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Goodman, Benny Quartet - Body & Soul CD Cover Art
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Benny Quartet Goodman Body & Soul CD - Import

 Benny Quartet Goodman Discography of CDs

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Body & Soul Music


Detailed Body & Soul Music Information



List Price $11.99 (You save $1.50)
Category Rock/Pop Albums, Jazz CDs
Label Phantom
CD Universe Part number 3114363
Catalog number 669641
Discs 1
Release Date Mar 20, 2007
Benny Quartet Goodman Body & Soul Songs


Benny Quartet Goodman Body & Soul Album Track Listing



1.Sheik Of Araby, The
2.Body And Soul$0.99
3.China Boy
4.Nagasaki
5.Dizzy Spells
6.Shine
7.Everybody Loves My Baby
8.Time On My Hands$0.99
9.Sweet Leilani
10.Avalon$0.99
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Wallace Roney's No Room for Argument is about "heritage, mentors, wisdom, responsibility, and spirituality." This CD is packed with excellent straight-ahead, avant-garde, and free jazz that also features samples from speeches given by Martin Luther King, Jr., Malcolm X, and audio by Deepak Chopra. Roney's evolved, imaginative use of his muted trumpet to achieve the meditative and philosophical concepts inherent in the opener "No Room for Argument" is accomplished effectively. Roney weaves its sound into the well-known orations delivered by King and Malcolm X, giving each note a new design that offers his solution to the challenges of performing respected works in a new medium. His mentor piece, an arrangement and direction of "Homage & Acknowledgement," a vital rework featuring the duality of the great Buster Williams at work on the bassline for John Coltrane's "A Love Supreme," and Roney's interpretation of the trumpet sounds of Miles Davis on "Filles de Kilimanjaro" is a exceptional seven-minute masterwork that supplies both the spiritual depth and insistent ground rhythms inherent in the original recordings of the '60s. "Virtual Chocolate Cherry" is a boundless arena for the world-class drummer Lenny White. He makes a very strong impression and his very presence on this CD serves to further the respect Roney has for the lasting mark on his playing on this CD -- the open sound of the '60s that Lenny White helped Miles Davis to initiate. He gives his Gretsch a workout tempered by excellent solos from Geri Allen and Adam Holzman. This CD is a great one and shows Roney as a leading jazz trumpeter. ~ Paula Edelstein With Steve Hall,Antoine Roney, Geri Allen,Adam Holzman++ Recorded at Sonalyst Studios/Power Station, Waterford, Connecticut from March 31-April 3, 2000. Personnel: Wallace Roney (trumpet); Steve Hall (bass clarinet, soprano saxophone, tenor saxophone); Antoine Roney (soprano saxophone, ...
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Peace Pipe signals a change of direction for bassist/composer Ben Allison, as he moves away from Medicine Wheel and toward a leaner, more eclectic (if that's possible) ensemble featuring Malian kora virtuoso Mamadou Diabate. The juxtaposition of African and Western instruments could lead some to peg this as "world" music, but Allison is too irrepressibly original to be squeezed into a marketing niche. By bringing Diabate into contact with Medicine Wheel regulars Michael Blake, Frank Kimbrough, and Michael Sarin, Allison simply does what he always does, i.e., pushes his writing into fresh, unexplored areas. (Tenor saxophonist Peter Apfelbaum and Medicine Wheel cellist Tomas Ulrich appear as guests along the way.) In general, the harmonies are more static, the textural combinations more stark, the grooves moodier and a bit more mellow. "Mantra," the finale, illustrates Allison's new thinking with exceptional clarity. The tune moved at a bouncier clip when it first appeared on Medicine Wheel's Third Eye album in 1999; here it's several notches slower, allowing listeners to savor the splendid melody of the B section, which is now arguably an A section. Diabate's quicksilver kora lines underscore Sarin's solo on the double-time portion. What could have come across as recycled material instead represents a sort of rebirth. Diabate also appears on the first two tracks, "Third Rail" and "Slap Happy," as well as his own "Dakan" and a short, freely improvised bass/kora duet called "Music Is Music." Allison foregrounds the kora-less quartet on the title cut, which features positively brilliant work by Blake and Kimbrough. Other quartet pieces include the grandly funky "Disposable Genius" (the theme of NPR's On the Media) and the steadily swinging "Realization," far and away the most jazz-oriented track. But looking well beyond jazz for inspiration, Allison also covers Neil Young's "Goin' Back." ~ David R. Adler Recorded at Maggies Farm, Pennsylvania On March 30-31, 2002. Personnel: Mamadou Diabate (kora); Tomas Ulrich (cello); Michael Blake (bass clarinet, soprano saxophone, tenor saxophone); Peter Apfelbaum ...
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One of Canada's most celebrated jazz vocalists, Jeri Brown uses her classically trained voice to mesmerizing effect throughout this entertaining best-of, which showcases her facility with jazz with nicely phrased readings of "No Moon," "Orange Colored Sky," and "Once Upon a Summertime," and in more commercial areas with a fine-tuned, gospel-tinged version of Billy Preston's "Will It Go Round in Circles." She's given expert backing by the likes of the pianist Cyrus Chestnut and the drummer Grady Tate. Personnel: Jeri Brown (vocals); Yves-Aime Pierre, Gage Pierre, Leon Thomas (vocals); Peter Leitch, Seamus Blake (guitars); Eric ...
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