| | John Coltrane Coltrane CD John Coltrane Discography of CDs
Digitally remastered using 20-bit technology by Erick Labson (MCA Music Media Studios).
This Deluxe Edition of COLTRANE includes a bonus disc of previously unissued material.
McCoy Tyner (piano); Jimmy Garrison (bass); Elvin Jones (drums).
John Coltrane's albums, especially the ones he recorded in the 1960s, can usually be assessed as either groundbreaking or "ground holding" (that is, Coltrane would develop trails he'd previously blazed). COLTRANE (1962) may fall into the latter category, but that doesn't make it any less satisfying. Featuring the great saxophonist's legendary quartet (pianist McCoy Tyner, drummer Elvin Jones, and bassist Jimmy Garrison), COLTRANE is packed with spectacular playing, especially on the lengthy, winding "Out of This World," the pulsing, Eastern-tinged "Tunji," and the hard bop-flavored "Miles' Mode."
Recorded one month after DAKAR, COLTRANE explores many similar directions, and again features the tenor saxophonist as part of a three-horn front line, albeit with baritone saxophone and a trumpeter. It also showcases Texan Red Garland on the first three cuts, while DAKAR pianist Mal Waldron is featured on the final three.
The rhythm team of Albert Heath and Paul Chambers gives COLTRANE a more centered rhythm feel than its predecessor, as the bass player's huge beat and elegant harmonic sense set the pace on both ballads and hard hard-driving swing pieces. Drummer Heath introduces "Bakal" with an African rhythm motif supported by bass and baritone counterpoint, as Coltrane and trumpeter Johnnie Splawn essay the chanting melody before breaking into a swinging bridge that is pure Max Roach-Clifford Brown in its steely articulation and sweet voicings. Garland's spacious, laid-back statement sets the stage for Coltrane's swaggering solo, in which he constructs long melodic refrains from splintered thematic scraps.
Again, Coltrane's balance of ruminative and expressive materials is a sign of his growing maturity as an improviser. "While My Lady Sleeps" is given a haunting treatment, sleepwalking between an Arabic-flavored vamp and a dancing two-beat release, while "Violets For Your Furs" is a classic, one of Coltrane's most sumptuous and tender performances. "Time Was" finds the tenor alone, strolling along with the rhythm section at a jaunty medium tempo, leading to some of Coltrane's most expressive, probing solos of the date, even as the stop-time devices of "Chronic Blues" mirror the laid-back intensity of "Blue Trane."
John Coltrane's Impulse years were the most prolific of his career. His classic quartet recorded volumes of materi
All tracks have been digitally remastered.
Additional Tracks
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on April 11, June 19, 20 & 29 and September 18, 1962. Includes liner notes by Bob Thiele and Michael Cuscuna.
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey between April & September 1962. Includes liner notes by Carl Woideck and Rudy Van Gelder.
Recorded at the Van Gelder Studio, Hackensack, New Jersey on May 31, 1957. Originally released on Prestige (7105). Includes liner notes by Ira Gitler and Chris Albertson.
John Coltrane Quartet: John Coltrane (soprano & tenor saxophones); McCoy Tyner (piano); Jimmy Garrison (bass); Elvin Jones (drums).
Producer: Bob Thiele.
Reissue producer: Michael Cuscuna.
Personnel includes: John Coltrane (soprano & tenor saxophone);
Reissue producers: Ken Druker and Bryan Koniarz.
Personnel: John Coltrane (soprano saxophone, tenor saxophone); McCoy Tyner (piano); Elvin Jones (drums).
Liner Note Authors: Joe Lebow; Carl Woideck; Rudy Van Gelder; Bob Thiele.
Recording information: Van Gelder Recording Studios, Englewood Cliffs, NJ (04/1962-11/1962).
Photographers: Burt Goldblatt; Pete Turner ; Chuck Stewart.
Personnel: John Coltrane (tenor saxophone); Sahib Shahab (baritone saxophone); Johnnie Splawn (trumpet); Mal Waldron, Red Garland (piano); Paul Chambers (bass); Al Heath (drums).
