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Mahavishnu Orchestra Mahavishnu CD

 Mahavishnu Orchestra Discography of CDs
3.6 stars (5 Customer Reviews)

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John McLaughlin is regarded as one of the greatest guitarists in the history of music. Making albums from the 60's through the present, his intense guitar work with The Mahavishnu Orchestra and Miles Davis gave birth to jazz/fusion. In 1984 he formed a reincarnation of sorts of The Mahavishnu Orchestra. Featuring original Mahavishnu drummer Billy Cobham, plus saxophonist Bill Evans and bassist Jonas Hellborg, this high-energy electric album is regarded as one of his best efforts and has been his most sought after album for CD reissue. It is making its worldwide CD debut! Wounded Bird Records.

Mahavishnu Orchestra: John McLaughlin (guitar, Synclavier); Bill Evans (soprano saxophone, tenor saxophone, flute); Mitchell Forman (piano, Fender Rhodes piano, keyboards); Jonas Hellborg (bass); Billy Cobham (drums, percussion).
Additional personnel: Katia Labeque (piano, keyboards, Synclavier); Danny Gottlieb, Hari Prasad Charurasia, Zakir Hassain (percussion).
Recorded at Ramses Studios, Paris, France in May 1984.
Personnel: John McLaughlin (guitar, synthesizer, Synclavier); Bill Evans (flute, soprano saxophone, tenor saxophone); Mitchel Forman (piano, Fender Rhodes piano); Katia Labèque (piano, synthesizer, Synclavier); Jonas Hellborg (bass guitar, fretless bass); Billy Bobham, Billy Cobham (drums, percussion); Hariprasad Chaurasia, Danny Gottlieb, Zakir Hussain (percussion).
Audio Mixers: Brian Risner; Jean Louis Rizet.
Recording information: Ramses Studio, Paris, France (04/1984-05/1984).
Photographer: Arthur Elgort.
John McLaughlin resurrected the esteemed old Mahavishnu Orchestra for his mid-'80s quintet, even getting old mate Billy Cobham to fill the drum slot on the band's first album. But this is an entirely different conception than any of the '70s Mahavishnu outfits. The sound is cooler, less strident, more thoroughly dominated by advanced electronic textures -- including a sleekly elegant digital guitar played through a Synclavier. Instead of a violin, Bill Evans contributes some swirling and sometimes bop-flavored work on saxes, and McLaughlin gets mobile but not overly combustible support from keyboardist Mitch Forman and bassist Jonas Hellborg. The homages continue; the opening of "Nostalgia" is exactly that, a throwback to "In a Silent Way" as filtered through digital gear. While this is undeniably prog-minded, beautifully played electric music, it is not terribly absorbing; the quality of the material and the intensity level aren't too high. ~ Richard S. Ginell

Mahavishnu Music


Detailed Mahavishnu Music Information



List Price $11.99 (You save $1.50)
Category Rock/Pop Albums, Rock CDs, Jazz, Jazz Instrument, Fusion
Label Wounded Bird
Orig Year 1984
All Time Sales Rank   6774  
CD Universe Part number 3674577
Catalog number 5190
Discs 1
Release Date Jun 18, 2002
Studio/Live Studio
Mono/Stereo Stereo
Producer John McLaughlin
Engineer Albert Koski; Jean Louis Rizet; Laurent Peyron
Personnel Bill Evans - soprano saxophone, tenor saxophone, flute
John Mclaughlin - guitar, Synclavier
Billy Cobham - drums, percussion
Bill Evans - soprano saxophone, tenor saxophone, flute
Jonas Hellborg - bass guitar, fretless bass
Mitchell Forman - piano, Fender Rhodes piano, keyboards

Also: Zakir Hussain, Danny Gottlieb, Hariprasad Chaurasia, Katia Labeque, Hari Prasad Charurasia
Mahavishnu Orchestra Mahavishnu Songs


Mahavishnu Orchestra Mahavishnu Album Track Listing



1.Radio-Activity
2.Nostalgia
3.Nightriders
4.East Side, West Side
5.Clarendon Hills
6.Jazz
7.Unbeliever, The
8.Pacific Express
9.When Blue Turns Gold
Mahavishnu Music Review


Customer Mahavishnu Reviews 




Average Rating: (3.6 out of 5 stars) 3.5 stars

5 stars Mellow Mahavishnu
The third (re)incarnation of the mahavishnu band leaves you as dumb-founded as the first two. Just as much "fast stuff" as the first bands, but the new sounds, given the new technology, and the fact that "The Mahavishnu" is about 11 years older gives the record ( and the performance/Copenhagen 1984 ) a more mature, even mellow feeling. Definately a must for true followers. I had it on vinyl, and havn't heard it for about 16 years. It was like meeting an old friend again.
Submitted by a reviewer (Denmark) Verified Buyer
Was This Review Helpful? Yes No  1 of 1 found this helpful.

