| | DJ Cubanito Chica Bonita: Mega Power Club Mixes CD DJ Cubanito Discography of CDs
Chica Bonita: Mega Power Club Mixes Music DJ Cubanito Chica Bonita: Mega Power Club Mixes Songs | 1. | Original Version |
| 2. | Sandstorm Radio Mix |
| 3. | Sandstorm Extended Club Mix |
| 4. | Crispy Cream Trance Mix |
| 5. | Crispy Cream Boogaloo Mix |
| 6. | Raagamufin Club Version |
| 7. | Acappella Version |
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Chica Bonita: Mega Power Club Mixes Review
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If it hasn't already happened, a genre of music should be coined called "Former Skater Turned Jazzy Post-Rocker." It wouldn't be a hugely populated category, but it definitely exists, if only in the Northern California region between the surf/college town of Santa Cruz and the San Francisco Bay Area. Its most obvious champion would be Tommy Guerrero, who, between the dark and dubby instrumental post-rock of his ensemble Jet Black Crayon (who have shared the stage with Tortoise, among others) and the jazzier leanings of his eponymously named work, has the market cornered. An offshoot category would include the folkish leanings of Travis Graves' Palace-esque Mt. Egypt. Enter Ray Barbee, a peer and friend of Guerrero and Graves in the world of professional boarding, and also a phenomenal musician who has focused on that aspect of his life in recent years, perhaps because age would not allow the road rash and broken bones of guerilla street skating to heal as they once did. The maturity of age, changing priorities, family life, and a long past of camaraderie are all evoked on Barbee's debut EP. The collection of guitar-based instrumentals on Triumphant are literal bursts of sunshine, sketching ...
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JOE BEARWinner "Best Country Album of the Year"L.A. Music Awards 2005(This album has an all-star crew, see below)Joe worked his way through the early days in the city hardware store, in the freight yards of Virginia, gigging in clubs when he was 14. He grew up on Johnny Cash, Waylon Jennings, James Brown, Monk and Rollins. The only white kid in a soul band, he toured the South back in the day when that just wasn't done. The group, The Exceptions, recorded "Have Faith" which got to "#34 with a bullet" its first week on the black AM stations. Then the label pulled it. Depressed and downhearted he took to cloud nine. Joe found his way up North to film school and started building sound tracks for industrial and feature films. That went real well for years until it didn't. Original songs started to flow from Joe's pen not for projects, just because. Two new albums and they're still coming. These songs are his best work. You can taste the urban and down home flavors mixing well in every piece. It's all about the groove, but the lyrics'll get ya'. Slam in a disc and drive. You'll see.And check out Joe's friends on the album. Including Grammy winner Johnny Lee Schell who's played with Bonnie Raitt and John Fogarty. Mike Finnigan on B3 whose credits go back to Electric Lady Land with Jimmy Hendrix, currently on the road with Crosby, Stills & Nash. Greg Leisz, pedal steel, who's frequently traveling with K.D. Laing. The recording and musicianship are absolutely first string!Joe Bear, Bear Country (Review)Bob Swan"...those hot dry [winds] that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen."-Red Wind, Raymond ChandlerLos Angeles is the crash site of the American dream; smoldering, desperate, glowing, ecstatic. A gigantic sizzling ember. Everything jettisoned from Old World East Coast/ Bible-Suckled South/Corn fed Midwest that landed here. L.A. really flushes out the weaklings leaving only the insane, the obsessed, the ungodly, and the visionary. They are everywhere in L.A., paved over, crazed. Valley mothers gripping steering wheels of SUV's as they drive to Rite-Aid like it's the last time; tattooed love/hate boys grunting, pushing Harleys across brown grass of stucco houses with torn screen doors. South Central slaughterhouse hiphop G's and wanna-be's executin' each other. The blood runs dark and thin as the wash in the Los Angeles River.L.A.'s electronic nightmare sucking the color from all the faces is the compost where pre-apocalyptic music is ...
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