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Helsloot, Misja - In Trance We Trust, Vol. 7 CD Cover Art
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Misja Helsloot In Trance We Trust, Vol. 7 CD - Import

 Misja Helsloot Discography of CDs

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This is a continuous in-the-mix CD compiled and mixed by DJ Misjah Helsloot.

DJ Tiesto,Midway,Scott Mac & Drax,DJ Ton Tb,Antarctica++
In Trance We Trust, Vol. 7 Music


Detailed In Trance We Trust, Vol. 7 Music Information



List Price $17.97 (You save $1.32)
Category Rock/Pop Albums, Rock CDs, Electronica, Alternative, Techno, Trance, Dance
Label In Trance We Trust / Black Hole
Orig Year 2002
All Time Sales Rank   126560  
CD Universe Part number 3527913
Discs 1
Release Date May 21, 2002
Studio/Live Studio
Mono/Stereo Stereo
Additional Info Germany
Misja Helsloot In Trance We Trust, Vol. 7 Songs


Misja Helsloot In Trance We Trust, Vol. 7 Album Track Listing



1.Angel - (Original mix)
2.Carrera 2
3.Elixir
4.Future Voices
5.Persuasion
6.BMX
7.Eternity - (Gary D. Out Of Space mix)
8.Message From the Universal
9.Hardbeat - (Humate remix)
10.Lazarev - (Steve's Mainfloor mix)
11.First Second - (Ralphie B remix)
12.Monkey Forest
13.Reflections
14.X-Tension
15.End of the Earth
16.In My Memory
In Trance We Trust, Vol. 7 Review


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This release fo the set from Bryan Ferry's foil in Roxy Music features three bonus tracks: a demo version of "It Don't Matter To Me," as well as live renditions of "Remote Control" and "Out Of The Blue." Contains 10 more, including "Hot Spot," "Cuban Crisis," and "Gone Flying." Recorded in the spring of 1978 at Yes bassist Chris Squire's home studio, K-Scope featured three founding members of the Split Enz/Crowded House: Eddie Rayner (keys), Tim Finn (lead vocal) and brother Neil Finn (backing vocal). Manzanera also enlists percussion heavyweight Simon Phillips, good buddies John Wetton and Bill MacCormick (both bassists and vocalists), and saxophonist Mel Collins, among several others. The band strong-arms the solid pop rock structures and approaches the instrumentals with the same verve. The literally "coolest" tune in the set is also Manzanera's personal favorite, the breezy "Gone Flying." The composition (and performance) is a fine example of how truly excellent a pop song can be. Manzanera's atmospheric "echo guitar" is at the core of the piece, with Phillips contributing refined, offbeat, fluid percussion, and ...
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Readers should get one matter out of the way immediately -- this rather mysterious and cryptically annotated double-CD set from Prism Records is not comprised of tracks from John Martyn's 1977 Island album of the same name. Rather, according to its own very small-print annotation, it assembles 27 tracks recorded at Woodhall in 1994, and that's as much hard information as there is here about this set's origins. This is Martyn at his most musically diverse, with various progressive and world music influences, and even elements of soul woven throughout his familiar folk-rooted style, presented here with full amplification and (mostly) a small band accompaniment -- only "John Wayne," the closer for the set, gets into a really big-scale sound at its end. The content is all well-recorded and offers material ranging across a couple of decades of Martyn's history, encompassing several stylistic phases, but one wishes there were more information about the actual recordings and their origins and circumstances -- and especially about the live version of "Easy Blues" late on Disc Two (which, one assumes, is the same cut that opens the John Martyn Live CD from Artful), the parent company of Prism Platinum. As to the musical content, the fact that "Big Muff" and "One World," as well as "Dealer," which are spread all over these two CDs, also happen to be the finest pieces on this set -- though it should be said that everything here is worth hearing -- also speaks to the debt that this collection (whatever its origins) owes to the Island One World album. ~ Bruce Eder After Sunday's Child, John Martyn took an extended break from studio recording. By late 1975, feeling he was close to going "completely round the bend," he had also stopped touring. To put some distance between himself and the pressures of the business and to recoup his creative energies, he went to Jamaica. There, after meeting dub producer Lee "Scratch" Perry, Martyn sat in on sessions by other artists and contributed to Burning Spear's Man in the Hills. Martyn returned to the U.K. reinvigorated and began recording One World in summer 1977. Produced by Island boss Chris Blackwell and featuring Dave Pegg, Morris Pert, John Stevens, Danny Thompson, and Steve Winwood, among ...
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