| | Bill Evans Waltz For Debby CD Bill Evans Discography of CDs
 (1 Customer Review)
Recorded live at the Village Vanguard, New York, New York on June 25, 1961. Originally released on Riverside (9399). Includes liner notes by Joe Goldberg.
The 2002 edition of this CD (JVC catalog #XRC 220) is a sonically improved version which replaces JVC catalog #XRCD 60141.
WALTZ FOR DEBBY, along with SUNDAY AT THE VILLAGE VANGUARD, contains material from Scott LaFaro's final recording session with the Bill Evans Trio. He died 10 days later.
Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.
Digitally remastered using 20-bit K2 Super Coding System technology.
This is a hybrid Super Audio CD playable on both regual and Super Audio CD players.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Recorded on the same night as Sunday At The Village Vanguard, Waltz For Debby captures one of the most important and well-integrated piano trios in the history of jazz, working on a superbly inspired night. It is clear, listening to this record, that bassist Scott Lafaro had a very special rapport with Evans, and drummer Paul Motian's subtle, improvised accompaniments and eccentric, quirkily quiet swing was the perfect engine for this subtle, impressionistic pianist. Check out the lovely, gentle 'My Foolish Heart', and the lively 'Milestones' and, of course, 'Waltz For Debby'.
Digitally remastered by Doug Sax (Mastering Lab).
Bill Evans Trio: Bill Evans (piano); Scott LaFaro (bass); Paul Motian (drums). **Super Audio CD (SACD) Hybrid**
This CD will play in standard CD players.
A Super Audio CD player is required to take advantage of the SACD sound technology. Bill Evans Waltz For Debby Songs Waltz For Debby Music Review Purchase Waltz For Debby CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
Waltz For Debby album
 $6.39  
This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine."
Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley ...
| | Bill Evans Sunday At The Village Vanguard CD (1961) SACD Hybrid
Waltz For Debby CD music
$21.99 
Recorded live at The Village Vanguard, New York, New York on June 25, 1961.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Jazz pianist Bill Evans began a quiet revolution in the early 1960s. Before Evans, jazz piano trios spotlighted the pianist while the others essentially accompanied him or her. Evans envisioned a trio where all three musicians were ...
| | Cannonball Adderley Know What I Mean? CD (1961) SACD Hybrid
Waltz For Debby music CDs
$21.99 
Digitally remastered by David Luke (1987, Fantasy Studios, Berkeley, California).
Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.
Digitally remastered using 20-bit K2 Super Coding System technology.
This is a hybrid Super Audio CD playable on both regular and Super Audio players.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Possibly the best of Julian "Cannonball" Adderley's many releases, 1961's KNOW WHAT I MEAN? finds the alto saxophonist in a different setting. Usually found fronting hard-bop combos featuring his brother Nat on cornet, Adderley is here accompanied by pianist Bill Evans, bassist Percy Heath, and Modern Jazz Quartet drummer Connie Kay. In these more placid surroundings, Adderley showcases an entirely different side to his playing.
Accompanied by Evans' impressionistic, watery piano and Kay's low-key drums, Adderley's lines are lighter and more peaceful than his usual bluesy tone. The opening "Waltz for Debby" and ...
| | Bill Evans Portrait In Jazz CD (1959) SACD Hybrid
Waltz For Debby songs
$15.19
Digitally remastered by David Luke (1987, Fantasy Studios, Berkeley, California).
Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.
Digitally remastered using 20-bit K2 Super Coding System technology.
This is a hybrid Super Audio CD playable only on Super Audio CD players.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
An indisputable jazz classic, Bill Evans's PORTRAIT IN JAZZ was originally released in 1959, issued on CD in the early `90s, then remastered and re-released in 2008. The crisp remastering is a joy, and brings the glorious music made by the legendary pianist and his trio into sharp, gorgeous relief. Evans's treatments of standards and classics such as "Come Rain or Come Shine," "Witchcraft," and "Someday My Prince Will Come" are startling and moving, but it's the originals--"Peri's Scope" and the seminal "Blue in Green"--that stand out.
PORTRAIT IN JAZZ introduced the justly acclaimed Bill Evans Trio, the innovative little group featuring bassist Scott LaFaro and drummer Paul Motian that would forever change standards of jazz playing, introducing a new kind of swing based on a flexible sense of time and interplay. Evans had already established himself on EVERYBODY DIGS BILL ...
| | John Coltrane & Johnny Hartman CD (1963) Hybrid; SACD Hybrid
Waltz For Debby album
$15.19
Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24 karat gold and housed in a stress-resistant lift-lock jewel box.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
From his formative days with Miles Davis and Thelonious Monk, through the expansive revelations of his Prestige, Atlantic and Impulse! recordings, John Coltrane revealed many facets of beauty--some full of turbulence, others bathed in serenity. JOHN COLTRANE AND JOHNNY HARTMAN is probably the saxophonist's most graceful, accessible recording in a discography awash in spiritual radiance.
When this album was recorded in March of 1963, Coltrane was completing a series of recordings designed to highlight his lyric strengths and the subtle accompaniment skills of his quartet. When the concept of singer was raised, Coltrane reached out to Hartman because the saxophonist considered the crooner's soothing, elegant baritone to be a musical parallel to his own singing sound.
The spiritual aura and artistic empathy they achieve on JOHN COLTRANE AND JOHNNY HARTMAN is simply transcendent. Their ...
| | Bill Evans Explorations CD (1961) SACD Hybrid
Waltz For Debby CD music
$15.19
Digitally remastered by David Luke (Fantasy Studios, Berkeley, California).
Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.
This is a hybrid Super Audio ...
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Waltz For Debby album
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This budget-priced compilation selects ten ballad performances from Nancy Wilson's Columbia Records albums of the 1980s and 1990s. Since her ballads ...
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Waltz For Debby CD music
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| | Ozzie Bute Treasure The Moment- (Single Off The Album- "Journey West 2 East") CD (2006)
Waltz For Debby songs
$16.45
Just Us Records Proudly Presents “Ozzie” A New York born recording artist and producer who combines English and Punjabi in a unique and evolutionary style. American’s have recently become more interested in the sound of South Asian music (ex. popularity of Punjabi lyrics, use of minor cord progression, incorporation of tablas, dhols, sitars, and other Indian instrumentation in today’s hit records). There is a strong market for South Asian music, but the key is in the artist’s presentation. Ozzie sings a unique style of Punjabi that complements Hip-Hop, R&B, and Pop as never before. Having grown up in New York, and traveled around the world to Bombay, his musical style has adopted both western chacteristics, and authentic Punjabi sound. The end result is the creation of an extremely novel style, with an artist that occupies an exclusive niche. The unique ability to fuse English with an evolutionary Punjabi sound. Ozzie has demonstrated that he can capture an American audience. His single “Treasure the Moment” has been played on over 40 American radio stations, he has performed at various NYC clubs such as the Roxy, 151, Broadway’s Beacon Theater, and was given the honor to sing the United States national anthem for the Mets at Shea stadium. It is Ozzie’s ultimate goal to create a style of South Asian music that will appeal to both Hollywood and Bollywood. In order to build a fan base, and prove that his novel musical style would be successfully ...
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