| | Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale CD Chapelle Royale / Charpentier / Herreweghe CDS
La Chapelle Royale,Philippe Herreweghe Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale Music Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale Review
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Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale Songs | 1. Miserere mei Deus, motet for 5 voices, chorus, 2 flutes, strings & continuo, H. 219: Ouverture (1:44) | | Catalog No. | H 219 | | Composer | Marc-Antoine Charpentier (1643 - 1704) | | Conductor | Philippe Herreweghe | | Genre | Baroque Period | | Date Written | ?1694 | | Ensemble | La Chapelle Royale | | Period | Baroque | | Venue | Studio 103 de la Maison de Radio France | | Recording Date | 05/1985 | | 2. Miserere mei Deus, motet for 5 voices, chorus, 2 flutes, strings & continuo, H. 219: Miserere mei, D (9:43) | | Catalog No. | H 372 | | Composer | Marc-Antoine Charpentier (1643 - 1704) | | Conductor | Philippe Herreweghe | | Genre | Baroque Period | | Date Written | ?1696 | | Ensemble | La Chapelle Royale | | Period | Baroque | | Venue | Studio 103 de la Maison de Radio France | | Recording Date | 05/1985 | | 3. Miserere mei Deus, motet for 5 voices, chorus, 2 flutes, strings & continuo, H. 219: Quoniam iniquit (5:17) | | Catalog No. | H 346 | | Composer | Marc-Antoine Charpentier (1643 - 1704) | | Conductor | Philippe Herreweghe | | Genre | Baroque Period | | Date Written | 1687 | | Ensemble | La Chapelle Royale | | Period | Baroque | | Venue | Studio 103 de la Maison de Radio France | | Recording Date | 05/1985 | | 4. Miserere mei Deus, motet for 5 voices, chorus, 2 flutes, strings & continuo, H. 219: Asperges me hys (2:40) | | Catalog No. | H 434 | | Composer | Marc-Antoine Charpentier (1643 - 1704) | | Conductor | Philippe Herreweghe | | Genre | Baroque Period / Mass / Motet / Offertory | | Date Written | 1698 | | Ensemble | La Chapelle Royale | | Period | Baroque | | Venue | Studio 103 de la Maison de Radio France | | Recording Date | 05/1985 |
Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale Music Composers on Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale CD : Marc-Antoine Charpentier Conductors on Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale CD : Philippe Herreweghe Ensembles on Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale CD : La Chapelle Royale Genres on Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale CD : Baroque Period, Mass, Motet, Offertory
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$18.85 This album was released by the boutique reissue imprint Le Temps Moderne, better known in many circles for their reissue of obscure U.K. indie and post-punk releases on the Factory and Sarah labels. Also, it features cover graphics derived from exactly the same poster by Italian futurist Fortunato Depero that Peter Saville had already cribbed for the front cover artwork for New Order's debut album, Movement, back in 1981. This may lead some to assume that the album has a strong connection to the U.K. post-punk aesthetic, but in fact, Futurelieder is the real thing, a collection of music by a key figure in the aesthetic movement that most heavily informed that rockist scene. Franco Casavola (1891-1955) was an Italian composer today inextricably linked to the futurist movement that flourished in his homeland in the teens and '20s, although he broke with the movement around the same time that it started to get intertwined with Benito Mussolini's fascists in the late '20s. The 28 pieces on Futurelieder are taken from the last years of Casavola's time with the futurist movement, 1922-1927. Performed by pianist Daniele Lombardi and soprano Susanna Rigacci for Italian radio between 1994 and 2002, these performances emphasize Casavola's links to the late Romantic era (he had been a student of Ottorino Respighi, composer of The Birds, early on in his studies), which softens the music's harsher edges. Futurelieder contains most of Casavola's best-known works, including La Danza delle Scimmie [Dance of the Monkeys] and Tango Viola da "Cabaret Epilettico" along with some of Casavola's more playful works, such as the jazzy Fox-Trot Zoologico and Campari, a sprightly 30-second tune that was written for the makers of the aperitif. Yep, it's a jingle. Given how much the U.K. post-punk scene took from the futurists in terms of inspiration (besides the New Order reference above, Adam & the Ants name-checked the futurists on the early Dirk Wears White Sox album, and the Art of Noise took their name from the title of the key futurist manifesto), Futurelieder is a fine way for fans of Le Temps Moderne's reissue campaigns to find out first-hand what this music sounded like. ~ Stewart Mason
28 tracks. LTM is proud to present Futurlieder, the very first dedicated album of music by the leading Italian Futurist composer, theorist and writer Franco Casavola. Born near Bari in 1891, Franco Casavola was invited to join the Futurist movement by F.T. Marinetti in 1922. Casavola wrote a number of scores for theatre productions, including the mechanical ballets Anihccam del 3000 and Fantasia Meccanica. He also wrote a number of essays and manifestoes on future music, and Futurist novel, Introduction to Madness. Casavola broke with Futurism in 1927, and afterwards scored movies. He died in Bari in 1955. Although Franco Casavola claimed to have destroyed all his Futurist scores in 1927, recent research has proved otherwise. Futurlieder gathers together short Futurist pieces such as Dance of the Monkeys (Hop Frog), Zoological Foxtrot, Epileptic ...
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Charpentier: Miserere, Motets/Herreweghe, La Chapelle Royale
$20.25 Paths of Graceby: Gloriæ Dei CantoresA peaceful and meditative choral collectionSeventeen of Gloriæ Dei Cantores' finest recordings make their way onto Paths of Grace, the final companion volume to earlier anthologies Eternal Light and Joy and Gladness. The recording features works of Palestrina, Tchaikovsky, Brahms, Mathias, and many others. The pieces capture a reflective, peaceful spirit with music of graceful melody and flow. Gloriæ Dei Cantores' expert renditions of these ...
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