| | Blue Cheer Hello Tokyo, Bye Bye Osaka CD Blue Cheer Discography of CDs
This 1968 release by '60s rockers Blue Cheer includes "Babylon" "Big Trouble In Paradise." and their hard-driving version of "Summertime Blues."
Japanese release.
1999 reissue of this 1968 release. Hello Tokyo, Bye Bye Osaka Music Hello Tokyo, Bye Bye Osaka Review
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Purchase Hello Tokyo, Bye Bye Osaka CD To buy, Click on price to add to cart | Megadeth Endgame CD (2009)
Hello Tokyo, Bye Bye Osaka
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Hello Tokyo, Bye Bye Osaka
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| | Bon Jovi CD (1984) Remastered
Hello Tokyo, Bye Bye Osaka
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Bon Jovi: Jon Bon Jovi (vocals, guitar); Richie Sambora (guitar, background vocals); David Rashbaum (keyboards, background vocals); Alec John Such (bass, background vocals); Tico Torres (drums).
Additional personnel: Aldo Nova, Tim Pierce (guitar); Roy Bittan (keyboards); Huey McDonald (bass); Frankie La Rocka (drums); David Grahmme, Mick Seeley (background vocals); Chuck Burgi, Doug Katsoras.
Engineers: ...
| | Astra Weirding CD (2009)
Hello Tokyo, Bye Bye Osaka
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During the late '90s, it seemed like prog rock had finally achieved extinction. But fast forward ten years later and the genre was thriving once more - as evidenced by the arrival of such groups as Astra and their 2009 full-length debut, THE WEIRDING (which includes some very Roger Dean-inspired cover artwork). Hailing from an area not exactly known for spawning prog goliaths (San Diego), THE WEIRDING is not all about fingers flyin' on the fretboard, however, as the group touches upon the spacy sounds of early Pink Floyd and King Crimson on the title track. And this same approach carries over throughout the entire album, as evidenced ...
| | Ritchie Blackmore's Rainbow CD (1975) Remastered
Hello Tokyo, Bye Bye Osaka
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Rainbow includes: Ronnie James Dio (vocals); Ritchie Blackmore (guitar).
All tracks have been digitally remastered.
Rainbow includes: Ronnie James Dio (vocals); Ritchie Blackmore (guitar).
Personnel: Shoshana, Ronnie James Dio (vocals); Ritchie Blackmore (guitar); Micky Lee Soule (piano, Clavinet, organ, Mellotron, keyboards); ...
| | Muhal Richard Abrams Young At Heart/Wise In Time CD (1969)
Hello Tokyo, Bye Bye Osaka
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| | Evoken Quietus CD (2001)
Hello Tokyo, Bye Bye Osaka
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| | Exumer Rising From The Sea CD (1987) (Import) Import; Germany
Hello Tokyo, Bye Bye Osaka
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| | Marcia Ball So Many Rivers CD (2003)
Hello Tokyo, Bye Bye Osaka
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Personnel: Marcia Ball (vocals, piano); Stephen Bruton (acoustic & electric guitar, mandolin); James Pennebaker (guitar, lap steel, baritone guitar, fiddle); Pat Boyack (gutiar); Wayne Toups (accordion); Johnny Nicholas (harmonica, background vocals); Red Young (Hammond B-3 organ); Don Bennett, Yoggie Musgrove, Chris Maresh (bass); Tom Fillman (drums); Deborah Dobkin (percussion); Lisa Tingle, Randy Jacobs, Alicia Jones, Kai Tolbert (background vocals); The Texas Horns, The Los Angeles Horns.
Recorded at The Hit Shack, Austin, Texas.
SO MANY RIVERS was nominated for the 2004 Grammy Award for Best Contemporary Blues Album.
Personnel: Marcia Ball (vocals, piano); Wayne Toups (vocals, accordion); James Pennebaker (guitar, lap steel guitar, baritone guitar, fiddle); Pat Boyack (guitar); Stephen Bruton (acoustic guitar, electric guitar, mandolin, background vocals); ...
| | Z-Ro Thug Luv Vol. 2: Hulled & Chopped (Slow) CD (2004)
Hello Tokyo, Bye Bye Osaka
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| | Merciana Let It Begin CD (2005)
Hello Tokyo, Bye Bye Osaka
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| | Sevendust Alpha CD (2007) Edited
Hello Tokyo, Bye Bye Osaka
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While all the alt-metal signifiers are firmly in place on Sevendust's sixth studio album--thrashy drumming, mesmerizing guitar heavyosity courtesy of Sonny Mayo--Sevendust stands apart from their peers in their attention to the rhythm. On songs like "Driven," chunky, riff-heavy verses burst into half-time choruses that ensnare and explode like land mines. Lajon Witherspoon's nuanced vocals also take surprising turns, from yowling to soul-baring crooning to something indefinably celestial. The band is not shy about adding the odd production touch here and there, like the bursts of rhythmic static mid-way through "Suffer," the effectively creepy spoken-word vocal intro to "Confession of Hatred," and hypnotic piano tinklings that precede the machine-gun guitars on "Aggression."
Alpha is Sevendust's sixth album in a decade, and although the band has been through a few lineup changes and several switches in labels over those ten years, musically not much has changed. They remain an aggressive new-metal band, occasionally flirting with anthemic melody and boasting slight hip-hop and funk flourishes on their rhythms, but they remain one devoted to precise, pummeling riffs that fuel endless tales of torment and angst. That much was as true on 1997's Sevendust as it is on Alpha, the main difference between the two being an increased instrumental acumen on the latter, which happens to go hand in hand with a craftsmanlike song construction that relies on shifts of mood instead of hooks. This makes Alpha less immediate and memorable than Sevendust's earlier work, which may not matter to listeners who just want to hear the band stretch out and play, as they do on the epic nine-minute "Burn," which cycles through atypical moody acoustic moments to furious blasts of guitars and then fades back down again. Such control is admirable, but the song itself doesn't stick in memory, but that's also true of such bracing assaults as the visceral opener, "Deathstar," which has plenty of force but doesn't leave much of an impression. And that's true of Alpha as a whole: it's the work of a veteran alt-metal band that hasn't expanded their range but instead focused on their primal strengths to the extent that they've lost their capability to surprise either themselves or their audience. ~ Stephen Thomas Erlewine
Alpha is Sevendust's sixth album in a decade, and although the band has been through a few lineup changes and several switches in labels over those ten years, musically not ...
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