes by Greg Siegel and Rick Nielson. All tracks have been digitally remastered. While their records were entertaining and full of skillful pop, it wasn't until At Budokan that Cheap Trick's vision truly gelled. Many of these songs, like "I Want You to Want Me" and "Big Eyes," were pleasant in their original form, but seemed more like sketches compared to the roaring versions on this album. With their ear-shatteringly loud guitars and sweet melodies, Cheap Trick unwittingly paved the way for much of the hard rock of the next decade, as well as a surprising amount of alternative rock of the 1990s, and it was At Budokan that captured the band in all of its power. ~ Stephen Thomas Erlewine Strangely enough, Cheap Trick's big breakthrough, 1979's AT BUDOKAN, was almost never released stateside. The band had become superstars in Japan on the strength of their first three studio albums, and when they toured the country in '78, several of their shows were taped for a Japan-only live release. When the resulting album began racking up impressive sales in the U.S. as an expensive import, Epic wisely released it domestically, where it peaked at #4 on the Billboard charts and spawned the top ten hit single "I Want You To Want Me." One of the reasons for the album's success is that it resembles the raw, direct approach of their self-titled debut, rather than their other two more produced releases. Add the energy of a concert setting, and you have one of the greatest live rock albums ever. If you were to own only a single Cheap Trick release, AT BUDOKAN would be the one (the entire AT BUDOKAN was merged with BUDOKAN II for 1998's 2-CD set CHEAP TRICK AT BUDOKAN: THE COMPLETE CONCERT). Remember that rush you got from hearing Robin, Rick and the boys tear into "I Want You To Want Me" from Cheap Trick's original LIVE AT BUDOKAN album? Their ballsy but breathlessly effervescent power pop was the very essence of summertime in late-'70s America, rock and roll in its purest form. You don't remember? Okay, well, maybe your mom does, then. In either case, you'll be pleased to discover that the entire Budokan concert is now available for your edification. With nine extra tracks that stretch this recording out to two discs, the rock and roll magic that was Cheap Trick in their heyday is both reiterated and further illuminated. If you're an old fan, you'll want to hear the rest of the story. If you're a newcomer, this is the place to begin.Spin (p.86) - "[T]hey were a great power-pop band whose records still sound fresh today." Cheap Trick Budokan Songs | 1. | Hello There | $0.99 | |
| 2. | Come On, Come On | $0.99 | |
| 3. | Lookout | $0.99 | |
| 4. | Big Eyes | $0.99 | |
| 5. | Need Your Love | $0.99 | |
| 6. | Ain't That a Shame | $0.99 | |
| 7. | I Want You to Want Me | $0.69 | |
| 8. | Surrender | $0.99 | |
| 9. | Goodnight | $0.99 | |
| 10. | Clock Strikes Ten | $0.99 | |
| Budokan Music Review Average Rating: (4.4 out of 5 stars)    List All Reviews One of the best live albums I've heard this album long ago on vinyl. This is one of the best live performances on CD you will find. Has ecerything you need to feel the power of a live show even if you don't see it. Just listen to it and you will feel it. Submitted by Gabriel (Argentina) Was This Review Helpful? Yes No
Ubiquitous for a reason! This is right in there with "Frampton Comes Alive" and The Who "Live at Leeds". It's just a great live album. 500,000 Japanese girls can't be wrong! Submitted by Pete Wagner (Hartford WI 53027) Was This Review Helpful? Yes No
Cheap Trick but NO cheap songs One of the biggest bands to hit the scenes in the last 20 yrs!! This is the ultimate CT could have come up with live! "Caroline" still KOs me and live is better. The shrilling noise of the Japanese girls enhamce the power of the band!!
A massive rock album in any rocker's music library. Submitted by dragster (Sydney, NSW, Australia) Was This Review Helpful? Yes No
The Greatest Live Album Ever No question. The crowd noise alone is worth picking this record up. It's insane Beatloid-level worship from adoring Japanese girls. Robin Zander's vocals are amazing as is the edgy rock and roll from Rick, Bun E., and Tom. The band clearly feed off the energy of the crowd and they don't miss a beat.
