| | Enrico Rava Plot CD - Import Enrico Rava Discography of CDs
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Our Price: $17.55 CDFor Sale Usually ships in 1-2 days
Our Price: $5.94
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Italian trumpeter with quartet. Original ideas and compositions. With guitarist John Abercrombie. ~ Michael G. Nastos Plot Music | List Price | $18.98 (You save $1.43) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument | | Label | Universal | | Orig Year | 1976 | | CD Universe Part number | 3627975 | | Catalog number | 523282 | | Discs | 1 | | Release Date | Nov 18, 2008 | | Mono/Stereo | Stereo | | Additional Info | Sweden |
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Purchase Plot CD To buy, Click on price to add to cart | Diana Krall Quiet Nights CD (2009)
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$13.09 Diana Krall's first studio outing since she and husband Elvis Costello became the proud parents of twin boys, 2009's QUIET NIGHTS finds the jazz singer/pianist turning in a serene and pleasantly subdued set. Krall breezes through a few bossa nova standards, most notably "The Girl from Ipanema" (here gender-reversed to "The Boy...") and the title track (originally ...
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| | Herb Alpert Whipped Cream & Other Delights CD (1965) Bonus Tracks
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$9.89 How a good-looking Jewish boy from Brooklyn discovered the secret of success in an updated form of mariachi music is perhaps beyond our scope. Then again, it might not be such a mystery after all. Aside from the obvious example of exotica, much easy listening depends upon more than a touch of ethnicity to maintain its musical roots. What Herb Alpert found in Mexican street bands was a previously untapped source of south-of-the-border melody and rhythm. With its unlikely combination of Alpert's cool Chet Baker-like trumpet and the blocky cadences of a marching band, the Tijuana Brass produced a lively, colorful mix that managed to appeal to hips and squares alike.
WHIPPED CREAM & OTHER DELIGHTS was Herb Albert's most successful album, helped--no doubt--by its highly provocative cover art. The tunes are mostly unknown originals or, in the case ...
| | Miles Davis Tribute To Jack Johnson CD (1970) Remastered
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$7.59 A TRIBUTE TO JACK JOHNSON was originally conceived as the soundtrack for a documentary on the life of the first African American heavyweight boxing champion, but the album stands on its own as one of the most brilliant, compelling fusion recordings ever made. This is due in large part to the increasing influence of rock and funk on Miles's aesthetic, to the superb musicians (including Davis himself-- who turns in some stunningly vigorous solos), and in part to the production ...
| | Lawrence "Black" Ardoin Tradition Creole CD (1999)
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$9.49 It's a pretty general rule that Cajun music uses a fiddle, a zydeco, and a R&B band to complement the accordion's leading role. Well, Lawrence"Black" Ardoin must have figured rules are made to broken because fiddler Edward Poullard is in the band here and that touch helps make Tradition Creole one of the most distinctive zydeco discs around, one that sounds as fresh in its expanded CD version now as the original LP did in 1984.
It almost sounds like Poullard is playing with the band for the first time (not true) because he's all over the place, certainly far more prominent than Sean Ardoin's sax,. Lawrence Ardoin, the son of old-timer Alphonse "Bois Sec" Ardoin, and now father/manager of newcomer Chris Ardoin, who is an appealing singer in his own right and, a solid, old-school accordion player who knows the spots to drop in his nothing-fancy fills.
The material is mainly Ardoin originals in the classic zydeco vein, but there are covers of the bluesy "Haunted House" (sung in French with a "Yakety Yak" feel), Cookie & the Cupcakes' swamp pop classic "Matilda," Rockin' Sidney's pop-rock zydeco, "What's Good For The Gander," and a vocal feature for Poullard in J.B. Lenoir's "Talk To Your Daughter." Zydeco godfather Clifton Chenier gets three uptempo credits ("Ay, Ai, Ai," "Nonc Edward," and "Every Now And Then").
"I've Been There" starts upbeat with fine drumming, two-step bass and a country-ish flavor courtesy of Poullard before --oh, the hell with details. They do blues, they do 2-steps, they play uptempo, they play downtempo, they sing in French, they sing in English, the playing is sometimes ragged but always right and the music flows so effortlessly it just zips right by -- and that's a compliment.
You know what the thing is about Tradition Creole? Genuine is one of those really loaded words to use about a roots form like Cajun or zydeco because it often implies ...
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