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Jay-Z Best Of Both Worlds CD

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What do you get when you combine one of the biggest names in hip-hop with the premier R&B singer of his generation? In the case of R. Kelly and Jay-Z, besides the obvious marketing opportunity, you get an intersection between the two genres that illuminates the strengths of both while simultaneously working on a new paradigm from the middle ground occupied by both artists. "Break up to Make up" isn't the old Stylistics R&B hit, but a new concoction full of Jay-Z's attitude and R. Kelly's vocal power; no looking back for this pair. And with Kelly being one of the original R&B mack daddies, you can be sure that tales of carnal exploits are in no short supply on the appropriately titled THE BEST OF BOTH WORLDS. The key here, though, is the way Jay-Z's well-documented lyrical acumen is supported by the melodic twists and turns of Kelly's singing, and how RK's sound is in turn made all the more visceral by his partner's in-your-face approach.

Both R. Kelly and Jay-Z were flying high around the time of The Best of Both Worlds, so the idea of a collaborative album was a reasonable one, following up the success of The Blueprint (2001) and TP-2.com (2000). Unfortunately, Jay-Z's contributions (interjections and verses, mainly) sound like filler on The Best of Both Worlds, although Kelly fares better, supplying some potent hooks and co-producing the tracks with the Trackmasters (i.e., Poke and Tone), but he can't carry the album alone. Still, there are some moments where the collaborations click, particularly on the album's singles, "Get This Money" and "Take You Home with Me." [The Best of Both Worlds was also made available in a "clean" version with all profanity removed.] ~ Jason Birchmeier

Both R. Kelly and Jay-Z were flying high around the time of The Best of Both Worlds, so the idea of a collaborative album was a reasonable one, following up the success of The Blueprint (2001) and TP-2.com (2000). The Best of Both Worlds falls terribly short of both artists' high standards, unfortunately, sounding as if the vocals were phoned in, which in the case of Jay-Z they probably were, for his contributions (interjections and verses, mainly) sound like filler here. Kelly fares better throughout The Best of Both Worlds, supplying some potent hooks and co-producing the tracks with the Trackmasters (i.e., Poke and Tone), but not even he can carry an album this uninspired. Still, there are some moments where the collaborations click, particularly on the album's singles, "Get This Money" and "Take You Home with Me." Overall, though, The Best of Both Worlds rates among the poorest efforts -- arguably the poorest -- in either Kelly's or Jay-Z's catalog to date. [The Best of Both Worlds was also made available in a "clean" version with all profanity removed.] ~ Jason Birchmeier

Engineers include: Abel Garibaldi, Gimel "Young Guru" Keaton, Poke.

Recording information: Baseline Studios, New York, NY; Basement Studios, Cliffside Park, NJ; Chicago Trax, Chicago, IL; Rock Land Studios, Chicago, IL; TransContinental Studios, Orlando, FL.

Personnel includes: Jay-Z, R. Kelly (vocals); Devin The Dude, Beanie Sigel, Lil' Kim (rap vocals); Donnie Lyle (guitar, keyboards); Precision (guitar); Rodney East, Kendall Nesbitt (keyboards); Louie "LP" Pimental (bass); Abel Garibaldi, Ian Mereness, Poke, Tone (programming); Shanay Reed (background vocals).

Producers include: Megahertz, Poke, Tone, R. Kelly, Charlemagne.

Rolling Stone (4/11/02, p.130) - 3 stars out of 5 - "...When Kelly and Jigga get serious, the results are truly compelling..."
Q (May 2002, p.115) - 3 out of 5 stars - "...R. Kelly lends his soaring vocal...but leaves plenty of room for Jay-Z's brash, muscular raps..."
Best Of Both Worlds Music


Detailed Best Of Both Worlds Music Information



List Price $13.92 (You save $1.27)
Category Rock/Pop Albums, R&B CDs, Rap, Soul/R&B, Urban Soundtrack, East Coast Rap, Greatest Hits Collections
Label Def Jam
Orig Year 2002
All Time Sales Rank   155007  
CD Universe Part number 3022005
Catalog number 586782
Discs 1
Release Date Mar 19, 2002
Studio/Live Studio
Mono/Stereo Stereo
Personnel Jay-Z
R. Kelly - vocals
Donnie Lyle - guitar, keyboards
Ian Mereness
Abel Garibaldi
Rodney East
Poke
Tone - programming
Kendall Nesbitt - keyboards
Precision - guitar
Louie "LP" Pimental - bass
Shanay Reed - background vocals

Also: Lil' Kim, Beanie Sigel, Devin
Additional Info Edited
Jay-Z Best Of Both Worlds Songs


Jay-Z Best Of Both Worlds Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Best of Both Worlds, The  $0.99
2.Take You Home with Me (aka Body)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Break Up to Make Up  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.It Ain't Personal  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Streets, The$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Green Light - (featuring Beanie Sigel)  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Naked$0.99
8.Shake Ya Body - (featuring Lil' Kim)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Somebody's Girl  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Get This Money  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Shorty  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Honey  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.P***y - (featuring Devin)$0.99

Best Of Both Worlds Music


Best Of Both Worlds Other Versions



Jay-Z
Best Of Both Worlds  (2002) 3.4 stars Audio Samples
CD$11.99
R. Kelly
Best Of Both Worlds  (2002) Bonus Track; Japan
CD$33.75
Best Of Both Worlds Music Review


