| | Foreigner CD Foreigner Discography of CDs
(3 Customer Reviews)
Expanded & remastered edition of their 1977 debut with 4 added bonus demo versions of 'Feels Like The First Time', 'Woman Oh Woman', 'At War With The World' & 'Take Me To Your Leader'.
Foreigner includes: Mick Jones (vocals, guitar); Lou Gramm (vocals); Ian McDonald (guitar, horns, keyboards, background vocals); Al Greenwood (keyboards, synthesizer); Ed Gagliardi (bass, background vocals); Dennis Elliott (drums). Additional personnel: Ian Lloyd (background vocals). Producers include: John Sinclair, Gary Lyons, Mick Jones, Ian McDonald. Compilation producer: David McLees. Engineers include: Gary Lyons, Mick Jones, Ian McDonald. Recorded at The Record Plant, New York, New York in November 1976. Includes liner notes by Bruce Pilato. All tracks have been digitally remastered. Personnel: Ian McDonald (vocals, guitar, horns, keyboards); Mick Jones (vocals, guitar); Ed Gagliardi, Lou Gramm (vocals); Al Greenwood (keyboards, synthesizer); Dennis Elliott (drums). Audio Mixers: Ian McDonald; Mick Jones . Audio Remasterers: Dan Hersch; Bill Inglot. Liner Note Author: Bruce Pilato. Photographer: Waring Abbott. Unknown Contributor Role: Michael McConnell. Although punk rock's furious revolution threatened to overthrow rock's old guard in 1977, bands like Foreigner came along and proved that there was plenty of room in the marketplace for both the violent, upstart minimalism of punk and the airbrushed slickness of what would be called "arena rock." Along with Boston, Journey, Heart, and others, Foreigner celebrated professionalism over raw emotion. And, looking back, it's easy to see why they sold millions; not everyone in the world was pissed off, dissatisfied with the economy, or even necessarily looking for a change. In fact, for most suburban American teens, Foreigner's immaculate rock sound was the perfect soundtrack for cruising through well-manicured neighborhoods in their Chevy Novas. The album spawned some of the biggest FM hits of 1977, including the anthemic "Feels Like the First Time" and "Cold as Ice," both of which were anchored -- like most of Foreigner's songs -- by the muscular but traditional riffing of guitarist Mick Jones, the soaring vocals of Lou Gramm, and the state-of-the-art rock production values of the day, which allowed the band to sound hard but polished. As pure rock craftsmanship goes, Foreigner was as good as it got in the late '70s. ~ Andy Hinds Along with bands like Styx, Journey, and Boston, Foreigner was one of the first hard rock acts to add overt Top-40 pop sensibilities to the mix. The result was mass crossover success, something that both the pop and rock audiences could easily latch onto. Foreigner's self-titled debut from 1977 is the epitome of classic rock: big guitar hooks, melodicism, simple driving rhythms, and sexually charged lyrics. Two of Foreigner's best-known tracks, "Double Vision" and "Cold as Ice," are included here, as are such strong album cuts as "Long Way From Home." FOREIGNER was a multi-platinum success--with just one try, the band found itself at the top of the hard rock heap. Along with bands like Styx, Journey, and Boston, Foreigner was one of the most popular 1970s arena rock acts to add overt Top 40 pop sensibilities to the mix. The result was massive crossover success, something that both the pop and rock audiences could easily latch onto. Foreigner's self-titled debut from 1977 is the epitome of classic rock: big guitar hooks, melodicism, simple, driving rhythms, and sexually charged lyrics. Two of Foreigner's best-known tracks, "Double Vision" and "Cold as Ice," are included here, as are such strong album cuts as "Long Way From Home." FOREIGNER was a multi-platinum success--with just one try, the band found itself at the top of the AOR heap. Although punk rock's furious revolution threatened to overthrow rock's old guard in 1977, bands like Foreigner came along and proved that there was plenty of room in the marketplace f Foreigner Music Review Average Rating: (5 out of 5 stars)   good choice impressed with speed of sevici and price cheaper than in my country australia Submitted by info (naracoorte australia)  Was This Review Helpful? Yes No