Alternative Press (3/03, p.117) - 4 stars out of 5 - "...Listen and marvel.." Coltrane Music | List Price | $19.98 (You save $5.33) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Saxophone | | Label | Impulse! | | Orig Year | 1957 | | All Time Sales Rank |  38173  | | CD Universe Part number | 3021870 | | Catalog number | 589567 | | Discs | 2 | | Release Date | Apr 16, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Ken Druker; Bob Thiele; Bryan Koniarz | | Engineer | Rudy VanGelder | | Personnel | John Coltrane - soprano & tenor saxophone ;
Al Heath - drums
Also: Paul Chambers, Elvin Jones, Mccoy Tyner, Jimmy Garrison, Red Garland, Mal Waldron, Albert "Tootie" Heath, Sahib Shihab, Johnnie Splawn | | Additional Info | Bonus CD; Remastered; Deluxe Edition; Digipak |
John Coltrane Coltrane Songs Coltrane Review
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Purchase Coltrane CD To buy, Click on price to add to cart | John Coltrane Ballads CDs (1962) Bonus CD; Remastered; Deluxe Edition; Digipak
Coltrane album
 $15.95 
This Deluxe Edition of BALLADS includes a bonus disc of previously unissued material.
McCoy Tyner (piano); Jimmy Garrison (bass); Elvin Jones (drums).
BALLADS (1962) finds John Coltrane's classic quartet (which includes bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones) gathering force as a unit and turning their skills to a softer, warmer sound than is usually be found on the team's recordings from the time. Some critics accused Coltrane of capitulating to commercial pressures with this release, but that reaction overlooks the gorgeous performances on "You Don't Know What Love Is," "I Wish I Knew," and others. A beautiful album, and a great entry point for those who might otherwise find Coltrane's '60s work too abrasive.
During the early '60s, the contentious critical reaction to John Coltrane's music got so over-the-top that some reactionaries branded his work with Eric Dolphy as "anti-jazz." Having already recorded the exploratory AFRICA/BRASS and LIVE AT THE VILLAGE VANGUARD, Coltrane went along with producer Bob Thiele's suggestion that he do an album of BALLADS to silence nay-sayers once and for all.
BALLADS, DUKE ELLINGTON & JOHN COLTRANE and JOHN COLTRANE AND JOHNNY HARTMAN for a triptych of "traditional" recordings, italicizing the saxophonist's ability to swing in a classic vein, while underscoring his sensitivity as a ballad player. He even managed to impress the moldy fig who penned the original liner notes to BALLADS.
From the gentle opening strains of "Say It (Over And Over Again)," the saxophonist imparts all the tender yearning and romantic empathy of a mature, compassionate adult. Given his predilection for technical complexities, Coltrane avoids any hint of emotional grandstanding, allowing only for subtle melodic embellishments. On "You Don't Know What Love Is" and "What's New" he displays a glorious tone, achieving a remarkably human vocal timbre in the upper registers, indulging in more pronounced harmonic variations, as
| | John Coltrane Love Supreme CDs (1964) Remastered; Deluxe Edition; Digipak
Coltrane CD music
$21.05   
Digitally remastered using 20-bit technology by Erick Labson.
A LOVE SUPREME is the essential example of the genius of John Coltrane. In what has become the apotheosis of jazz music, this eminently accessible work bridges the gap between music and spirituality, between art and life. With the ultimate incarnation of the jazz quartet, Coltrane brings together all of his turbulent elements into a cohesive paean to spirituality, one which is fully appreciable by the uninitiated.
A LOVE SUPREME is a 33-minute work divided into four movements. "Acknowledgment" starts the album with a heraldic summoning from Coltrane's tenor saxophone, full and joyous, which approximates the tone of the prayer he provides in the album's liner notes. The solo that follows reveals an artist whose spiritual depth and emotional urgency are matched by an adherence to logic and a resolve to achieve one goal above all--communication. Each simple musical statement is either followed by a motivic development or countered with a conversational response. Coltrane climaxes with a distilled four-note motif echoing the album's title, which he plays with by sequencing it through a wide array of tonalities. Finally, the band comes in, reiterating this idea, chanting the mantra "A Love Supreme."
