| | Manu Dibango Abele Dance CD Manu Dibango Discography of CDs
Audio Mixer: Godwin Logie.
Personnel: Manu Dibango (vocals, saxophone, keyboards, percussion).
Abele Dance Music | List Price | $10.98 (You save $1.69) | | Category | Rock/Pop Albums, World CDs, International, African, CD singles, Cameroon, Afro-Pop | | Label | Celluloid | | Orig Year | 2006 | | All Time Sales Rank |  375334  | | CD Universe Part number | 3487143 | | Discs | 1 | | Release Date | Jul 11, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 15 minutes | | Personnel | Manu Dibango - vocals, saxophone, keyboards, percussion
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Manu Dibango Abele Dance Songs Abele Dance Review
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Purchase Abele Dance CD To buy, Click on price to add to cart | Van Morrison Tupelo Honey CD (1971) Bonus Tracks; Remastered; Remastered & Expanded
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Part of Van Morrison's living-in-the-country-and-taking-life-easy series of early-1970s albums, TUPELO HONEY is full of the organic mix of soul, folk, blues, and rock that was his signature sound at the time. The freewheeling "Wild Night" bursts at the seams with the pure joy of living, carried along by R&B horns and Morrison's own soulful invocations. "Old Old Woodstock" and the title track are songs of devotion to home and hearth, indicative of the mood prevailing at the time, as the acid-rock excesses of the '60s gave way to a more down-home sound ŕ la the Band, CSNY, et al. Nevertheless, even though he spent some time with his feet up in front of the fireplace, Morrison was always too much of a soul man at heart to remain low-key for long, as evidenced by the up-tempo closing tune, "Moonshine Whiskey."
Tupelo Honey is typical of Van Morrison's early-'70s work in both sound and structure; after dispensing with the requisite hit -- here, the buoyant, R&B-inflected "Wild Night" -- he truly gets down to business, settling into a luminously pastoral drift typified by the nostalgic "Old Old Woodstock." At the heart of the record are a pair of stunning love songs, "You're My Woman" and the hymn-like title cut, one of Morrison's most enduring and transcendent compositions. [As part of a massive remastering and reissue campaign, virtually every major Morrison title (and ...
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Both the NEW SOUND and THE NEW SOUND VOLUME II, recorded in 1950 and 1951, respectively, and brought together here in one set, are billed as releases by Mary Ford and Les Paul. Ford takes something of a backseat on these dates, however, as most are given over to Paul's innovative, multi-tracked instrumentals. In fact, ...
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A collection of B-sides, alternate or demo versions, and previously unreleased songs.
Recorded between 1978 and 1992. Includes liner notes by Paolo Hewitt.
Pity the oft-neglected B-side. Often just a throwaway track designed to back up but not supersede a band's "official" new release, by the time the single is filed away alphabetically, it's usually forgotten by even the most zealous collector. Unless of course the B-side is by seminal English mod revivalists The Jam, in which case a closer listen is not only warranted, but required. For The Jam packed their B-side songs with more fire and brimstone than most bands did the A-sides.
Unfortunately the vinyl days of yore are but a memory. Fortunately, EXTRAS collects most of the Jam's odds and sods on disc for fans young and old. A bonus is Paul Weller's always-eclectic taste in covers, which runs from the Who ("So Sad About Us") to the Beatles ("And Your Bird Can Sing") to the godfather of soul himself , Mr. James Brown ("I Got You [I Feel Good]"). EXTRAS is valuable not only as a chronology of the gems that Weller was tossing off in his spare time, but as a look at how truly eclectic the Jam were as a band.
Pity the oft-neglected B-side. Often just a throwaway trackdesigned to back up but not supersede a band's 'official' new release, by the time the single is filed away alphabetically, it's usually forgotten by even the most zealous collector. Unless of course the B-side is by seminal English mod revivalists The Jam, in which case a closer listen is not onlywarranted, but required. For The Jam packed their B-side songs with more fire and brimstone than most bands did the A-sides. Unfortunately the vinyl days of yore are but a memory. Fortunately, EXTRAS collects most of the Jam's odds and sods on disc for fans young and old. A ...
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Born in Radford, Virginia in 1946, with a great influence from his grand parents Reverend Elmer and Lummie Shelton, his roots began in gospel music. Joe began his music career at the age of 13 in Richmond Virginia. Joe recorded his first Rock album with the garage band “The Fugitives” formed by Joe’s younger brother Mickey Russell, lead guitarist and band leader. The group recorded the album “On The Run” on the Justice Recording Company label in Winston-Salem, North Carolina. The group members, Joe and Mickey Russell, Richard Donlavey, Jimmy Sickal, Tommy Sickal, Buster Byard. The group gained regional fame in the south in the late 60’s. The album “On The Run” has been bought and now distributed by the Collectables Record company and can be purchased on the Oldies.com website. The Fugitives released several singles on the ShoeString record label (Richmond, Virginia). Mickey Russell and Richard Donlavey wrote the single “Theme of Love” and “What made you blue”. They also released “Hey Bo Didley” which promoted the group to their regional fame. Joe moved to Atlanta where he met Donald Dunlavey and joined the Englishmen, playing bass, originally from Macon, Georgia. They later changed their name to “The Jammer Kids” Joe later signed with Bill Lowery Talent as a writer and recording artist. Allen Diggs booked the group throughout the south with a great group of artist, Dennis Yost, Billy Joe Royal, Tommy Roe, Dee Clark, and Joe South. The group journeyed deeper into the south and became successful in and around Monroe, Louisiana while working with G.G. Shinn and the Roller Coasters, The Boggie Kings, Chuck Jackson, and Bill Wray. During this time the group had gone through changes, Sonny Farmer, Robert Thames and Mike Foreman joined the group and recorded several projects in Atlanta at the Master Sound Studios. The songs were later released on a Independent label in 1972. In 1978 Joe recorded a country single on the Dove label. Joe’s music history runs deep, while the best words to explain his career comes directly from Joe “ I have been blessed to have met and worked with some of the most talented people of our era, the association alone has enriched my life”. Joe’s music expanded into gospel in January 1977 when he accepted the Lord Jesus as his personal savior. He has sense recorded 12 gospel albums. It all began with the Joe Russell Singers and the first album “Jesus Paid It All” The group included Johnny and Paula Keefer making up the trio. They recorded their first national gospel album on the Whiteline music label in 1984 produced by Joe Russell and Roger Fortner. The group was made up of John and Paula Keefer, Brian Raines, ...
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