| | Best Of Country Yodel Vol. 1 CD - Import
The essential roots of country music came from the folksongs of Europe, mingled wth the rhythms of Africa. One highly distinctive element was imported from the mountain regions of Switzerland & Austria, the yodel. Crucially, the style was utilized by Jim
Contains 21 tracks.
Performers include: Roy Rogers, Ernest Tubb, Yodeling Slim Clark, Gene Autry, Hank Snow, Slim Whitman, Eddy Arnold, Frank Marvin, Rex Allen, Elton Britt, Goebel Reeves, Patsy Montana.
Jasmine's Yodeling Mad!: The Best of Country Yodel, Vol.1 collects 21 throat gurgling campfire classics like "H.O.B.O. Calling" (Goebel Reeves), the "Yodeling Ranger" (Jimmie Rodgers) and of course, Eddy Arnold's "Cattle Call." This is all good stuff to pepper a good cowboy compilation with, but as a standalone listening experience it can be a bit daunting. ~ James Christopher Monger Best Of Country Yodel Vol. 1 Music Best Of Country Yodel Vol. 1 Review
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Recorded between 1982 & 1996. Includes liner notes by ...
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Recorded between 1994 & 2001. Includes liner notes by Jonathan Widran.
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All songs written by The Bluerunners except "Judgement Day" (R. Johnson).
This hard-working group has come forth with a blend of cajun music and rock & roll: think the Rolling Stones getting lost in the swamp. This incarnation of the group is anchored by Mark Meaux, who seems to be the driving force, and the only constant in their changing lineups; yet there is no letup in the intensity or direction of the music. This band's music can be called whatever you wish, even at times straight country, "Go on Get Out" (even the title is straight from country music), ...
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Salty The Pocketknife bassist Dustin Diamond played the part of Screech on the television show SAVED BY THE BELL.
Salty the Pocketknife's eponymous debut huffs gas from the alt-metal and post-grunge pipelines and spits the take into a pot of its own making. The fact that famous TV geek Dustin Diamond plays bass for Salty is of no significance; that the entire record is louder and more ambitious than Bug Guts, vocalist Rosebud, and guitarist Scott Ireland's old band, is. Cuts like "Shiny Lies," "Sever," and "Red Panties 145" cram straightforward influences (Stone Temple Pilots, No Doubt) into oddly shaped, yet engaging templates of lurching rock fuzzery; depending on which voice she's using, Rosebud can suggest the singers of either group. "Rim Goblin" twists churning funk metal around decadent, whooping lead vocals; for "Buck the Quo," Rosebud channels Vince Neil over even more fractured riffing from Ireland. The album's late portion is its most schizophrenic -- "Magic Garbage Ride," for example, begins with whispers and introspective guitar noodling before downshifting into an impersonation of what a rabid Judy Tenuta would sound like fronting a rap-metal band. This lusty, restless shape-shifting can be as irritating as it is unique; it can leave the listener a bit bewildered, like the vague "I don't get it" notion non-bassists can get when listening to Primus. Still, Salty offers plenty for the curious, patient music fan. Approved by Lark Voorhies. ~ Johnny Loftus
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"Never Going to be your band. / Let you get the upper hand, my friend / Never going to need your fuckin' help / Cuz I'd rather do it all by myself." testifies singer and guitarist, Alex Helmbrecht along with fellow UP! SCUMBAG members bassist, Kevin McNamera and drummer, Ivin Henz on the song, "Thanks for Nothing". A song they wrote to pay homage to their DIY roots. The same principals this band's been sticking to since their beginning in 2002. All the while they manage to cite what just so happens to be wrong with today's Punk Rock scene by simply summing it up to "Went to a punk rock show / all the kids were talking on their cell phones. / Went to a Punk Rock show, and all the bands wore make-up and tight pants". on "Whoa to the Emo" And even though these two songs are at the center of the Indianapolis, IN trio's 4th self-released album REALITY TV CASUALTY, the album overall is filled with mature song writing and charming ballads. The title track itself takes a stab at a lost generation debased by reality and into harm's way, apathy and living a life of superficial make believe. While the song, "This Place Sucks" is almost positive with Buzzcocks-like bounce and pop hooks reminiscent to that of an obvious influence of theirs, The Queers. Then there are those songs that fall in the ladder part of the album which almost remind me some of the best songs that you would've heard on Green Day's WARNING album like "Strip Mall Religion" and "Mary Jane" with a chorus like, "It's so hard to say Goodbye now but it's just so plain to see. / You put the me in enemy", this song could easily be considered as a farewell to a lost love or something else that could be just as addictive and self-destructive (think Green) . ...
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