"Acknowledgment" is followed by the torrential release of "Resolution," whose melody Coltrane fervently states to the animated accompaniment of his superb rhythm section. Laying the groundwork is drummer Elvin Jones, who approximates the effect of multiple percussionists feeding off of each other, creating an enormous texture of rhythm. McCoy Tyner's colorful piano clusters act as gusts of wind supporting Trane's soaring expressions. Bassist Jimmy Garrision takes the low road, keeping everyone on track. With support like this, Coltrane is free to explore the uncharted depths of his soul. On "Resolution," we can hear the very fabric of Trane's voice being stretched to the limit, as if even the horn which he has m
| | Seven Steps: The Complete Columbia Recordings Of Miles Davis: 1963-1964 CDs (2004) Limited Edition
Coltrane music CDs
$88.59
Initial pressings of SEVEN STEPS are packaged with a deluxe metal spine.
Also includes a 92-page booklet with rare photos, complete discography and essays by Michael Cuscuna and Bob Blumenthal.
All tracks have been digitally mastered using 24-bit technology.
In the 1960s, trumpeter Miles Davis became a star outside of the jazz world, first with what history refers to as "the Quintet" with Wayne Shorter and Herbie Hancock, then with his highly influential post-BITCHES BREW electric bands. But there was a "transitional" period, after John Coltrane left Davis's employ and before the Shorter/Hancock era, which the SEVEN STEPS box set based around the SEVEN STEPS TO HEAVEN album documents in its entirety, often in a live context.
Davis was seeking the right combination of musicians for his sonic flights, where hard-bop and modal styles could be combined with a wide-open, increasingly elastic sound. Before settling on Shorter (present here), he tried the conventionally hearty, blues-accented bop approach of saxophonist George Coleman and the rippling, somewhat more avant-garde Sam Rivers. Both soar and sear at their respective best, providing remarkable contrast to Davis's magically cool horn. UK-born pianist Victor Feldman plays on some tracks, Hancock on others; the drum chair features Tony Williams (also an explorer of avant expression) and Frank Butler (a crackling, swinging mainstream bopper). SEVEN STEPS includes material originally available on the early-'60s albums IN EUROPE and FOUR & MORE, among others, with (attention, collectors!) the inclusion of eight previously unreleased tracks.
Personnel: Miles Davis (trumpet); Miles Davis; Ron Carter (double bass); Tony Ruption Williams , Tony Williams (drums); George Coleman, Sam Rivers, Wayne Shorter (tenor saxophone); Victor Feldman, Herbie Hancock (piano); Frank Butler (drums).
Audio Remixer: Mark Wilder.
Liner Note Authors: Michael Cuscuna; Bob Blumenthal.
Recording information: Berlin Philharmonic Hall, Ber
| | Miles Davis Cellar Door Sessions 1970 CDs (2005) Remastered; Box Set; Special Edition
Coltrane songs
$87.89 
Contains previously unreleased material. Some of the recordings on the CELLAR DOOR SESSIONS were originally released in edited form on the 1971 double-LP LIVE EVIL.
There is an entire universe contained in this box. Sumptuously packaged and scrupulously annotated, CELLAR DOOR SESSIONS 1970 is a six-disc set that documents Miles Davis's extended residency at the Washington, D.C., club. Davis is backed by a group of genius musicians: keyboardist Keith Jarrett, drummer Jack DeJohnette, bassist Michael Henderson, saxophonist Gary Bartz, percussionist Airto Moreira and guitarist John McLaughlin (who appears only on the last two discs). Together they pioneered an ecstatic fusion of jazz, rock, funk, and abstract sound-painting that established the blueprint for the future of progressive music.
Each disc contains a different live set, and while songs are often repeated across the set lists, no two tracks sound the same. The players improvise at a fever-pitch, pushing themselves to endless invention, and the ensemble's interplay--expressionistic, protean, and fierce--is near telepathic. The influence of rock artists like Sly Stone and Jimi Hendrix can be heard in the layering of deep funk rhythms and psychedelic inflections (especially with Miles's wah-filtered trumpet), but the overall sound seems to subsume and transcend the entire history of 20th century music. In a career full of musical innovation, this is some of Miles's most visionary work, and this essential set (which also boasts splendid remastering) documents it for a near-religious listening experience.
Personnel: Miles Davis (trumpet); Miles Davis; John McLaughlin (guitar, electric guitar); Keith Jarrett (Fender Rhodes piano, electric organ); Michael J. Henderson (electric bass); Michael Henderson (bass guitar); Gary Bartz (soprano saxophone, alto saxophone); Jack DeJohnette (drums); Airto Moreira (percussion).