3 stars Don't expect "Birds of Fire" or "Inner Mounting Flame"
A decent enough "traditional" jazz disc - how could it be bad with John McLaughlin and Billy Cobham on it - but this is Mahavishnu Orchestra in name only. The material included on this disc is nothing like the ground breaking "Inner Mounting Flame" or "Birds of Fire", or even like the later discs under the Mahavishnu moniker with Narada Michael Walden, such as "Visions of the Emerald Beyond." Actually, I just purchased the Chick Corea title "Friends" for my wife (one of her faves) in the same order as this title, and enjoyed it far more. Unless you're a completist, or like "lounge" and "trad" jazz, stay away. I give this three stars on the strength of the musicianship, but not the material.
Submitted by a reviewer (Houston, TX) Verified Buyer
Was This Review Helpful? Yes No

4 stars Go for it!
Great and cohesive playing. Very different from their previous albums. If youré looking for the ultraenergetic mahavishnu this ain't it.
Submitted by a reviewer (Mexico City Mexico)
Was This Review Helpful? Yes No

5 stars McLaughlin!!!....
wonderful! (meraviglioso!!)
Submitted by stefano.laguzzi (Italy) Verified Buyer
Was This Review Helpful? Yes No  0 of 1 found this helpful.

1 star New Bottle for a Very Taste Less Wine
Old fashioned jazz-rock (sorry, fusion)revival for a guitar hero who still seems to live in the seventies. What can we say else? Than the technic of McLaughling still impress but thant it's just technic and not music with it full range of emotion, drama, and true sonic adventure? An empty celebration of revolute and forgetable past. PS: Sorry for my poor english, my native language is French.
Submitted by a reviewer (Belgium, Brussels)
Was This Review Helpful? Yes No  0 of 1 found this helpful.

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The Inner Mounting Flame
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Mahavishnu Orchestra The Inner Mounting Flame CD  (1971) Remastered

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CD $6.85  4.8 stars Top 500 Audio Samples
Mahavishnu Orchestra: John McLaughlin (acoustic & electric guitars); Jerry Goodman (acoustic & electric violins); Jan Hammer (Fender Rhodes, ring modulator, piano); Rick Laird (electric bass); Billy Cobham (drums).
Includes liner notes by John McLaughlin.
All tracks have been digitally remastered using 20-bit technology.
Mahavishnu Orchestra: John McLaughlin (guitar); Jerry Goodman (violin); Jan Hammer (piano, keyboards); Rick Laird (bass); Billy Cobham (drums).
Includes liner notes by Sri Chinmoy and Bob Belden.
Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24 karat gold and housed in a stress-resistant lift-lock jewel box.
This is the album that made John McLaughlin a semi-household name, a furious, high-energy, yet rigorously conceived meeting of virtuosos that, for all intents and purposes, defined the fusion of jazz and rock a year after Miles Davis' Bitches Brew breakthrough. It also inadvertently led to the derogatory connotation of the word fusion, for it paved the way for an army of imitators, many of whose excesses and commercial panderings devalued the entire movement. Though much was made of the influence of jazz-influenced improvisation in the Mahavishnu band, it is the rock element that predominates, stemming directly from the electronic innovations of Jimi Hendrix. The improvisations, particularly McLaughlin's post-Hendrix machine-gun assaults on double-necked electric guitar and Jerry Goodman's flights on electric violin, owe more to the freakouts that had been circulating in progressive rock circles than to jazz, based as they often are on ostinatos on one chord. These still sound genuinely thrilling today on CD, as McLaughlin and Goodman battle Jan Hammer's keyboards, Rick Laird's bass, and especially Billy Cobham's hard-charging drums, whose jazz-trained technique pushed the envelope for all rock drummers. What doesn't date so well are the composed

