| | Elementary Learning German CD Elementary Learning Discography of CDs
Arranger: Hal Wright.
Personnel: Hal Wright (vocals, programming); Katy Dunham, Emily Estes, Rachel Howell, Jon Sherberg, Camille Schmidt, Laura Ramey, Jane Sherberg, Kim Thompson , Sarah Valley, Bill George , Ellen Dockery, Lea Jane Berinati (vocals); Bob Fraser (guitar); Chris Wintrip (electric guitar); Gayle Blackburn (flute).
Recording information: Prime Time, Akron, OH; The Tracking Station, Nashville, TN.
Elementary Learning German Songs German Review
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Purchase German CD To buy, Click on price to add to cart | First Christmas Record For Children CD (1999)
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| | Lemony Snicket's Series Unfortunate Events Lemony Snicket's A Series Of Unfortunate Events CD (2004) Original Soundtrack
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| | La Makina Los Reyes Del Pueblo CD (1997)
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| | Breakdown Battle Hymns For An Angry Planet CD (2000)
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| | Michael Kindred Handstand CD (2004)
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Mike Kindred is no ordinary blues pianist. Over the past thirty odd years he has penned a blues classic, worked with blues legends Stevie Ray and Jimmie Vaughan, Lou Ann Barton, Lightnin' Hopkins, Big Mama Thornton and James Cotton. He's toured extensively with Johnny "Clyde" Copeland, Gatemouth Brown and Delbert McClinton. A stint with the incredible Joe Ely band of the early 80's saw him working across North America and Europe sharing stages with the likes of The Rolling Stones, Linda Ronstadt and The Clash. Through it all he has developed and maintained a unique, "personal" style that transcends traditional blues borders by incorporating elements of jazz, gospel and rock.Buoyed by his father's encouragement to explore his "swing sensibility" while taking classical piano lessons as a youngster, Dallas native Kindred stretched out and discovered the many facets of jazz. He was particularly drawn to the piano of Oscar Peterson and Herbie Nichols, while at the same time listening to John Lee Hooker and Elmore James. And then there was Boogie-Woogie. "I've been playing Boogie-Woogie all my life, it seems", says Kindred. As a teenager he co-founded Krackerjack, a hard rocking blues band that featured the rhythm section of Tommy Shannon and Uncle John Turner. In Austin, that band went through a succession of guitarists including Stevie Ray Vaughan. That association led to Triple Threat with Stevie Ray, Lou Ann Barton and W.C. Clark and co-writing the song that would eventually, as he relates, "be my greatest success, my calling card, the song that has paid my bills for 13 years and made me a homeowner, "Cold Shot"." After 20 years of being an experienced and in demand sideman, Kindred decided that, "My apprenticeship was over and it was time to do what I do best." The band Shakedown followed, with limited success, followed by a series of duos. Then the business side of the music scene intervened. "It's hard to keep a band together, keep the players happy and keep the jobs coming in. The economics of the scene in Austin are such that everyone is a free agent; they go where the money is." 1999 and 2000 saw Kindred working primarily as a hired gun in the studio where a producer who heard him warming up one day encouraged him to "record that stuff." Which is where Loudhouse Records enters the scene. Producer and label owner Booka Michel took on the project of recording an all-piano record with Mike Kindred and a drummer. "Booka has an eclectic enough label ...
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| | Underwater This Is Not A Film CD (2006)
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Try to define the genre "synth-pop." The word is almost as vague as "ambient," though not as pointless as "IDM." The earliest synth-pop reference points were early 80's bands like the Human League, OMD, and Depeche Mode, who were considered new wave at the time. As synthesizers became more affordable, other patterns sprung from the same hardware, spawning techno, house, and jungle. But in the emphasis on dance, the pop sensibility was largely lost.The old-school synth-pop sound has survived since the 1980's, and currently enjoys a resurgence of popularity thanks to bands like Wolfsheim and Faith Assembly. There's also another strain that owes more to industrial music, matching progressive trance melodies with pounding, four-on-the-floor beats and urgent vocals. In Germany they call this EBM, known to English speakers as Electronic Body Music-- another useless term.Underwater describe themselves as an electronic pop band. Vocalist Melissa Mileski and multi-instrumentalist Jeremy Wilkins formed the band out of the ashes of Tampa, Florida's ethereal project Rosewater Elizabeth. They added Matthew Jeanes and Alec Irvin, signed to Risk Records, and got NIN-collaborator Chris Vrenna to co-produce their debut album. I Could Lose was a solid effort, though a bit electronic-by-numbers. It garnered little attention, and afterwards, they left their label, started sub:marine records, and recorded This is Not a Film.The first track, "Lightyears from Home," announces its immediacy with the band's most obvious asset, Mileski's voice: a sweet vibrato rises from the gravelly depths of her throat, singing, "We will be covered in this material of flags/ That fly high on memorial of the days when we felt distant from our own land." It's a song about reluctance in the face of duty, and she's accompanied by a crisp, militaristic beat and slow-burning guitars. Because you've been conditioned by cold, bass-heavy blues, you think "trip-hop," but there's ...
| | 40 Children's Favourites CDs (2009) (Import) Import
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| | Inteli Kids Canciones Para Aprender Jugando CD (2007) (Import)
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