Everything is great except Headknocker This is about the best debut album in Rock history,if I do say so myself!!!!!!I know everybody will hate me because I dont really like the song "HEADKNOCKER",but their are plenty of other gems to listen to on this brilliant disc. I'm a little tired of "FEEL'S LIKE THE FIRST TIME",AND "COLD AS ICE",but love the songs like;"FOOL FOR YOU ANYWAY","AT WAR WITH THE WORLD","LONG,LONG,WAY FROM HOME","I NEED YOU",AND "STARRIDER". I need to pull this out again,its been a couple years since I listened to this super disc.DONT EVEN THINK ABOUT PASSING THIS GREAT DISC!!!!!!!!!!!!!!!!!!! Submitted by Mark (Wichita,KS,USA) Was This Review Helpful? Yes No
Perfect Debut One of the greatest Rock albums of all time. This album does not have one bad song. Except for the added demo's (why do record company's put this crap on CD'S?). Classic's like "feel like the first time" and "cold as ice". This is a MUST for serious Rock n Rollers! Submitted by Bob N. (Buffalo N.Y.) Was This Review Helpful? Yes No
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Purchase Foreigner CD To buy, Click on price to add to cart | Foreigner 4 CD (1981) Bonus Tracks; Remastered
Foreigner
$6.49 Expanded & remastered edition of their 1981 release with 2 added bonus 'nearly unplugged' versions of 'Juke Box Hero' & 'Waiting For A Girl Like You'.
Atlantic's Gold Standard Audiophile Compact Discs are gold-plated CD's that boast 20-bit digital reproduction technology for improved sonic dynamics. Each re-issue comes in a specially designed mini-box which includes the jewel CD box plus a 24-page color booklet featuring new liner notes, photographs, and the complete original album artwork. Personnel: Lou Gramm (vocals, percussion); Mick Jones (guitar, keyboards, background vocals); Hugh McCracken (slide guitar); Mark Rivera (saxophone); Joe Walker, Jr. (alto saxophone); Michael Fonfara, Bob Mayo (keyboards); Larry Fast, Thomas Dolby (synthesizer); Rick Willis (bass guitar, background vocals); Ian Lloyd (background vocals). Audio Remasterers: Dan Hersch; Bill Inglot. Liner Note Author: Bruce Pilato. Recording information: Electric Lady Studios, N.Y.C (1999); Mick's Home Studio (1999). Photographer: Neal Preston. Over the course of their first three late-'70s albums, Foreigner had firmly established themselves (along with Journey and Styx) as one of the top AOR bands of the era. But the band was still looking for that grand slam of a record that would push them to the very top of the heap. Released in 1981, 4 would be that album. In producer Robert John "Mutt" Lange -- fresh off his massive success with AC/DC's Back in Black -- guitarist and all-around mastermind Mick Jones found both the catalyst to achieve this and his perfect musical soulmate. Lange's legendary obsessive attention to detail and Jones' highly disciplined guitar heroics (which he never allowed to get in the way of a great song) resulted in a collaboration of unprecedented, sparkling efficiency where not a single note is wasted. "Nightlife" is only the first in a series ("Woman in Black," "Don't Let Go," the '50s-tinged "Luanne") of energetic, nearly flawless melodic rockers, and
| | Foreigner Double Vision CD (1978) Bonus Tracks; Remastered
Foreigner
$6.19 Expanded & remastered reissue of their 1978 release. Features two live bonus tracks, 'Hot Blooded' & 'Love Maker'. Includes new liner notes written by Jerry McCulley. 2002.