The inclusion of unreleased tracks like "Lookout" and "Need Your Love" (later released as a studio track on "Dream Police", why?) plus the cover of Fats Domino's "Ain't That A Shame" provided some ample new material for those of us who lapped up the Trickster's first three albums.
Loud, raw, and hyper, live albums simply don't get any better than this.
Submitted by David B. (Seattle, WA, USA, Planet Earth) Was This Review Helpful? Yes No
One of the best? Well, I'm not sure if an album that barely scrapes my top 30 can be called one of the best ever live albums. It's a great one, for sure, but does have a few duds on it, such as 'Need Your Love' & 'Ain't that a shame'. However, the sheer class of the opening 4 tracks and the final 4 also, make up for the blips. The drums of Bun E Carlos are big and energetic, plus Rik Nielsen rips up his Ibanez at every opportunity. Robin Zander does well over the deafening screams of teenage Japanese girls.
The sound is good but the song choice could've been better. A great live album, nontheless. Submitted by S J (Woking) Was This Review Helpful? Yes No
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Purchase Budokan CD To buy, Click on price to add to cart | Rod Stewart Never A Dull Moment CD (1971) Gold
Budokan
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| | Bruce Springsteen We Shall Overcome: The Seeger Sessions CD (2006) DualDisc
Budokan
$15.85 This Dualdisc features Springsteen in studio performing 29 songs. We don't have information regarding the dualdisc side.
This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other. Bruce Springsteen is certainly no stranger to acoustic-based, folk-inspired music. He began his career as a post-Dylan troubadour, and he's been making "unplugged" albums as far back as 1982's NEBRASKA. He's already recorded Woody Guthrie material, so it's not a shock that he would release a tribute album to folk icon Pete Seeger. WE SHALL OVERCOME: THE SEEGER SESSIONS celebrates not just Seeger's musical influence, of course, but also the political stands the singer took, which obviously resonate with the famously progressive Springsteen. Unlike NEBRASKA, though, this is no bare-bones affair. The E Street Band may be absent, but Bruce tackles Seeger's tunes in classic larger-than-life Boss style, with a huge band that includes several string players, a horn section, accordion, and more. Incorporating everything from Dixieland to zydeco into the folk/blues template, Bruce stirs up a rowdy cauldron of Americana teeming with as much pure human passion as social import. WE SHALL OVERCOME is likely to be one of the biggest albums ever made under the "traditional folk" banner, but it's full of small surprises as Springsteen gets to the spiritual and musical heart of the matter. We Shall Overcome: The Seeger Sessions is an unusual Bruce Springsteen album in a number of ways. First, it's the first covers album Springsteen has recorded in his three-decade career, which is a noteworthy event in itself, but that's not the only thing different about We Shall Overcome. Springsteen, a notorious perfectionist who has been known to tweak and rework albums numerous times before releasing them (or scrapping them, as the case may be), pulled together the album quickly, putting aside a planned second volume of the rarities collection Tracks after discovering a set of recordings he made in 1997 for a Pete Seeger tribute album called Where Have All the Flowers Gone: The Songs of Pete Seeger. Enthralled by this handful of tracks -- one of which, "We Shall Overcome," appeared on the tribute -- Springsteen decided to cut a whole album of folk tunes popularized by Pete Seeger. He rounded up 13 musicians, including some who played on those 1997 sessions, and did two one-day sessions in late 2005 and early 2006, swiftly releasing the resulting album that April. As Bruce stresses in his introductory liner notes, these were live recordings, done with no rehearsals, and We Shall Overcome does indeed have an unmistakably loose feel, and not just because you can hear the Boss call out chord changes in a handful of songs. This music is rowdy and rambling, as the group barrels head-first into songs that they're playing together as a band for the first time, and it's hard not to get swept up along in their excitement. Springsteen has made plenty of great records, but We Shall Overcome is unique in its sheer kinetic energy; he has never made a record that feels as alive as ...
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