| | I Like Compulsion And Compulsion Likes Me CD - Import Compulsion Discography of CDs
The U.K. grunge combo's best of features tracks from throughout its four-year career.
Full title - I Like Compulsion & Compulsion Likes Me. One Little Indian release this 17 track compilation by Compulsion, one of the brightest stars of the post Nirvana era. Formed in North London in 1992 Compulsion came to people's attention through their incendiary & unpredictable live performances where the band rarely emerged unscathed. Releasing two EP's on their own Fabulon label to massive acclaim the band were promptly snapped up by One Little Indian. A mini album 'Safety', & two full length albums, 'Comforter', featuring the hit single 'Mall Monarchy' & 'Future Is Medium', were released by the label. Before splitting in 1996 due to the massive pressure of their worldwide commitments, Compulsion had become a major influence on both sides of the Atlantic. 'I Like Compulsion & Compulsion Likes Me' is proof that their music sounds as fresh & thrilling today as the day it was recorded. 2002. I Like Compulsion And Compulsion Likes Me Music I Like Compulsion And Compulsion Likes Me Songs | 1. | Mall Monarchy |
| 2. | Belly Laugh |
| 3. | Accident Ahead |
| 4. | Eating |
| 5. | Juvenile Scene Detective |
| 6. | Yabba Yabba Yes Yes Yes |
| 7. | Domestique |
| 8. | How Do I Breathe? |
| 9. | Rapejacket |
| 10. | All We Heard Was a Dull Thud |
| 11. | Why Do We Care? |
| 12. | Basketcase |
| 13. | Question Time For the Proles |
| 14. | Fast Songs |
| 15. | Easterman |
| 16. | Jean Could Be Wrong |
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Purchase I Like Compulsion And Compulsion Likes Me CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
I Like Compulsion And Compulsion Likes Me album
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" ...
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Since Jimmy Buffett never leaves his comfort zone, it's hard to call 2009's Buffet Hotel a return to roots but, in a way, it is. Discounting the mock rap on "Turn Up the Heat and Chill the Rosé," this album doesn't even have the lingering country and reggae flavors that seasoned 2006's Take the Weather with You, with all of the songs riding a cool, mellow country-rock wave, the kind that has been his stock-in-trade since the `70s. There's a difference between being part of a tradition and being stuck in the past and Buffett is surely in the former, not shying away from the new millennial mess, admitting that we all have "A Lot to Drink About" and never flinching from his advancing years, most movingly on a cover of ...
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With the release of GET LUCKY, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which itself may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead singer, chief instrumentalist, and songwriter for Dire Straits, there are obvious similarities, even if he has taken a deliberately different path as a solo artist. Basically, he's a lot quieter. "Border Reiver," the first song here, ...
| | Lady Gaga Fame Monster CD (2009)
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become ...
| | Glee The Music 1 Glee: The Music, Vol. 1 CD (2009) Original Soundtrack
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Like the HIGH SCHOOL MUSICAL franchise, GLEE became more than a TV show when several of its songs cracked the Hot 100, including the number four hit "Don't Stop Believing." That song ...
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Bon Jovi's 2007 effort, LOST HIGHWAY, found New Jersey's finest brandishing a Nashville-tinged, commercial rock/country crossover sound that wasn't too far a stretch from their usual arena rocking anthems for the Everyman. And where that album sometimes tried too hard to fit into the conventions of trad country, sacrificing some of the fist-pumping potency of their best `90s-era efforts in the process, THE CIRCLE, the band's fifth studio effort of the `00s, is a back-to-roots return to form focused on uplifting ...
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