| | Pipe Organ Of The Mormon Tabernacle / Clay Christiansen CD Christiansen, Clay CDS
| Category | Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Baroque Period, Sonata, Suite, Song, Symphony, Prelude, Variations, Cantata, Hymn, Fugue, Incidental, Toccata, Folksong, Psalm, Sinfonia, Pavane, Arioso |
Pipe Organ Of The Mormon Tabernacle / Clay Christiansen Music | List Price | $16.99 (You save $4.00) | | Label | Klavier Records | | Orig Year | 10/10/1994 | | All Time Sales Rank |  11810  | | CD Universe Part number | 3439740 | | Catalog number | 11044 | | Discs | 1 | | Release Date | Oct 10, 1994 | | Recording Time | 1 18 |
Pipe Organ Of The Mormon Tabernacle / Clay Christiansen Review
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Pipe Organ Of The Mormon Tabernacle / Clay Christiansen Songs | 1. Symphony No. 1 for organ in D minor, Op. 14: Final (6:48) | | Common Name | Final, Symphony 1 For Organ | | Composer | Louis Vierne (1870 - 1937) | | Performer | Clay Christiansen (Organ) | | Genre | Romantic Period | | Date Written | 1899 | | Period | Romantic | | Venue | Mormon Tabernacle, Salt Lake City, UT | | 2. Rythmic Suite for organ: Pavane (3:35) | | Common Name | Pavane | | Composer | Robert Elmore | | Performer | Clay Christiansen (Organ) | | Genre | Suite | | Venue | Mormon Tabernacle, Salt Lake City, UT | | Recording Date | 10/1930-11/1930 | | 3. Preludes and Fugues (3) for organ, Op. 99 (6:36) | | Common Name | Preludes And Fugues For Organ | | Composer | Camille Saint-Saëns (1835 - 1921) | | Performer | Clay Christiansen (Organ) | | Genre | Fugue / Prelude / Romantic Period | | Date Written | 1894 | | Period | Romantic | | Venue | Mormon Tabernacle, Salt Lake City, UT | | 4. Easy Variations for piano, Op. 40 (3:05) | | Composer | Dmitry Kabalevsky (1904 - 1987) | | Performer | Clay Christiansen (Organ) | | Genre | Variations | | Date Written | 1944 | | Venue | Mormon Tabernacle, Salt Lake City, UT | | 5. Organ Sonata No. 3 in A major, Op. 65/3 (10:34) | | Composer | Felix Mendelssohn (1809 - 1847) | | Performer | Clay Christiansen (Organ) | | Genre | Romantic Period / Sonata | | Date Written | 08/17/1844 | | Period | Romantic | | Country | Germany | | Venue | Mormon Tabernacle, Salt Lake City, UT | | Recording Date | 1981-82 | | 6. Peer Gynt, incidental music, Op. 23: Morning Mood (4:42) | | Common Name | Morning Mood, Peer Gynt Incidental Music | | Composer | Edvard Grieg (1843 - 1907) | | Performer | Clay Christiansen (Organ) | | Genre | Incidental Music / Romantic Period | | Date Written | 1874-1875 | | Period | Romantic | | Country | Norway | | Venue | Mormon Tabernacle, Salt Lake City, UT | | 7. Reverie for organ (4:49) | | Composer | Will C. Macfarlane (1870 - 1945) | | Performer | Clay Christiansen (Organ) | | Venue | Mormon Tabernacle, Salt Lake City, UT | | 8. Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) (9:07) | | Common Name | Toccata And Fugue For Organ | | Catalog No. | BWV 565 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Clay Christiansen (Organ) | | Genre | Baroque Period | | Date Written | by 1708 | | Period | Baroque | | Country | Germany | | Venue | Mormon Tabernacle, Salt Lake City, UT | | 9. Cantata No. 156, "Ich steh mit einem Fuss im Grabe," BWV 156 (BC A38): Arioso (4:25) | | Common Name | Ich Steh Mit Einem Fuss Im Grabe, Cantata, Cantata 156 | | Catalog No. | BWV 156 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Clay Christiansen (Organ) | | Genre | Baroque Period / Cantata | | Date Written | 01/23/1729 | | Period | Baroque | | Country | Germany | | Venue | Mormon Tabernacle, Salt Lake City, UT | | Recording Date | 1992-98 | | 10. Rejoice! 14 Improvisations on Hymn Meoldies: Toccatino Con Rico Tino (2:31) | | Composer | Robert Hebble (1934 - ) | | Performer | Clay Christiansen (Organ) | | Genre | Hymn | | Venue | Mormon Tabernacle, Salt Lake City, UT | | Recording Date | 02/09/1923 | | 11. Organ Sonata on the 94th Psalm in C minor: Adagio; Allegro - Allegro assai (13:23) | | Common Name | Adagio, Organ Sonata On The 94th Psalm | | Composer | Julius Reubke (1834 - 1858) | | Performer | Clay Christiansen (Organ) | | Genre | Romantic Period / Sonata | | Date Written | 1857 | | Period | Romantic | | Country | Germany | | Venue | Mormon Tabernacle, Salt Lake City, UT | | Recording Date | 06/1997-09/1997 | | 12. Extemporizations on Two Familiar Melodies (4:09) | | Composer | Clay Christiansen | | Performer | Clay Christiansen (Organ) | | Venue | Mormon Tabernacle, Salt Lake City, UT |
