| | Progressive Trance, Vol. 5 CD
Performers include: Welt In Scherben, DJ TT Hacky, Kenji Ogura, Jam San. Progressive Trance, Vol. 5 Music Progressive Trance, Vol. 5 Songs Progressive Trance, Vol. 5 Review
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Purchase Progressive Trance, Vol. 5 CD To buy, Click on price to add to cart | Bob Dylan Christmas In The Heart CD (2009)
Progressive Trance, Vol. 5 album
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After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are ...
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| | Shakira She Wolf CD (2009)
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Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells ...
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At times, it was hard to figure out whether Berlin were an average synth pop band trying to carve out their own niche or ...
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| | Captivating Johnny Crawford CD (1962)
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Teen idol actor-turned-singer Johnny Crawford had already established ...
| | Melissa Manchester When I Look Down That Road CD (2004) Bonus Track; Japan
Progressive Trance, Vol. 5 album
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Melissa Manchester's Japanese import edition of WHEN I LOOK DOWN THAT ROAD features 13 tracks including "Angels Dancing" and "When Paris Was A Woman."
In the opening line of her album When I Look Down That Road, Melissa Manchester basically sums up the latter half of her career: "I've been walking through the smoke of a thousand burned-out dreams, so hard to shake the ashes of the past from my feet." As she knows all too well, there are sad circumstances in which the business of music envelops an artist so tightly that the creativity and passion are sealed away. In the '70s, Manchester blossomed as an important singer/songwriter responsible for such classics as "Midnight Blue," "Whenever I Call You Friend," and "Don't Cry Out Loud." But as her album sales began to decline, the corporate machinery began to take hold of her career and her original songs were left along the wayside to make way for glossy pop songs and sappy ballads written by "hitmakers." As a songwriter, she had all but disappeared. Leaving the recording studio after 1995's over-produced If My Heart Had Wings, Manchester spent almost a decade regrouping and getting in touch with the artist who had been lost for so many years. Reaching back to a time when the songwriting was just as important as the singer, Manchester reconnected with herself and recorded When I Look Down That Road, her first album of original material since 1978's Don't Cry Out Loud. In a welcome return to form, she has stripped away the many layers of bloated production and overwrought balladry that has dogged her work since the '80s to reveal a set of songs that quietly shine and stand brilliantly alongside her early work. In the album's opener, "I'll Know You By Your Heart," Manchester sounds revitalized and passionate against the song's ...
| | Fool CD (1969) (Import) United Kingdom
Progressive Trance, Vol. 5 CD music
$15.65
This 1998 reissue contains 2 bonus tracks not on the original release.
The Fool (1969) is an obscure piece of music history centering around a quartet of Dutch multimedia artists, Simon Kooer, Marijke Kooer, Josje Leeger, and Barry Finch. Their earliest clientele included model Patti Boyd Harrison Clapton (aka "Layla"), whose psychedelic gear caught the eye of Daily Mirror fashion editor Felicity Green. One of their more high-profile gigs involved decorating for the Beatles, including the entire side of the Fab Four's short-lived Apple boutique on Baker Street in London, as well as a Rolls-Royce and grand piano for John Lennon. They also designed some of the era's most notable LP jackets, including the Incredible String Band's 5000 Spirits or the Layers of the Onion (1967), the Move's self-titled debut album (1968), and the Hollies' Evolution (1967). Undoubtedly, it was the connection with the latter that resulted in Graham Nash's involvement as producer on this collection. Musically, the Fool often resemble the far-out folk of the aforementioned Incredible String Band. This is especially the case with the choral lead vocals on "Fly" and "Reincarnation," blending Eastern philosophy with a distinct delivery style similar to that of an English ballad. "Rainbow Man" is an edgier rocker driven by a solid Bo Diddley rhythm, while the acoustic guitars give the number a rural and freewheelin' feeling. "No One Will Ever Know" stands out with its interminably catchy uptempo melody, while the trippy vocals from Marijke and Josje have an oddly hypnotic effect. The slinky soulful "Keep On Pushin'" is an extended instrumental that may include an uncredited Nash, whose harmonica blows are challenged by an equally impassioned bagpipe solo. While hopelessly dated, The Fool is fun for inclined parties ...
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Rising like a phoenix from the underground Denver rock quartet Planetary Nebula is geared up for the release of its second full length album, "Ornamental." To describe the new album the band asks fans to imagine post-punk through a soul-jazz lens. The band is celebrating its fifth year together and continues to merge the audacious power of post-modern rock n' soul with the forward gaze of progressive rock. In addition to the core members of the group, Planetary Nebula has added a live percussionist to its already expansive sound. The band also plays host to different horn players and backing singers. To see this band live is to not know what will happen next. Usually, even they don't. So, who are these guys?Bassist/vocalist Paul Leonard and singer/guitarist Mike Wolf have been playing together in bands since 1997 and their cohesion on stage is obvious. Paul Leonard's bass lines recall ...
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