Foreigner: Lou Gramm (vocals); Ian McDonald (guitar, reeds, keyboards); Mick Jones (guitar, piano); Al Greenwood (keyboards, synthesizer); Ed Gagliardi (bass); Dennis Elliott (drums). Additional personnel: Ian Lloyd (background vocals). Producers: Keith Olsen, Mick Jones, Ian McDonald. Includes liner notes by Jery McCulley. All tracks have been digitally remastered. Personnel: Ian McDonald (vocals, guitar, reeds, keyboards); Mick Jones (vocals, guitar, piano); Lou Gramm (vocals); Al Greenwood (keyboards, synthesizer); Ian Lloyd (background vocals). Audio Remasterer: Dan Hersch. Recording information: Anaheim Stadium, Anaheim, CA (07/01/1977); Atlantic Recording Studio, NY (07/01/1977); Mantra Studios, Chicago, IL (07/01/1977); NY Sound & City Studios, Van Nuys, CA (07/01/1977). Photographers: Norman Seeff; Neal Preston. Unknown Contributor Role: John Kalodner. Foreigner promptly followed up its blockbuster debut with the equally successful Double Vision LP in 1978, which featured the FM mega-hits "Hot Blooded" and the driving title track. Opting not to mess ...
| | Foreigner Head Games CD (1979) Bonus Track; Remastered
Foreigner
$8.39 Expanded & remastered reissue of their 1979 release. Features the previously unreleased bonus track 'Zalia'. Includes new liner notes written by Jerry McCulley. 2002.
Foreigner: Lou Gramm (vocals); Mick Jones (guitar, piano); Ian McDonald (guitar, keyboards); Al Greenwood (keyboards, synthesizers); Rick Willis (bass); Dennis Elliott (drums). Producers: Roy Thomas Baker, Mick Jones, Ian McDonald. Recorded at Atlantic Studios, New York, New York. Includes liner notes by Jerry McCulley. All tracks have been digitally remastered. Personnel: Mick Jones (vocals, guitar, piano); Ian McDonald (vocals, guitar, keyboards); Lou Gramm, Rick Wills (vocals); Al Greenwood (keyboards, synthesizer). Audio Remasterer: Dan Hersch. Liner Note Author: Jerry McCulley. Recording information: Atlantic Studios, New York, NY; Cherokee Studios, Hollywood, CA. Photographer: David Alexander . Foreigner continued its platinum winning streak on Head Games, the band's third album. By the time Head Games was released, FM radio had fully embraced bands like Foreigner, Journey, and Boston, whose slick hard rock was tough enough to appeal to suburban teens, but smooth enough to be non-threatening to their parents. Tailor-made for the airwaves, "Dirty ...
| | Yes 90125 CD (2009) Bonus Tracks; Remastered
Foreigner
$6.39 Includes 6 bonus tracks. Yes: Jon Anderson (vocals); Trevor Rabin (guitar, keyboards, background vocals); Tony Kaye (keyboards); Chris Squire (bass, background vocals); Alan White (drums, percussion, background vocals). Additional personnel: Jonathan Jeczalik, Dave Lawson (programming). Recorded at Sarm Studio, London, England. Originally released on Atco (90125). Personnel: Trevor Rabin (vocals, guitar, keyboards); Chris Squire (vocals, bass guitar); Jon Anderson (vocals); Tony Kaye (keyboards); Johnathon J. Jeczalik (keyboard programming). Audio Remasterer: Dan Hersch. Audio Remixer: Steve Lipson. Recording information: Air Studios, London, England (1983); Sarm Studios, London, England (1983); Sunpark Studios, London, England (1983). A stunning self-reinvention by a band that many had given up for dead, 90125 is the album that introduced a whole new generation of listeners to Yes. Begun as Cinema, a new band by Chris Squire and Alan White, the project grew to include the slick production of Trevor Horn, the new blood (and distinctly '80s guitar sound) of Trevor Rabin, and eventually the trademark vocals of returning founder Jon Anderson. His late entry insured that Rabin and Horn had a heavy influence on the sound. The album also marked the ...