Pipe Organ Of The Mormon Tabernacle / Clay Christiansen Music Composers on Pipe Organ Of The Mormon Tabernacle / Clay Christiansen CD : Johann Sebastian Bach, Clay Christiansen, Edvard Grieg, Julius Reubke, Dmitri Kabalevsky, Louis Vierne, Felix Mendelssohn, Robert Elmore, Robert Hebble, Camille Saint-Saens, Will C. Macfarlane Genres on Pipe Organ Of The Mormon Tabernacle / Clay Christiansen CD : Baroque Period, Cantata, Fugue, Hymn, Incidental Music, Prelude, Romantic Period, Sonata, Suite, Variations Performers on Pipe Organ Of The Mormon Tabernacle / Clay Christiansen CD : Clay Christiansen Purchase Pipe Organ Of The Mormon Tabernacle / Clay Christiansen To buy, Click on price to add to cart | Arabella Steinbacher Dvorák: Violin Concerto, Romance; Szymanowski: Violin Concerto CD (2009) Sacd Hybrid
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Live Recording
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A Romanian Gypsy ensemble that formed in the late '90s, Fanfare Savale lives up to the album name perfectly -- quite often this is fast music, to understate it slightly. Those familiar with quicker brass sections in traditional Mexican music or ska's hyperspeed groove will find much to love and more here. Reworking 20 traditional melodies and songs in the space of just over 40 minutes, the 11-piece group -- all but one are musicians, though about half sing -- don't rely on percussion alone to get the velocity across, though drummer Ionel Preda certainly sets a fast pace. But it's the seemingly chaotic swirl of horns and reed instruments that turns this into an instant blast of merrymaking chaos on song after song. Sometimes it can be just one instrument leading the way, but songs like "Harapeasca" and "Sarba de la Chisinau" shows that's no bad thing. There's comparatively little soloing though here and there one can catch different melodies during a song, as on "Suita a Lu Nelu" -- the aim, though, is overwhelming, truly group performances most of the time. Despite the focus on quick paces, there are the occasional calm moments that are equally entrancing -- if songs like "Dansu Ursului" essentially revolve around one repeated melody, the spirits are high in the performance, while lead singer Ion Dragoi sounds like a great old-school MC from another time and place. The lovely "Petricuta," meanwhile, sounds like the Danube got exchanged for the Rio Grande. Other gambits include starting off slow before taking off completely -- thus the romantic "Ciocarlia," which after a graceful solo trumpet turn swirls and breaks for the horizon. Though arguably many of the songs on the album start blending into each other, if at heart this group and album has one core approach, it's a great, enjoyable one. ~ Ned Raggett
A tiny Eastern Romanian village, called 'Zece Prăjini', having less than two hundred Gypsy inhabitants, where any male can play at least one brass instrument and having probably the largest number of bands in Europe -- this is the place where the Fanfare Savale gypsy brass band comes from. It would be difficult to follow back in time their vast musical heritage as they have been playing music ever since they can remember and the gift of music and the instruments are passed from one generation to the other. From three years old kids to seventy years old grandpas, each person is a skilled and fully trained musician here. These Romanian Gypsies earn their living by working their lands and playing music at various feast, weddings and funeral services. Usually they gather and play music only to cheer themselves up. On the other opportunities, e.g. on the so called 'Green Gypsy Thursday' hundred of ...
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Hi everybody! I'm a musician living in Cary, NC (that's just outside of Raleigh). I was born in Laurel, Mississippi where when I was little my Mom used to play piano while I was sitting in her lap. I got degrees in piano performance from the University of Southern Mississippi and Eastman School of Music in Rochester, NY (It's cold up there). Locally I've played with a few different bands doing covers, originals, and funk stylings. As a songwriter, influences range from Beethoven to Ginastera to Tori Amos to Billy Joel (the biggie). I especially like tunes with odd or changing meters and interesting harmonies and/or harmonic progressions. I get bored easily.The tunes on my CD "Offering" were mostly written for the church where I play here in Cary, Genesis Methodist. Most services have a spot for some instrumental stuff, and I guess I find it easier to make up new stuff than to learn stuff other people have already written. A few of the tunes are instrumental versions of songs or half-songs I have written, which is why ...
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Pipe Organ Of The Mormon Tabernacle / Clay Christiansen
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