| | Fletcher Henderson Harmony And Vocalion Sessions Vol 2 CD - Import Fletcher Henderson Discography of CDs
24 track compilation features songs from 1927-28, including "Clarinet Marmalade," "Baby Won't You Please Come Home," "Ain't She Sweet," "Goose Pimples" & others. (Previously deleted: 3/1/07. Original release date: 6/8/01)
Recorded in 1927 & 1928.
Contains 24 tracks. Harmony And Vocalion Sessions Vol 2 Music Fletcher Henderson Harmony And Vocalion Sessions Vol 2 Songs Harmony And Vocalion Sessions Vol 2 Review
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Buy Harmony And Vocalion Sessions Vol 2 CD Purchase Harmony And Vocalion Sessions Vol 2 CD To buy, Click on price to add to cart | Anita Ellis I Wonder What Became Of Me CD (1956)
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$13.79 As the 1990s drew to a close, Timeless Historical reissued a large number of recordings from the '20s and '30s by musicians both legendary and obscure, in a series coordinated by seasoned specialists Chris Barber, John R.T. Davies, and Brian Rust. One fascinating aspect of this label's catalog is an interconnected web of bands that all lead back to the California Ramblers, a Midwestern group which was among the most prolific studio ensembles of the '20s. While the full-sized Ramblers recorded for various labels as the Golden Gate Orchestra, the Varsity Eight, the University Six, and the Vagabonds, a scaled-down version of the band made records for Columbia as the Little Ramblers, for Pathe as the Five Birmingham Babies, and for Okeh, Odeon, and Parlophone as the Goofus Five. The instrument that gave the latter group its name was patented in France as a saxophone jouet or toy; it became known throughout Europe as the couesnophone; in England ...
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$13.25 Mess of Blues contains ten cuts, all of them chosen by Healey from what he considered "audience favorites," rather than his own or his fine band's preferred tunes. Four of these were recorded in front of audiences at the Islington Academy in London and, appropriately enough, at Healey's Roadhouse (his ...
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Harmony And Vocalion Sessions Vol 2 album
$11.39 Vinyl LP version also available directly from the label at whatmusic Long before the bossa craze swept the brazilian nation in the late 50s and early 60s, cities like Rio and São Paulo already boasted impressively healthy live music and nightclub scenes. The clubs acted as the seedbed for the young musicians who would later take brazilian music into the consciousness of the rest of the world. This was the meeting point of the previously all-conquering influence of cuban rhythms, (in Brazil principally the bolero, rumba and cha cha cha), with the modern arrangements of the Stan Kenton school and the increasingly evident beat of the samba. So, with a number of albums recorded in the period from 1957 to 62 the listener gets a mixture of old-school big-voiced vocalists, deft organists, bongo beats, dodgy cha cha and killer bossa grooves all mixed up in the same 'panela' and served hot and tasty - ready for dancing.In Rio the principal watering hole where these musicians practised was the night club simply called Drink. Owned by musician, composer and small time gangster Djalma Ferreira, the Drink was a proving ground for young players and singers like Silvio Cesar, Orlann Divo, Durval Ferreira, Celso Murilo and the place where bassist Ed Lincoln first came face to face with the Hammond B3 organ that was to change his career. Traditionally, Djalma Ferreira had led the house band but he was constantly indisposed by such trivia as armed attempts on his life and other criminal activity. Djalma's lead chair was taken first by Lincoln and then by Celso Murilo, a young wunderkind from the interior of Minas Gerais who was João Gilberto's favourite accompanist. Other key musicians are represented on this album such as Luiz Bandeira, singer and composer of some note who was also artistic director of the Drink at the time of this recording. Another feature was the young debuting star Sandra who also recorded an album on Pawal, only to be tragically killed in a car crash on the way to receive her Best Newcomer award for 1961. But perhaps the most interesting element on this portmanteau LP is the arrival on the scene of one Wilson Simonal de Castro. Simonal, already signed to Odeon but still unknown, began his glittering career as the main 'crooner' at the club. This recording predates his first Odeon recordings. In fact Wilson opens the album in some great style with his familiar sensual baritone and sense of timing already in evidence at such a young age. Of all the artists on this album Simonal was the one who achieved true superstardom. Translation from the original liner notesIt was no easy task to reunite all of these artists from the Drink Club on one LP. The fact that nearly all of them are exclusively signed to the best of the well-known record companies was the first obstacle. ...
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$18.99 Last Dance is a multi-disciplinary work created by Mark Izu. 'Last Dance happened over time. Maybe a seed for the project was planted as I worked at the Japanese Senior Center in the '70s. Or when as a college student, I interviewed the only Nisei musician I knew, George Yoshida. Later, in 1988, he and I started a swing band of nisei and sansei musicians, the J-Town Jazz Ensemble. The project idea took shape when in 1995, I collaborated with poet Janice Mirikitani at a Day of Remembrance event. It seems only natural to bring artists and performers Brenda Wong Aoki, Anthony Brown and San Jose Taiko, whom I've worked with for much of my musical career, all together on this project. My parents, like many others, did not speak about their internment. I learned about it outside of my home. Some stories, despite the pain of the memory and telling, leap out and are too important to be forgotten. Through music and personal story, I hope that the lessons learned from this critical segment of history will be remembered, so that we can recognize and prevent prejudice and intolerance to ensure a just future for all in our global community.'MARK IZU's (Composer, Bass, Sho & Sheng) award-winning musical compositions are an amalgam of ancient Asian traditions fired in smooth jazz. A pioneer in this genre, Izu is known for his seamless ...
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