| | Stanley Smith In The Land Of Dreams CD Stanley Smith Discography of CDs
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Stanley Smith's solo debut, produced by Stephan Doster, is a lush, intimate singer-songwriter album. Subtly touching on folk, country, latin and soul, Stanley's songs explore lost loves, dreaming and travel.
Personnel includes: Stanley Smith (vocals, guitar, clarinet).
In The Land Of Dreams Music Stanley Smith In The Land Of Dreams Songs In The Land Of Dreams Review
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Purchase In The Land Of Dreams CD To buy, Click on price to add to cart | Holland K Smith Walking Heart Attack CD (1999)
In The Land Of Dreams album
$18.95 The tradition of Texas blues is as wide as Texas itself. Sometimes it is easy to wonder if new blood can be struck from the same old vein. Just the opposite would be true of Holland K. Smith. In this, ...
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$11.89 "Time Of Our Lives" was nominated for the 2004 Grammy Award for Best Female Rock Vocal Performance.
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| | Dulcie Taylor Mirrors & Windows CD (2004)
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$14.29 One of the things that sinks many a singer/songwriter is that they fail to tie their word poems to a musical vision and good melodies. And while nothing is wrong with literary songwriting, an occasional hook, or catchy chorus goes a long way toward keeping the listener awake. Dulcie Taylor, like any singer/songwriter worth his/her salt, has something to say about relationships and understanding ourselves, but she doesn't forget to add some interesting ingredients ...
| | Sugar Ray Hands Across The Table CD (2005)
In The Land Of Dreams CD music
$12.79 Ray Norcia is known as a blues harmonica ace, but when all is said and done, his greatest strength may well be his voice, and when he sings at his best, he brings a touch of country and a little bit of jazz swing to the blues. Hands Across the Table, his third release on David Earl's Severn Records, and the first to feature new guitarist Paul Size, doesn't push for too much. There's plenty of harp soloing here, naturally, and things are helped out immensely by the presence of the Providence Horns on several tracks, which adds a solid punch to the rhythm section, but things don't ...
| | Band Cahoots CD (1971) Remastered
In The Land Of Dreams music CDs
$8.85 The Band's fourth album, from 1971, shows the strains which accompanied its recording, and in fact continued to unravel the group over the next five years. Much anticipated upon its release, it can now be appreciated as the fragmented work that it is. Having set impossibly high standards with their previous releases, they were bound to teeter, and they did. But even when falling short of their masterpieces MUSIC FROM BIG PINK and THE BAND, they are still a powerful force to be reckoned with, and CAHOOTS yields its share of rewards.
"Life Is A Carnival" began their association with Allen Toussaint--his horn arrangements led to a full-blown collaboration on the live ROCK OF AGES the following year--and the result is a burbling piece of funky country pop. ...
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| | Ornette Coleman At The Golden Circle, Stockholm, Vol. 2. CD (1965) Remastered
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$9.45 Recorded live at the Golden Gircle, Stockholm, Sweden on December 3 & 4, 1965. Originally released on Blue Note (84225). Includes liner notes Ludvig Rasmusson and John Litweiler.
The second night of Ornette Coleman's two-week stand in Sweden was even fierier than the first, if the recorded documents are to be believed. For starters, December 4 was the night that Coleman brought out the violin and the trumpet on the first tune; "Snowflakes and Sunshine" must have taken club-goers by surprise. Those first notes skitter across the neck as the bow goes "scree" in the middle registers and bassist David Izenzon moves to create an atonal bed of rock for Coleman, while Charles Moffett plays in the triple time to a cipher of a time signature. And just as the violin starts to create a tension that is difficult for the other two members of his trio to endure musically, Coleman switches to trumpet and hauls it back inside, or at least to the ledge's edge before returning to the violin a few minutes later. The rhythm sect tries to rein him in, but he careens off Izenzon's arco playing and into an entirely new harmonic language. For the rest of the gig, it's back to the alto, with Coleman even going as far as to goof on Gershwin's "Rhapsody in Blue" on the opening bars of "Morning Song" before playing a ballad every bit as tender and angularly beautiful as one of his. "Riddles" is one of Coleman's Eastern screamers, played modally with the same kind of breathy acrobatics Coltrane used on the music that made it onto the posthumous Sunship. There are several drone modes created by Izenzon, with off-measure rhythmic figures cut by Moffett. Coleman plays the alto as one would a Tibetan oboe or a thighbone trumpet, reaching deep into the lower register to touch the drone and then sail off into scalar abandon. There is more than enough fire, but the astonishing thing is the color and texture Coleman gets from the horn. The set closes with a lovely, knotty piece called "Antiques," in which Izenzon and Coleman match modes for an interesting meeting of the minds in a dramatic wash of color and mood. This is the stronger of the two evenings, but they are both fine records by an under-recognized band in Coleman's development. ~ Thom ...
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