Liner Note Authors: John McLaughlin ; Keith Jarrett; Airto Moreira; Gary Bartz; Jack DeJohnette;
| | John Coltrane One Up, One Down: Live At The Half Note CDs (2005) Remastered
Coltrane album
$18.95 
The dramatic, spiraling inventions of Tyner lend a frenetic element to Coltrane's already intense lines, while Jones and Garrison find and rearrange nearly every rhythm and counter-rhythm imaginable. There are only four tracks here (spread out over two discs), but each--whether it's the fiery title track or the exhilarating take on "My Favorite Things"--is a study in artistry.
Live Recording
Personnel: John Coltrane (soprano saxophone, tenor saxophone); Alan Grant (spoken vocals); McCoy Tyner (piano); Jimmy Garrison (double bass); Elvin Jones (drums).
ONE DOWN, ONE UP: LIVE AT THE HALF NOTE, recorded in the last year of the classic quartet's existence, captures John Coltrane, drummer Elvin Jones, pianist McCoy Tyner, and bassist Jimmy Garrison going full blast. Recorded a year after A LOVE SUPREME, Coltrane was already moving on to extended improvisation, stretching out a single composition for 15 or 20 minutes while deconstructing it from every conceivable angle, turning his saxophone into an instrument of relentless exploration.
| | Thelonious Monk At Carnegie Hall CD (2005)
Coltrane CD music
$13.75
On paper it seems as if such titanic and distinctive musical personalities as Thelonious Monk and John Coltrane might not mix very well, but this stellar set, recorded live at Carnegie Hall in 1957, plays almost like a blissful extended duet between the two (with support from a sensitive yet hard-swinging bassist and drummer). The opener, "Monk's Mood," for example, features the composer/pianist's typically brilliant, idiosyncratic playing, while Coltrane floats over the top in the most lyrical of modes. Monk, in particular, is a master of tension-and-release tunefulness, creating rhythmic and harmonic intricacies that seem to spur Coltrane's saxophone exploration to new heights.
The quartet shines on ballads ("Sweet and Lovely"), but the leaders display their best chemistry on the Monk's thorny, uptempo bop numbers. "Evidence" and "Epistrophy," for instance," have Monk adding rhythmic, dissonant punctuation to Coltrane's torrential stream of ideas, creating a thrilling push-pull balance. A superb date, and a must for fans of both artists, AT CARNEGIE HALL captures two of jazz's most important figures working in perfect symbiosis.
Recording information: Carnegie Hall, New York, NY (11/29/1957).
Personnel: Thelonious Monk (piano); John Coltrane (tenor saxophone); Ahmed Abdul-Malik (bass instrument); Shadow Wilson (drums).
Liner Note Authors: Larry Appelbaum; Robin D.G. Kelley; Ira Gitler; Lewis Porter; Amiri Baraka; Stanley Crouch; Ashley Kahn.
Award Winner
| | Stan Getz Getz Plays Jobim: The Girl From Ipanema CD (2002)
Coltrane music CDs
$8.19
Simply put, here are the most successful 14 cuts covering two years in the collaboration between Stan Getz and Antonio Carlos Jobim, during which both men became accustomed to having hit singles. Unfortunately, only one of them got to ride that horse for the rest of the decade -- in the United States, anyway. Nonetheless, this material marks the Americans obsession with the bossa nova and was the music that made Getz and Jobim household names for a while -- after all, we were just climbing out of the "swinging bachelor pad" music era and still had all those weird hi fi records to explore. Seriously though, the great sensitivity shown by Getz for this material, and the adventurousness of Jobim were a match made in heaven and would change the faces of jazz and Brazilian pop forever. This is a fine collection for anyone interested in bossa, and Getz in this period as well. ~ Thom Jurek
Includes liner notes by Neil Tesser.
Compilation producer: Richard Seidel.
Personnel includes: Stan Getz (tenor saxophone); Joao Gilberto (vocals, guitar); Astrud Gilberto (vocals); Doc Severinsen (trumpet); Clark Terry (flugelhorn); Tony Studd (bass trombone); Jerry Sanfino (flute); Ray Beckenstein, Babe Clark (clarinet); Gary Burton (vibraphone); Antonio Carlos Jobim (piano); Gene Byrd (guitar, bass); Luiz Bonfa, Charlie Byrd, Jim Hall (guitar); Tommy Williams, Gene Cherico (bass); Helcio Milito, Milton Banana (drums).