Customer Best Of Both Worlds Reviews 




5 stars Definitely the Best of Both Worlds
One of the most anticipated compact discs of this year is rumored to be slated for release on March 20, 2002. The original release date was March 26, 2002, however a numerous amount of copies have somehow made their way to the streets for sale. I myself was able to purchase a copy of this exceptional album on March 17. Appropriately titled, "The Best of Both Worlds," this work of art contains 13 hot tracks produced by Shawn Carter (Jay-Z), R. Kelly and Tone. There are not many guest appearances (which is the norm now for R & B/Hip Hop/Rap tracks), limited to those by Beanie Sigel (Green Light), Lil' Kim (Shake ya Body), and Devin the Dude (P***Y). There is a splendid mix of sweet R & B tracks with a touch of the hypnotic lyrics that Jay-Z is known for, along with the bass bumping, get the party hype, booty shaking tracks that we have grown to expect from Jigga (Jay-Z). Consumers can look forward to these tracks on either 3/20 or 3/26: 1. The Best of Both Worlds 2. Take you home with me A.K.A. Body 3. Break up to make up 4. It ain't personal 5. The Streets 6. Green Light feat. Beanie Sigel 7. Naked 8. Shake ya body feat. Lil' Kim 9. Somebody's Girl 10. Get this money 11. Shorty 12. Honey 13. P***Y Feat. Devin the Dude The first track is an slow introduction that dedicates the album to all the "fallen soldiers" (i.e. Aaliyah, and the Notorious B.I.G.), while the second track is a more up tempo tribute to the woman's body and all that the two artists would like to do it. Track number three is more R. Kellyish song about making love after an argument; it's an excellent example of the storytelling capabilities of a well written song. Track number four is a slower ballad detailing the struggle with friends making the transition from poor to having money. The fifth track really showcases the extraordinary talent of both of the featured artists, it is a call to all those living a rough life not to let their environment hold them down. The six is the only song that could have been skipped. R. Kelly raps in a sing song voice and takes a stab at fellow R&B artist Sisqo of Dru Hill (Def Jam). Number seven is nearly an acappella . . .definitely for the couples. Song number eight is a booty shaker featuring Lil' Kim where Jay-Z proclaims himself "the hardest rapper" and R. Kelly "John Gotti". . .definitely worth riding to. Number nine is a track letting men know that they need to take care of their girls or they will stray in a club setting. Track number ten is the one of the current singles from the album that will definitely make the listener want to dance and presents the lyrical talents of Jigga. Eleven is a track detailing about all the pretty girls around the world and is a bit explicit. Track twelve the other single from the album features a bit of howelling, it's quite interesting with a very catchy chorus, expressing how hard it is to chose between girls and "the game". The final track is VERY explicit, so explicit that the title had to be asterisked (even on the C.D.), lets just say it is a testimony of how powerful the effect of a woman's vagina is on a man. This C.D. is an excellent display of how talented R. Kelly and Jay-Z are together. . .in their respective genres. R. Kelly dangerously crosses the line between singer and rapper. . . unsuccessfully. Jay-Z however realizes his limits and does not dare sing a note on this album. Overall I will give this effort 5 stars out of 5, definitely worth spending the money for. The only thing that upsets me is there are only 13 tracks included, but there are about 6 more tracks floating around that are rumored not to have made the final cut. This collaboration between the two artists is great and produces such chemistry that we want more! Hopefully we can expect to receive additional hot songs in the future. The album does have a parental advisory warning, and rightfully so. The content is definitely for mature audiences, some of the lyrics make me blush and I would not play it in front of my mother. R. Kelly commented on the album at a joint press conference last week at New York's Waldorf-Astoria, "This album is not Disneyland," he said. "It's up to the parents to bring the kids up the way they should." Fans can expect a tour this summer featuring both artists, the scheduling is currently in the works for the chart topping duo. Great Music to Play While: Driving
Submitted by rhunda (Purdue University)
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1992 The birth of what later on should be IN AETERNUM. Started out as Behemoth.1993 Released 2 reh. tapes called "Domini Inferi" and "The Ancient Kingdom".1994 Changed name to IN AETERNUM.1995 Recorded an unnamed mcd that never got released for some reason. 5 songs was recorded and put in a vault.1996 Recorded the track "The Pale Black death" and spread it around to magazines and labels.1997 Went on to record the very first proper mcd called "...And Darkness Came" in late September.1998 Released the mcd on our own to gain interest from labels. Release date February 1998. This release got us signed to Necropolis Records a fast growing label from the USA. Recorded the debut album the same year at Fredman Studios.1999 Recorded a 7 inch for German label Metal Supremacy. Released the debut album "Forever Blasphemy" during spring time. Went on a European tour right after with IMMORTAL to promote it. Did the Under The Black Sun Festival down in Berlin, played the Wacken festival in front of a rabid crowd in August. Released the 7 inch called "Demon Possession" in August as well.2000 Went to Abyss Studios in January to record "The Pestilent Plague", once again for Necropolis Records. Release date in Europe July 17th and USA July 18th.Went to the USA for the first time in November and played a few shows. Did one of the bigger festivals called November To Dismember in Los Angeles.2001 Touring duties with MALEVOLENT CREATION in February throughout Europe. Did the 2heavy4you festival and Motala Metal Fest in Sweden.Started to record the new album "Nuclear Armageddon" in November.2002 Split with Necropolis Records and went on to finish the "Nuclear Armageddon" album. Played the Open Hell Festival in the Czech Republic. Released the compilation "Past And Present Sins" as a final release on Necropolis Records.2003 Signed to Agonia Records and released the album in April. Went on tour with Gospel Of The Horns throughout Europe during May. Played the Under The Black Sun for the 2nd time in July. Released a 10 inch called "Beast Of The Pentagram" Recorded 2 new songs at Abyss Studios in late December for an upcoming release during spring 2004.2004 Signed a new deal with Agonia Records, and the same label released the mini-CD "No Salvation" in April/May. IN AETERNUM was confirmed as support act to DEICIDE on their European ...
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