| | Kid Thomas Sonnets From Algiers CD Kid Thomas Discography of CDs
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trumpeter w. Paul Barnes-cl, Emanuel Paul-tnr, Louis Nelson-trmb, Joe James-pno, George Guesnon-bnjo, Sammy Penn-drms 1960
Personnel: Kid Thomas (trumpet).
Recording information: 07/03/1960.
Sonnets From Algiers Music Kid Thomas Sonnets From Algiers Songs | 1. | Put On Your Old Grey Bonnet |
| 2. | Closer Walk With The |
| 3. | Milneberg Joys / Dippermouth |
| 4. | I Believe I Can Make It (V. Penn) |
| 5. | Shade Of The Old Apple Tree |
| 6. | I Can't Escape From You |
| 7. | Ballin The Jack |
| 8. | S'il Vous Plait |
| 9. | Sing On |
| 10. | When You And I Were Young Maggie |
| 11. | Dinah |
| 12. | Should I Reveal |
| 13. | Dreamy Moon Of Indiana |
| 14. | High Society |
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Sonnets From Algiers Review
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There are a fine pair of duets played here as well, between Dauner on piano and Weber's bass on the lovely Kern number, and also "Seven Movements," shared by the bassist and Garbarek. They set the stage for what follows, the elongated "Birthday Suite" that encompasses five pieces -- bookended by gorgeous readings of two of Weber's best-known pieces, "The Colours of Cloë" and "Yellow Fields." On "Hang Around," a trio of Nino G., Weber's downright funky acoustic bass, and the self-designed percussion instrument played by Reto Weber (no relation) called the "hang," are in deep intuitive interplay. The work by G. is not a novelty, but something inventive, utterly fresh, and full of the energy -- especially in G.'s solo. The final two pieces of the evening are in many ways the most satisfying. The full band returns on "The Last Stage of a Long Journey," where the orchestra introduces the brooding and melancholy composition. Strings and the deep brass of tuba and euphonium gradually bring up the tempo and introduce the lithe melody, as Weber brings his bass up from the ether. When Bruninghaus restates the theme on the piano and Weber is allowed free play inside the rhythm, Burton begins to color it. When Garbarek's icy soprano saxophone cries out, it is arresting and rings true. The concert ends with a brief bass solo by Weber on "Air." In just over three minutes, the great bassist is not remotely interested in showing his chops but in playing this bittersweet little song as a folk tune. This is a watershed moment in Weber's recorded output, because it reveals his collective gifts as a musician, which, even when understated, are shining examples of the European jazz, folk, classical, and new music he has forged these last 40 years as a leader and as a valued sideman and composer. ~ Thom Jurek
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