Producer: Creed Taylor
| | Nina Simone Fodder On My Wings CD (1982)
Coltrane songs
$13.45 
In the 1980s, Nina Simone's recordings, particularly those cut in the studio, tended to be a bit erratic. Fodder on My Wings, which was recorded in Paris, is certainly all over the place, although mostly rewarding. Simone is joined by a rhythm section and occasionally a pair of unidentified horns (trumpet and tenor), an organ, and background singers. The repertoire includes the quiet ballad "Il Y a un Baume a Gilhead," the rollicking "Liberian Calypso," a unique unaccompanied and mostly out-of-tempo interpretation of "Alone Together Naturally," and a brief satirical "Color Is a Beautiful Thing." There are also singalongs, brief throwaways, and aching ballads. Far from flawless, there are enough strong moments to make this set of interest to Nina Simone fans. ~ Scott Yanow
Recording information: Paris, Studio Davout (01/1982).
Arranger: Nina Simone.
Personnel: Nina Simone (vocals, piano, shaker, tambourine); Nina Simone (harpsichord); Sylvain Marc (vocals, electric bass); Sylvain Marc (vocals, bass guitar); Sydney Thiam, Sydney Thiam (congas, wood block, bells); Paco Sery (timpani, percussion).
Audio Remixer: Claude Ermelin.
| | Ladies Of Jazz CDs (2005) Import; Boxed Set
Coltrane album
$8.59
Import exclusive compilation featuring Ella Fitzgerald, Billie Holiday, Anita O'Day, Peggy Lee, Sarah Vaughan, Dinah Washington, Nina Simone, & other 'Ladies of Jazz'. 35 tracks. Three standard jewelcases housed together in a slipcase. Goldies. Pulse. 2005.
| | No Doubt Karaoke: Gwen Stefani CD (2006)
$8.29 | | Mort Weiss B3 & Me CD (2006)
Coltrane CD music
$13.49
Clarinet-organ groups are far from common. In fact, prior to Mort Weiss' debut CD with organist Joey DeFrancesco, it is possible that combination had never been utilized before. For their second joint recording, B3 and Me, Weiss and DeFrancesco (who brought along his trio) are both in excellent form, clearly inspiring each other on a set of standards. Due to difficulties with getting Concord's permission to use DeFrancesco on this album, the project was shelved for a time and the final results do not list DeFrancesco on the outside of the CD. No matter, the music is quite enjoyable with swinging solos from DeFrancesco (the pacesetter in his field), Mort Weiss at his best, and guitarist Craig Ebner with drummer Byron Landham contributing fine support. A highlight is a lengthy exploration of "Falling in Love with Love" in six/four time that features some of Mort Weiss' most intense playing. ~ Scott Yanow
Recording information: Voice Of The Arts (01/2003).
Personnel: Mort Weiss (clarinet); Mort Weiss; Joey DeFrancesco (Hammond b-3 organ); Craig Ebner (guitar); Byron Landham (drums).
Liner Note Author: Mort Weiss.
| | Tierney Sutton On The Other Side CD (2007)
Coltrane music CDs
$12.15
The accomplished jazz vocalist Tierney Sutton interprets a variety of songs on the subject of happiness on this subtle, nuanced set. Unique readings of standards such as "Happy Days Are Here Again," presented here in upbeat and more muted versions, a somber, minor key "You Are My Sunshine," and a masterful, rhythmically complex arrangement of "I Want to Be Happy," display both Sutton's skill at conveying widely differing moods, and her fluid technique, aided by her empathetic quartet.
Recording information: Capitol Studios, Studio A, Hollywood, CA (08/28/2006-08/30/2006).
Editor: Robert Friedrich.
Photographers: Pamela Springsteen; Michael Gottlieb.
Arrangers: Tierney Sutton; Tierney Sutton Band.
Personnel: Tierney Sutton (vocals); Tierney Sutton; Jack Sheldon (vocals, trumpet); Trey Henry, Kevin Axt (bass instrument); Christian Jacob (piano); Ray Brinker (drums).