Lost Trident Sessions
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CD $7.59  4.4 stars Top 500 Audio Samples
All tracks are previously unreleased.
Mahavishnu Orchestra: John McLaughlin (acoustic & 6- & 12-string electric guitars); Jerry Goodman (electric violin, viola, violow); Jan Hammer (electric piano, synthesizer); Rick Laird (bass); Billy Cobham (drums).
Producers: Mahavishnu Orchestra.
Reissue producer: Bob Belden.
Recorded at Trident Studios, London, England from June 25-29, 1973. Includes liner notes by Bill Milkowski.
Digitally remastered by Mark Wilder (Sony Music Studios, New York, New York).
Personnel: John McLaughlin (guitar, acoustic guitar, electric guitar); Jan Hammer (electric guitar, keyboards, synthesizer); Jerry Goodman (violin, viola); Billy Cobham (drums).
Recording information: Trident Studios, London, England (05/25/1973).
Photographers: Warren Faidley; David Gahr.
Recorded in London on June 25, 1973, these sessions for a planned third Mahavishnu Orchestra ...

Birds Of Fire
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Mahavishnu Orchestra Birds Of Fire CD  (1972) Remastered

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CD $6.79  4.8 stars Top 500 Audio Samples
24 Bit Mastering Mahavishnu Orchestra: Jerry Goodman (electric violin); Jan Hammer (piano, Fender Rhodes piano, Mini-Moog synthesizer); John McLaughlin (acoustic guitar, electric 6 & 12-string guitars); Rick Laird (acoustic & electric basses); Billy Cobham (drums, gong).
Recorded at Trident Studios, London, England and CBS Studios, New York, New York in 1972. Includes liner notes by Bill Milkowski.
All tracks are digitally remastered.
Personnel: John McLaughlin (guitar, synthesizer); Jerry Goodman (violin); Jan Hammer (piano, keyboards, synthesizer, Moog synthesizer); Billy Cobham (drums, percussion).
Recording information: CBS, New York, NY (1972); Trident Studios, London, England (1972).
Photographer: Urve Kuusik.
Emboldened by the popularity of Inner Mounting Flame among rock audiences, the first Mahavishnu Orchestra set out to further define and refine its blistering jazz-rock direction in its second -- and, no thanks to internal feuding, last -- studio album. Although it has much of the screaming rock energy and ...

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Personnel: Jaco Pastorius (bass guitar); Tony Williams (drums); John McLaughlin (guitar).
Anyone with even a passing interest in classic fusion and progressive jazz will want to own TRIO OF DOOM. Comprising three giants of the genre--guitarist John McLaughlin, drummer Tony Williams, and bassist Jaco Pastorius--Trio of Doom recorded both a studio session and a live set in 1979, and this 10-track disc contains selections from each, including Pastorius's "Continuum," McLaughlin's "Dark Prince," and Williams's "Drum Improvisation." Needless to say the playing is superb, and the energy--complex, knotted, and consistently pushing toward astral heights--is dazzling.
Certainly the potential of a recording by this trio featuring guitarist John McLaughlin and drummer Tony Williams (both members of Lifetime with organist Larry Young) along with bassist Jaco Pastorius -- aka the Trio of Doom -- is enormous. This compilation contains a performance of the trio at the Havana Jam in 1979, a U.S. State Department-sponsored cultural tour by a large number of American musicians who played on the same stage as Cuban aces. The band rehearsed and had about 25 minutes on the stage. Five days after leaving Cuba, the band reconvened in a New York City studio ...

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Mode 206, w. Gisbert, Lalama, Pribek, 1994 Personnel includes: Danny D'Imperio (drums); Gary Pribek (alto saxophone); Ralph Lalama (tenor saxophone); Greg Gisbert (trumpet); Hod O'Brien (piano).
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Live At The Village Vanguard
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Personnel: Bruce Barth (piano); Ugonna Okegwo (bass); Al Foster (drums).
Recorded live at The Village Vanguard, New York, New York on August 3-4, 2002.
Personnel: Bruce Barth (piano); Al Foster (drums).
Audio Mixer: David Baker .
Recording information: Village Vanguard, New York, NY (08/03/2002/08/04/2002).
Photographers: Dena Katz; Jimmy Katz.
Arrangers: Ugonna Okegwo; Bruce Barth.
Bruce Barth has a reputation for being one of the more singer-friendly jazz pianists on the East Coast. Some jazz instrumentalists can be very myopic when it comes to singers; they go out of their way to avoid them. But Barth has been good about accompanying singers, ...

