| | Stevie Wonder Early Classics CD Stevie Wonder Discography of CDs
Early Classics features the gifted singer/writer/musician transcending from Little Stevie Wonder into maturity. The 18 selections are OK, but would have been stronger if "Sunset," "Purple Raindrops," "Hey Love," "Contract on Love," and "Old People Call It the Blues (But I Call It Pretty Music)" had been included; they would have compensated somewhat for another weak mastering ... Stevie Wonder Early Classics Songs | 1. | Uptight (Everything's Alright) |
| 2. | Fingertips (Parts 1 And 2) |
| 3. | Little Water Boy - With Clarence Paul |
| 4. | Music Talk |
| 5. | Workout Stevie, Workout |
| 6. | Monkey Talk |
| 7. | Frankie And Johnny |
| 8. | Mary Ann |
| 9. | Blowin' In The Wind - With Clarence Paul |
| 10. | Sad Boy |
| 11. | With A Child's Heart |
| 12. | I Was Made To Love Her |
| 13. | Ain't That Love |
| 14. | My Baby's Gone |
| 15. | Yester-Me, Yester-You, Yesterday |
| 16. | Teach Me Tonight - With Levi Stubbs |
| 17. | Ebb Tide |
| 18. | Beyond The Sea |
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Early Classics Review
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Purchase Early Classics CD To buy, Click on price to add to cart | Alicia Keys Element Of Freedom CD (2009)
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Don't mistake the presence of Jay-Z and Beyoncé on Alicia Keys' fourth album as evidence that the singer/songwriter is burrowing into modern R&B -- take it instead as evidence of the rarefied company Keys keeps, her status as a superstar so solidified that the only cameos possible are R&B/hip-hop elite. ...
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| | Moody Blues Every Good Boy Deserves Favour CD (1971) Bonus Tracks
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Though this 1971 release was issued at a time of enormous commercial success for the Moody Blues, EVERY GOOD BOY DESERVES FAVOUR contains some of the band's most adventurous music. The band had recently discovered the Moog synthesizer, and its presence is felt on much of the album. The opening "Procession" instantly sets this collection's experimental course, landing like a spacecraft among reams of cascading synthesizer before evolving into a soundscape of cricket chirps, thunderclaps, and tribal chanting. The next three minutes contain one of the most cathartic sonic explorations the band has ever put forth.
Other standout tracks include "After You Came," which features tessellated vocal layering and bluesy guitar work; "Emily," a song that John Lodge wrote for his daughter; and the rapturously symphonic "You Can Never Go Home." Rich, complex, powerful, and beautifully produced, EVERY GOOD BOY DESERVES FAVOUR brings together all of the Moody Blues' best qualities in one album, standing as the culmination of their fine '60s work, and the standard-bearer for the music to come.
This upgraded and expanded CD of Every Good Boy Deserves Favour is essentially the same disc as the hybrid SACD/CD version put out in Europe in 2007, but without the multi-channel SACD layer on that disc -- instead, it's limited to the remastered CD sound also found on that disc, and which is pretty impressive on its own terms, especially compared with previous CD editions. The volume has been boosted along with the clarity, so that what one ends up with is close to what a lot of this record much have sounded like during recording and playback. And one result of that remastering is that the inherent lyricism is now matched by a big studio sound, giving the record a harder edge than a lot of longtime listeners will have associated with it. The relatively short running time of this expanded edition, which contains but two bonus tracks -- the original live-in-the-studio rendition of "The Story in Your Eyes" and the previously unheard Ray Thomas/Justin Hayward composition "The Dreamer," from the same November 1970 sessions -- also reveals a lot about the strain that lurked just below the surface of the making of this record; a U.S. tour was sandwiched right in the middle and immediately after the sessions for this record, and the members had come into this album with just enough material (with a lot of work on pieces such as "Procession" and "My Song") to fill it up -- in other words, they were losing ground in their creative efforts to stay ahead of demand (a live album would have been a solution to giving them some breathing room, and one heartily wishes that someone within the group or their ...
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In 2001 I was called by Jesus through praise and worship music that I could hear coming from a Church in Mountain View Ca. I had been living across the street for about 6 years and could hear the music flow through my bedroom window from the church.One day the music became so faint to where I could barely hear it, so I decided to go to the church. I walked across the street. The music was still faint. I started to leave and saw a lady on the way to the church. I asked her what type of church this was and she responded "it's God's church" and asked if I would like to go in with her. At this point I felt improperly dressed being that I was in a pair of jeans and a t-shirt. I explained this to the lady and she said "to come as I was". I went into the church and the power of God hit me so strong. I just started weeping. A gentleman ...
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