| | Nucleus Elastic Rock / We'll Talk About It Later CD - Import Nucleus Discography of CDs
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In 1995, BGO released Elastic Rock/We'll Talk About It Later, which contained two albums -- Elastic Rock (1970, originally released on Vertigo) and We'll Talk About It Later (1970, also originally on Vertigo) -- by U.K. group Nucleus on one compact disc. ~ Tim Sendra
2002 issued digitally remastered set that compiles 2 original albums in a 2CD set. Both were released in 1970 and 1971.
Recording information: Trident Studios, London, England (01/12/1970-01/22/1970).
Illustrator: Roger Dean .
Personnel: Chris Spedding (guitar, bouzouki); Brian Smith (flute, soprano saxophone, tenor saxophone); Karl Jenkins (oboe, baritone saxophone, piano, electric piano); Ian Carr (trumpet, flugelhorn); Jeff Clyne (electric bass, bass guitar); John Marshall (drums, percussion).
Liner Note Author: Tom Callaghan.
Uncut (p.98) - 4 stars out of 5 -- "If Vertigo's aim was to facilitate freewheeling, creative music, then they succeeded with ELASTIC ROCK." Mojo (Publisher) (p.129) - 4 stars out of 5 -- "[This] release remains thought-provoking and invigorating." Elastic Rock / We'll Talk About It Later Music | List Price | $22.97 (You save $1.68) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Oldies, Art Rock, Fusion, Rock | | Orig Year | 1995 | | All Time Sales Rank | 43175  | | CD Universe Part number | 3114678 | | Catalog number | 47 | | Discs | 1 | | Release Date | Apr 08, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Pete King & His Orchestra & Chorus | | Personnel | Chris Spedding - guitar, bouzouki John Marshall - drums, percussion John Marshall - drums, percussion Karl Jenkins - oboe, baritone saxophone, piano, electric piano Karl Jenkins - oboe, baritone saxophone, piano, electric piano Brian Smith - flute, soprano saxophone, tenor saxophone Brian Smith - flute, soprano saxophone, tenor saxophone Ian Carr - trumpet, flugelhorn Jeff Clyne - electric bass, bass guitar
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Nucleus Elastic Rock / We'll Talk About It Later Songs | 1. | 1916 | |
| 2. | Elastic Rock | $0.99 | |
| 3. | Striation | |
| 4. | Taranaki | |
| 5. | Twisted Track | |
| 6. | Crude Blues, Pt. 1 | |
| 7. | Crude Blues, Pt. 2 | |
| 8. | 1916 (Battle of Boogaloo) | |
| 9. | Torrid Zone | $0.99 | |
| 10. | Stonescape | |
| 11. | Earth Mother | |
| 12. | Speaking for Myself, Personally, In My Own Opinion, I Think... | |
| 13. | Persephone's Jive | $0.99 | |
| | Elastic Rock / We'll Talk About It Later Songs DISC 2: |
| 1. | Song for the Bearded Lady | $0.99 | |
| 2. | Sun Child | |
| 3. | Lullaby for a Lonely Child | |
| 4. | We'll Talk About It Later | |
| 5. | Oasis | |
| 6. | Ballad of Joe Pimp | |
| 7. | Easter 1916 | |
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| | Ozark Mountain Daredevils It'll Shine When It Shines CD (1974)
Elastic Rock / We'll Talk About It Later
$12.79 Following the success of their self-titled debut, the Ozark Mountain Daredevils' sophomore release, It'll Shine When It Shines, continues on their already established path of California-style country-rock. This release contained what would ultimately prove to be their greatest hit, "Jackie Blue," which ended up peaking at number three on the pop chart. Although "Jackie Blue" ...
| | Duke Ellington Duke Plays Ellington Vol. 1 CD (1953)
Elastic Rock / We'll Talk About It Later
$16.25 Tracks recorded from 1927 to 1938 including performances by Duke Ellington & His Kentucky Club Orchestra, Duke Ellington & His Washingtonians, Duke Ellington & His Cotton Club Orchestra, Duke Ellington & The Jungle Band as well as The Duke Ellington Orchestra.
THE DUKE PLAYS ELLINGTON, VOL. I spans the period between 1927 and 1938, a little less than half of which constituted the time when Duke Ellington's band was the house favorite at Harlem's Cotton Club. It kicks off with Ellington and his Kentucky Club Orchestra playing the infectious "East St. Louis Toodle-Oo"-later ...
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| | Hiroshima Obon CD (2005)
Elastic Rock / We'll Talk About It Later
$12.99 Although the L.A.-based East-meets-West ensemble Hiroshima has achieved incredible success over the years -- including Emmy and Grammy nominations and over three million units sold -- it's one of the few bands that has always dared to defy easy commercial categorization. Aside from incorporating native Japanese elements like the koto (played masterfully by June Kuramoto) and booming taiko drum into the mix, Hiroshima has always embraced a subtle spiritual side. On the masterful, multi-faceted Obon, a release celebrating 25 years since its 1979 self-titled debut, these elements are more prominent than ever. Originating in Buddhist legend, the concept of Obon is a celebration of past and present, honoring ancestors and family and giving thanks for past blessings while looking boldly forward. The collection is a tribute to the musicians, places, and events that have inspired the band -- which, for the first time in its career, is working without a vocalist. Among these is Eddie Harris, a chief influence on band founder, saxman, and producer Dan Kuramoto -- who pays somewhat tonge-in-cheek homage to the legendary ...
| | Joshua Redman Momentum CD (2005)
Elastic Rock / We'll Talk About It Later
$15.65 Once again featuring the expansive keyboard talents of Sam Yahel, saxophonist Joshua Redman's Momentum features more of the '70s-influenced jazz the former "young lion" experimented with on 2002's Elastic. Bringing to mind works by such iconic artists as Miles Davis, Herbie Hancock, and especially Eddie Harris, Redman digs into sundry groove-oriented tracks such as the driving and punchy "Sweet Nasty," which finds Yahel and Redman soloing hard over drummer Jeff Ballard's James Brown-ready dance beat. Interestingly, Redman conscribes some heavy sidemen to help stir the funk this time around with bassists Flea of the Red Hot Chili Peppers and jazz-pop iconoclast Me'Shell NdegéOcello adding their signature styles to their respective tracks. Similarly, Roots drummer ?uestlove, drummer Brian Blade, vibraphonist Stefon Harris, and guitarist Kurt Rosenwinkle contribute much with appearances here. However, it is organist Yahel who sets the musical tone for the whole album, adding in bubbly ambient synth sounds, clavinet, and Rhodes piano throughout. With all these talents at Redman's disposal it is disappointing that Momentum isn't more adventurous. When set next to such classics of '70s funk as Davis' On the Corner or Hancock's Head Hunters, Redman's album is just too polite and controlled to really live up to such comparisons. Also, the album relies a bit too heavily on in-studio gimmickry such as when trumpeter Nicholas Payton -- who also released his own paean to '70s fusion with Sonic Trance -- solos with himself overdubbed like a trumpet ...
| | Azure Fields In Concert CD (2006)
Elastic Rock / We'll Talk About It Later
$17.75 "If you want to be uplifted above the worries and stress of this world, you will want to listen to Azure Fields. Perhaps one of the most clear, ...
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