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No Regrets
Leon Redbone No Regrets CD  (1988) Reissue

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Personnel includes: Leon Redbone (vocals, guitar); Lori Lynn Smith (vocals); Jerry Douglas, Cindi Cashdollar (lap steel guitar, dobro); Al Vescovo (pedal steel guitar); John Gill (tenor banjo, drums); Bela Fleck (banjo); Mark O'Connor (mandolin, mandola, violin, viola); Bunky Keels, Terry Waldo (piano); Brian Nalepka, Roy Huskey, Jr. (upright bass).
Recorded at Nashville Sound Connection, Nashville, Tennessee and Manhattan Recording Company, New York.
Personnel: Leon Redbone (vocals); Jerry Douglas (lap steel guitar, dobro); Béla Fleck (banjo); Mark O'Connor (mandola, mandolin, violin, viola); Roy Huskey Jr. (bass instrument).
Although it was recorded in 1988, the photo of Leon Redbone on the cover of No Regrets harks back to an earlier time. In fact, he looks as though he's getting ready to sell some innocent soul property in the Florida swamp. But the listener need have no fear. Redbone's old-fashioned fashion sense only reflects his musical taste, firmly planted in pop, blues, and jazz from the '20s, '30s, and '40s. He's equally at home with Mooney and Seals' "Crazy Arms" as he is with Hank Williams' "Long Gone Lonesome Blues." The spare production performed by luminaries like banjoist Béla Fleck, violinist Mark O'Connor, and dobroist Jerry Douglas gives these songs a nice, simple underpinning. Redbone's husky vocals add the last ingredient needed for fine versions of "Lazy Bones" and "My Good Gal's Done Gone Blues." He seems to have a special penchant for old Ernest Tubb and Jimmie Rodgers' songs, but he's smart enough to pick lesser-known jewels like "You Nearly Lose Your Mind" and "Somewhere Down Below the Dixon Line." The only drawback to the whole affair is how straightforward it is. While the songs and vocals are technically solid, they lack the spark that made earlier Redbone albums something special. Still, No Regrets is an enjoyable album and fans will appreciate its 2004 reissue on CD. ~ Ronnie D. Lankford, Jr.
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Wynton Marsalis Live At The House Of Tribes CD  (2005)

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Live at the House of Tribes documents trumpeter Wynton Marsalis performing with his sextet at the intimate community theater space in New York City on December 15, 2002. Apparently an annual ritual of sorts for Marsalis, the performance makes for one of his best live recordings since 1986's stellar Live at Blues Alley. Backed by a slightly altered lineup from his 2005 Blue Note studio debut, The Magic Hour, Marsalis gains first-class support from alto saxophonist Wessel Anderson, pianist Eric Lewis, drummer Joe Farnsworth, bassist Kengo Nakamura, and percussionist Orlando Q. Rodriguez. Special mention must be made of Robert Rucker for his highly energetic tambourine performance on the New Orleans "2nd Line" finale. New Orleans jazz aficionados may recognize this tune as "Joe Avery's Blues" and based on the cheering, clapping, and general rowdiness of the crowd, it probably found the band marching around the room. In fact, one of the great things about the album is that you can really hear the crowd. There are many moments of the band playing a particularly nice phrase or line and somebody grunting out a surprised and pleased "hmmm." Marsalis seems to really feed off this interplay and his playing, never less than technically superb, sounds inspired. To these ends, Marsalis takes swinging blues and angular post-bop harmonicism to ever-increasing absurdist heights on "Green Chimneys." Similarly, he brings a mix of Clifford Brown and Clark Terry to "Donna Lee" and waxes romantic with devastating melodicism on "You Don't Know ...
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Miles Davis In Europe CD  (1964) (Import) Japan

Mahavishnu
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Japanese DSD remastered reissue is packaged in a mini-LP sleeve.
Recorded live in France at the Festival Mondial, du Jazz Antibes, Miles Davis in Europe captures trumpeter Miles Davis in late 1963. While Four & More and My Funny Valentine -- both taken from the same 1964 New York Philharmonic Hall concert -- are most often cited as this lineup's essential live recording, Miles Davis in Europe is a no less exciting listen. The band, including tenor saxophonist George Coleman, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams had recorded Seven Steps to Heaven a few months earlier, which would turn out to be the one studio album Davis would make with the lineup. Already, the band's adventurous, avant-garde leanings are on display with the young Williams propelling Davis to scorching heights on the fast swinger "Milestones." Similarly, Hancock helps turn the standard "I Thought About You" into an impressionistic and free-flowing ballad allowing Davis to spread wide swaths of tonal color and deep note bends across the stage. Although Coleman would depart the group in less than a year, he proves himself here to be a muscular, keen improviser ...

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