| | Boston CD (1976) Reissue; Remastered
Foreigner
$6.09 Boston: Brad Delp (vocals); Tom Scholz (guitar, organ); Barry Goudreau (guitar); Fran Sheenan (bass); Sib Hassian (drums). Recorded at Foxglove Studios, Watertown, Massachusetts; Capitol Studios, Hollywood, California; The Record Plant, Los Angeles, California between 1975 and 1976. Boston: Brad Delp (vocals); Tom Scholz (guitar, bass guitar); Barry Goudreau (guitar); Fran Sheehan (bass guitar); Sib Hashian (drums). Boston is one of the best-selling albums of all time, and deservedly so. Because of the rise of disco and punk, FM rock radio seemed all but dead until the rise of acts like Boston, Tom Petty, and Bruce Springsteen. Nearly every song on Boston's debut album could still be heard on classic rock radio decades later due to the strong vocals of Brad Delp and unique guitar sound of Tom Scholz. Tom Scholz, who wrote most of the songs, was a studio wizard and used self-designed equipment such as 12-track recording devices to come up with an anthemic "arena rock" sound before the term was even coined. The sound was hard rock, but the layered melodies and harmonics reveal the work of a master craftsman. While much has been written about the sound of the album, the lyrics are often overlooked. There are songs about their rise from a bar band ("Rock and Roll Band") as well as fond remembrances of summers gone by ("More Than a Feeling"). Boston is essential for any fan of classic rock, and the album marks the re-emergence of the genre in the 1970s. ~ Vik Iyengar Recorded on a simple 12-track recorder as a ...
| | Team Mint, Vol. 2 CD (2001)
Foreigner
$7.89 Personnel: Carolyn Mark (vocals, guitar, piano); Goblin (vocals, guitar, drums); Carl Newman (vocals, guitar); Linda Wolfe (vocals, mandolin); Dustin (vocals, synthesizer, drums); Theodore Levin, Grant Lawrence, James W. McLaughlin, Krista Ferguson, Brenda Geil, Neko Case, Rod Slaughter (vocals); Matt Murphy (guitar, background vocals); Bobby Beefy, Dave Lang, David Carswell, Coop, Nick Thomas , Chris Frazer Smith, Daniel Bejar, John Collins (guitar); Sara Wheeler (acoustic guitar, background vocals); Travis Good (electric guitar, upright bass); Shane Nelken (electric guitar); Paul Pigat (steel guitar); Maija Martin (accordion, background vocals); Ian Martin , Peter Wilson (piano); Blaine Thurier (synthesizer); Kurt Dahle (electric bass, drums, background vocals); Richie Ranchero, C.O.C.O., Sean Allum, Scott Livingstone, Chucky, Graham Watson, Bryce Dunn, Anna, Fisher Rose (drums); A Goblin (percussion); Ed ...
| | Carnaval: Sua Historia V.21 CD (2001) (Import) Brazil
Foreigner
$22.35
| | Mark Keali'i Ho'omalu Po'Okela Chants CD (2003)
Foreigner
$13.49 Po'okela Chants is the solo debut from Mark Keali'i Ho'omalu, the semi-modern hula chanter from Oakland that's made a name for himself in the mainstream through work on the Lilo and Stitch soundtrack. Here, he works through a number of hula chants, traditional and contemporary, essentially all done in solo chant form with an ipu or pahu drum accompanying, and a small group of vocalists that help out for the choruses now and then. The instrumentation is entirely traditional as such, as is the basic song structure throughout. There is a small period of experimentation, where a bit of guitar and synthesizer appear in the background, but luckily for the listener, that ends relatively quickly. The chants are entirely energetic, using a driving beat and the occasional shout to punctuate a run. His abilities as a chanter are really the treat for the listener here, as he moves flawlessly from one chant to the next, changing rhythms mid-song and holding the listener's attention for the duration. The song topics range from the basic traditional ...
| | Sunshine Underground Raise The Alarm CD (2006) (Import) United Kingdom
Foreigner
$20.99 2006 debut album that perfectly captures the spirit of a band that falls somewhere between the Happy Mondays, PiL and The Rapture. 11 tracks including the singles 'I Ain't Losing Any Sleep', 'Commercial Breakdown' and 'Put You In Your Place'. City Rockers.
