| | Angel Lopez En Mi Soledad CD Angel Lopez Discography of CDs
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Our Price: $6.49  CDFor Sale Usually ships in 1-2 days
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Angel Lopez En Mi Soledad Songs | 1. | Entre el Amor y el Odio |
| 2. | Elegiste Perder |
| 3. | En Mi Soledad |
| 4. | Tu Angel |
| 5. | Entre Tu y Yo |
| 6. | Para Decir Adios |
| 7. | Se que Puedo Volar |
| 8. | Mi Nena |
| 9. | Dime Tu |
| 10. | Yo Te Amo |
| 11. | Dices que Te Iras |
| 12. | Hacerte el Amor |
| 13. | Todavia No Se Ha Escrito |
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En Mi Soledad Review
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Purchase En Mi Soledad CD To buy, Click on price to add to cart | Dazz Band 20th Century Masters: The Millennium Collection CD (2001)
En Mi Soledad album
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Originally released on Motown Records. Includes liner notes by A. Scott Galloway.
An 11-song snapshot of the Dazz Band's Motown stint that includes the not-often-featured "To the Roof," whose origins date back to "Take It to the Woof" by Cleveland, OH-based funk band Morning Maniac led by ex-Dazz Band member Kenny Pettus who's the lead voice on the Earth, Wind and Fire-ish "I Might As Well Forget About Loving You." But other than that, there are no surprises, just straight-ahead digitally remastered Dazz Band blasts that blow you away in CD format ("Let It Whip"'s bassline is hypnotizing). ...
| | Marc Anthony Libre CD (2001) Spanish
En Mi Soledad CD music
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LIBRE was nominated for the 2002 Latin Grammy Award for Best Salsa Album.
LIBRE was nominated for the 2003 Grammy Awards for Best Salsa Album.
The talented singer/actor here presents the sixth in a collection of releases that have earned him the title the reigning King Of Salsa. Unlike his self-titled crossover 1999 release, this one is in Spanish, but ...
| | Elvis Crespo Urbano CD (2002)
En Mi Soledad music CDs
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URBANO was nominated for the 2003 Latin Grammy Award for Best Merengue Album. "Bandida" was nominated for the 2003 Latin Grammy Award for Best Tropical Song.
With his each one of his three previous records reaching number one on Billboard's salsa chart, Elvis Crespo certainly had set a high standard of success for his 2002 release, Urbano. Leaving his pretty-boy look and youthful vocal approach behind him, Crespo both looks and sounds like an artist who has come into his own. Like fellow Puerto Rican artists Olga Tan and Joseph Fonseca, Crespo has chosen the merengue ...
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| | Adrian Y Los Dados Negros El Matador & El Gigante CD (Import)
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| | Count Daddy-O Count Daddyo 1.0 EP CD (2005)
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WELCOME to our MUSIC.Our Team thanks you in advance for checking us out.It's so fantastic that you found us in this fabulous world of cyberspace.We hope you enjoy our new record.(to hear a little of every song please go to our website: www.countdaddy-o.com and click on MUSIC)MoFo Stereo Records is off-the-hook happy to be releasing Count Daddy-O's new CD entitled "Count Daddy-O 1.0 EP."The Count, aka Mitch Rafal, throws down with the Houston (now Hollywood) based Radiologik production team of Trent Warren and Jason Lopez. Also in the mix is Houston R&B artist J Reed.Merging modern mentality, old-school style, saxophone and flute sounds Count Daddy-O and Radiologik have bridged many decades with musical, ear-pleasing, groove rollin', beat thumpin' rhythms and melodies.CREATORS:Count Daddy-O aka Mitch Rafal> alto & tenor saxophones> flute, percussion, keyboardsTrent Warren> keyboards, percussion> programming, sound design, engineeringJason Lopez> percussion, keyboard, engineeringJ Reed> percussion, keyboard, ...
| | T Raumschmiere Random Noize Sessions, Vol. 1 CD (2006) (Import)
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Rightly named due to its grab-bag nature, the short and often fragmentary Random Noize Sessions, Vol. 1 selects from tracks recorded by Marco Haas aka T. Raumschmiere from 1999 to 2005. What makes "noize" may surprise some listeners only familiar with his more straightforwardly aggressive work, as opening track "Radikal Meditation" is also well named, being a dark, murky float of a song not far removed from Pole's experimental dub (admittedly without the beats). The album's 11 selections generally explore this more restrained side to the explosiveness elsewhere. Even if everything from the crisp glitch-click of "Wer War Nochma Vermona?" to the shimmering keyboards of "In the Ghetto" (not a cover, so it seems) has clear antecedents in everything from Coil to Eno and back again, it's still something that has its own character emerging throughout, if only in fits and starts. Perhaps the slyest expression of T. Raumschmiere's ear for the dancefloor is how his beats and rhythms could easily be full-on body assaults -- "So Leis' Wie Noch Nie" is a striking example, with its tight if minimal groove and huge drone keyboards. The closest ...
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One Generation of Praise (more commonly known as “1 G.O.P.â€) represents the radical musical expression of a generation of youth crying for their voices to be heard by ...
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