Liner Note Author: Tierney Sutton.
| | Regi In The Mix 5 CD (2008) (Import)
Coltrane songs
$47.29
Track Listing of songs: Luke Be; Show Me Love; This Time [Klaas RMX]; Space [Klaas Club RMX]; London Bridge; Morumbi; Shake and Pop/Work; Blink; Pull Over [Dabruck ; Klein Mix]; Freak; Waiting 4; Fun Fun Fun; Don't You Want Me [Thomas Gold and FDS Club Mix]; Till You Come Back [Jerry Ropero RMX]; Big Fun [Dave Spoon RMX]; Lost Memory; Shining Star [Pornocult Vocal Ouverture Mix]; Beginning; Punish; He Light; Waterfall; Flight; Sexyback; Drugs (Would That Be Right?) [Juno RMX]; Sticks ; Stoned; Madagascar; Let U Down; Big Sky; Till the Sky Falls Down; No Sudden Moves; Sin; Finished Symphony [DEADMAU5 RMX]; Night ; Day [Dave Lambert ; Housetrap RMX];
| | Additional Moog Endless Air CD (2009)
Coltrane album
$12.65
REVIEWS :" Hauntingly beautiful and hypnotic album whose style references the greats that have gone before. I didn't know such quality could still be made by contemporary bands. Thank goodness for Additional Moog making albums such as this. With this only their second album, Endless Air is evidence that what we have heere, ladies and gentlemen, is a band heading for greatness." MAVERICK MAGAZINE" Masters of lo-fi Americana and alt.country. Endless Air is a rough gem of a record which honours the likes of Gram Parsons, Wilco and the Band... Full of haunting tunes which will leave an impression long after first hearing. Made From Games could be the best break-up song you'll hear this year.." CLASH MAGAZINEPRESS RELEASE :“Endless Air”, Additional Moog's second album on Fight This Generation! Records sees the Shropshire, UK-based outfit turn in a darker, more contrasting collection of songs, imbued with an experimental edge and yet still retaining elements of rock, Americana and folk pop.Recording for the album started in the summer of 2007 and finally ended in December 2008. There was good reason it took longer than expected; “Making this album nearly split Additional Moog”, says singer/songwriter J.L. Williams. “On a personal level I was going through some emotional upheaval and at the same time there was a period of adjustment for the band with a line-up change. There was a lot of downtime deciding whether to permanently recruit a new bassist or try a different approach. The fact that we weren't all based in the same city any more made it more challenging. In the end, Mark (Rose) and I split bass parts. Ultimately it was all the more rewarding the way things turned out.”“Our debut, 'Thirty Three & A Third', was all about capturing a set of songs that we'd been playing live as a band”, explains Williams. “Making 'Endless Air' was a much more deliberate affair. With the arrangements I wanted to de construct parts, play around with synthesizer noises and go for a more textured, warmer production. Essentially I shut myself away with a tape machine and a razor blade”. The resulting album, “Endless Air”, is an emotionally absorbing journey that is by turns both melancholic and optimistically pop-inspired. Opening track “Quietly Through the Canyon” lays the groundwork with its minor key verses giving way to a hopeful, major key chorus. The overall, introspective feel permeates the rest of the album on cuts like “Made From Games”, “Signs On Fifty-Four” and the bittersweet “I'm Not Safe In This World.” “Cresting” is one of the most delicate songs on the album and yet the rawest, being one of the tracks recorded almost completely live in the studio with few overdubs.Respite comes in the form of the angular “Kicking Static”, fuzzy garage rock of “Silver Diver” and the folk pop of “Holy Jukebox” - all songs that actually date from very early on in the Additional Moog oeuvre.“Radio Silence” is Additional Moog's most experimental and textured song to date that moves away from a normal song format towards a series of mini-movements that culminate in a fuzzed out jam that sounds like it was a blast to play!“Harmonica Fuel” and “The Slow Fade” both seem to be thematically linked, albeit from different points in a journey. “Harmonica Fuel” plots the early beginnings of a new start/endeavour/relationship, while “The Slow Fade” brings that journey to its inevitable and yet hopeful end.PLEASE NOTE : As we ship our CDs from the UK we are unfortunately unable to offer discounts because of the high mailing costs involved. If the CD is out of stock on CDBaby, you will always be able to order a copy from the official Fight This Generation! store : http://ftg.bigcartel.com
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