The Sunshine Underground's website has promoted the band as substantially different from Franz Ferdinand or fellow Leeds rockers the Kaiser Chiefs, but you shouldn't believe it for a second: this is more or less the same bass-heavy, '80s-influenced indie stuff that the other guys have put out already. What's different here is not the approach, which is essentially the same, but the amount of disco they've injected into the mix. And you know what? When the blend of disco and indie works, it really works. It's even electrifying. "Put You in Your Place," for instance -- with Craig Wellington's plaintive, defiant vocals, Stuart Jones' funky-ass guitar, Matthew Gwilt's jumpy, syncopated percussion, and Daley Smith's snaky basslines -- sounds fresh even if some of the musical ingredients are nigh on 30 years old. It's by far the strongest track on the album, followed by the handclapping, ...
| | Delerium Nuages Du Monde CD (2006)
Foreigner
$13.25 Delerium: Rhys Fulber (programming, sampler); Bill Leeb (sequencer). Additional personnel: Greg Froese, Isabel Bayrakdarian, Jael, Kirsty Hawkshaw, Kristy Thirsk, Mediæval Bæbes, Zoe Johnston , Katharine Blake, Kiran Ahluwalia (vocals); Roy Salmon (guitar, piano, keyboards); Leah Randi (bass guitar); Andy Holt, Peter Davies (programming). As fans are well aware, Delerium began their career recording strictly instrumental music in a highly atmospheric, soundscape vein. That musical penchant hasn't changed, but over the years the duo has utilized ever more vocalists to further enhance its sound, culminating in Nuages du Monde. This set boasts seven different female vocalists across its 11 tracks, and a mere two instrumentals. Opera star Isabel Baryakdarian powerfully opens the album with the evocative "Angelicus," her soaring vocals and the number's textured atmospheres a revelation that echoes the song's religious underpinnings. Her "Lumenis," later in the set, is an equal standout, here her delivery pinioned between East and West, further accentuating Nuages du Monde's most haunting track. The equally feted Punjabi singer Kiran Arwuhalia is Baryakdarian's equal, her wondrously keening vocals across "Indoctrination" echoing around the swooping synth. These two performers ...
| | Hugo Del Carril El Rey Del Tango CD (2006) (Import)
Foreigner
$15.75
| | Mnemonic Pandora CD (2007)
Foreigner
$13.15 mnemonic (ne mon'ik): helping or intended to aid the memory. Mnemonic is a three piece, heavy, alternative rock band. Device is the debut, independent release of this talented trio from Reno, Nevada. It is an emotional and intense work of undeniable potency guided by melodic vocals over heavy guitar driven rock. Mnemonic first took shape in Reno in August of 2001. Predictably, the band didn't quite fit the mold of most others lingering around the region. They quickly gained recognition through energetic and engaging live performances throughout the Northern California and Nevada regions. Influenced by a wide-ranging collection of artists, the band released "Device" in April of 2002. Mnemonic immediately began to establish a reputation through consistent airplay of the single "Spineless" on Reno's alternative rock station KRZQ 100.9. Device was tracked in Sacramento with producer Eric Broyhill (The Deftones, Cake). The album successfully finds that intangible balance between lush beauty and primal heaviness. Lyrically, Mnemonic explores dark, introspective themes of relationships, desperation, and despair. But the group insists its fundamental message is a positive one. "The point of this band is to let people know that they're not alone in dealing with bad feelings or pain. Music is the perfect vehicle for release in a positive manner." says Stoudt, who pens the words. "It's rewarding to have someone identify with something I've gone through, and have the music we create help them through their situation." Live, Mnemonic captures an audience with their energetic stage presence and hold them while transitioning through an intricate set-list of cutting edge original music. "We're very sincere about what we do. We give a 110% every show regardless of how big or small. It is our release, and we take it very seriously." said Stoudt. In a very short period of time Mnemonic has achieved ...
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