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Andrew Manze,Academy Of Ancien Music Vivaldi: Concert For The Prince Of Poland Music Vivaldi: Concert For The Prince Of Poland Review
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Vivaldi: Concert For The Prince Of Poland Songs | 1. Sinfonia, for strings & continuo in G major, RV 149: Allegro molto (6:23) | | Common Name | Sinfonia For Strings & Continuo | | Catalog No. | RV 149 | | Composer | Antonio Vivaldi (1678 - 1741) | | Genre | Baroque Period / Concerto / Sinfonia / Symphony | | Date Written | 1729-1730 | | Ensemble | Academy of Ancient Music (UK) | | Period | Baroque | | Venue | St. Jude on-the-Hill, London, England | | Notes | St. Jude on-the-Hill, London, England (04/22/1996-04/26/1996) | | 2. Sinfonia, for strings & continuo in G major, RV 149: Andante (8:30) | | Common Name | Violin Concerto For Violin Strings & Continuo | | Composer | Antonio Vivaldi (1678 - 1741) | | Performer | Andrew Manze (Violin) | | Genre | Baroque Period / Concerto | | Date Written | 1725 | | Ensemble | Academy of Ancient Music (UK) | | Period | Baroque | | Country | Italy | | Venue | St. Jude on-the-Hill, London, England | | Notes | St. Jude on-the-Hill, London, England (04/22/1996-04/26/1996) | | 3. Sinfonia, for strings & continuo in G major, RV 149: Allegro (12:11) | | Common Name | Double Concerto For Viola | | Catalog No. | RV 540 | | Composer | Antonio Vivaldi (1678 - 1741) | | Genre | Baroque Period | | Date Written | 1740 | | Ensemble | Academy of Ancient Music (UK) | | Period | Baroque | | Country | Italy | | Venue | St. Jude on-the-Hill, London, England | | Notes | St. Jude on-the-Hill, London, England (04/22/1996-04/26/1996) | | 4. Violin Concerto, for violin, strings & continuo in E flat major ("La tempesta di mare"; "Il cimento" (15:10) | | Common Name | Concerto Per Eco In Lontana For 4 Violins Strings & Continuo | | Catalog No. | RV 552 | | Composer | Antonio Vivaldi (1678 - 1741) | | Genre | Baroque Period / Concerto | | Date Written | 1740 | | Ensemble | Academy of Ancient Music (UK) | | Period | Baroque | | Venue | St. Jude on-the-Hill, London, England | | Notes | St. Jude on-the-Hill, London, England (04/22/1996-04/26/1996) | | 5. Violin Concerto, for violin, strings & continuo in E flat major ("La tempesta di mare"; "Il cimento" (10:10) | | Common Name | Violin Concerto For Violin Strings & Continuo | | Composer | Antonio Vivaldi (1678 - 1741) | | Performer | Andrew Manze (Violin) | | Genre | Baroque Period / Concerto | | Date Written | 1725 | | Ensemble | Academy of Ancient Music (UK) | | Period | Baroque | | Country | Italy | | Venue | St. Jude on-the-Hill, London, England | | Notes | St. Jude on-the-Hill, London, England (04/22/1996-04/26/1996) | | 6. Violin Concerto, for violin, strings & continuo in E flat major ("La tempesta di mare"; "Il cimento" (10:08) | | Composer | Antonio Vivaldi (1678 - 1741) | | Genre | Baroque Period / Concerto | | Date Written | 1740 | | Ensemble | Academy of Ancient Music (UK) | | Period | Baroque | | Country | Italy | | Venue | St. Jude on-the-Hill, London, England | | Notes | St. Jude on-the-Hill, London, England (04/22/1996-04/26/1996) |
Purchase Vivaldi: Concert For The Prince Of Poland To buy, Click on price to add to cart | Erik Friedlander Quake CD (2003)
Vivaldi: Concert For The Prince Of Poland
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On Quake, downtown cello boss Erik Friedlander teams up with Japan's fraternal rhythm section the Takeishi brothers (Stomu and Satoshi on bass and drums, respectively) as well as alto saxophonist Andy Laster for a date of intimate, knotty new jazz. In working with an electric bassist in this setting, the opportunities for unique tonalities are everywhere and are exploited to some degree as they were on an earlier work, The Watchman. Over the years, however, Friedlander has become a composer of interesting ensembles and Quake's is no exception. What is so remarkable about the performances on this recording are details such as counterpoint; on the opener, Laster and Stomu have equal opportunities to engage Friedlander and each other for a knotty, but exhilarating, ride. On the erratically paced and wonderfully breathless "Wire," Friedlander brings shades of different jazz eras and styles to comprise the body of the composition while intense harmonic invention takes places in each musician's solo. The title cut uses Israeli folk themes to construct an ebb-and-flow narrative statement that engages elements of modal jazz, post-bop, klezmer, smoky, simmering funk, and other Middle Eastern music on its ...
| | Paul Brody Beyond Babylon CD (2004)
Vivaldi: Concert For The Prince Of Poland
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On his second album fronting his band Sadawi, trumpeter and composer Paul Brody continues his work in the avant-klezmer trenches, helping to drag that hundred-year-old music kicking and screaming into the 21st century. On Beyond Babylon he shows his unwillingness to be constrained by any ghetto boundaries, opening the album with an extended deconstruction of the Shaker hymn "Simple Gifts" (which features a hair-raisingly skronky banjo solo by Brandon Seabrook), and making use of elements of both dub (on the contemplative and lovely "Timepeace"), and rock (note the guitar parts on "Fragment of Kafka's Friend") as well as lots and lots of modern jazz. Most of the album is thrilling; Brody's take on the David Krakauer composition "Klezmer ą la Bechet" is a joyful romp in five/four meter, "Glass Dance" is a masterful chamber jazz excursion featuring guest Alan ...
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In this dazzling epic from Akira Kurosawa, a petty thief named Kagemusha (Tatsuya Nakadai) gets saved from a death sentence because he resembles the warlord Shingen Takeda (also Nakadai). The warlord has been fighting two other leaders for control of 16th-century Japan and impersonators often take his place during battles to put him out of harm's way. Because of Kagemusha's strong physical similarities to the warlord, he's a perfect choice for a "shadow warrior." However, the arrangement suddenly changes when Shingen gets fatally wounded while watching a battle. Adhering to Shingen's final wish, the warlord's men keep the death a secret, and Kagemusha struggles to transform himself from a criminal into a leader.
KAGEMUSHA marked a welcome return for the legendary director, who had not made a movie since 1974. Nakadai, a supporting player in earlier Kurosawa films, expertly portrays the leading role(s), almost always filled in the past by Toshirō Mifune. KAGEMUSHA also ...
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Russian master Aleksandr Sokurov (THE SUN, RUSSIAN ARK, MOTHER AND SON) has produced another majestic achievement with ALEXANDRA. ...
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