Django Reinhardt - Djangology CD

Djangology album for sale With Birth of the Cool, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Davis reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). Kind of Blue was the ultimate fulfillment of this approach, with Davis providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, Kind of Blue precipitated a major stylistic development: modal jazz. Charles Mingus had experimented with pedal points throughout the '50s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But Kind of Blue was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions -- Davis' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of John Coltrane, and Cannonball Adderley --that some 50-plus years after its initial release, Kind of Blue is still recognized as Davis' point of departure toward jazz's less-explored regions. Bill Evans' translucent chords and Paul Chambers' famous bassline herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Jimmy Cobb rhythm team is an oasis of calm throughout the childish blues of "Freddie Freeloader." Often credited to Davis, "Blue in Green" is an Evans masterpiece, in which the rhythmic oasis becomes a smoky mirage for Davis' minor reveries on muted horn. The waltzing "All Blues" is one of the smoothest, most swinging grooves in the history of jazz, while "Flamenco Sketches" reflects Davis' fascination with the earthy melodies and brooding metaphors of the Iberian peninsula; a harbinger of his next masterpiece, Sketches of Spain. Kind of Blue remains Miles Davis' most evocative piece of musical haiku. Liner Note Authors: Bill Evans ; Robert Palmer; Nat Hentoff; Robert Palmer . Recording information: Columbia 30th Street Studio, New York, NY (03/02/1959-04/22/1959); Columbia Street Studio, New York, NY (03/02/1959-04/22/1959). Photographers: Don Hunstein; Jay Maisel. Unknown Contributor Roles: Cannonball Adderley; John Coltrane; Bill Evans ; Wynton Kelly; Paul Chambers; Jimmy Cobb . Personnel: Miles Davis (trumpet); Miles Davis; Paul Chambers (double bass); Cannonball Adderley (alto saxophone); John Coltrane (tenor saxophone); Wynton Kelly, Bill Evans (piano); Jimmy Cobb (drums). Audio Remixer: Mark Wilder.

Djangology CD music This deluxe edition of WHAT'S GOING ON includes a 20-page booklet with complete lyrics, never-before-published photos from personal family collections and an essay by David Ritz. Recorded live at The Kennedy Center, Washington, D.C. on May 1, 1972. Originally released in 1971, WHAT'S GOING ON remains a landmark album, one that redefined music with powerful, anthemic songs that remain pertinent to this day. Before WHAT'S GOING ON, R&B albums were collections of singles, with secondary "filler" material rounding out the LPs. Marvin Gaye changed all this by releasing a concept album that went beyond the usual boy-meets-girl scenario, weaving together an aural collage of societal ills. "Crime is increasing/Trig All tracks have been digitally remastered. Additional Tracks Recorded at Hitsville, Golden World and United Sound Studios, Detroit, Michican. Originally released on Tamla (310). Recorded at Hitsville, Golden World and United Sound Studios, Detroit, Michican. Originally released on Tamla (310). Includes liner notes by Smokey Robinson, Ben Edmonds and Harry Weinger. Personnel includes: Marvin Gaye (vocals, piano); David Van Depitte (arranger, conductor); Robert White, Joe Messina (guitar); Johnny Griffith (celeste, keyboards); Earl Van Dyke (keyboards); Eli Fountain (alto saxophone); Wild Bill Moore (tenor saxophone); Jack Brokensha (vibraphone, percussion); Bob Babbit, James Jamerson (bass); Chet Forest (drums); Eddie Brown, Earl DeRouen (bongos, conga); Jack Ashford (tambourine, percussion). WHAT'S GOING ON: DELUXE EDITION features the original album, plus an unreleased Detroit mix, a live version from Kennedy Center, and unreleased single versions and instrumentals. WHAT'S GOING ON: LIVE AT THE KENNEDY CENTER: Personnel includes: Marvin Gaye (vocals, piano); Robert White (guitar); Jack Ashford (glockenspiel, percussion, kazoo); Uriel Jones (drums); Eddie "Bongo" Brown (bongos); The Andantes, Freddie Gorman, Walter Gaines, Hank Dixon, C.P. Spencer (background vocals). Personnel: Marvin Gaye (piano, drums, background vocals); Marvin Gaye (vocals, percussion); Carole Crosby (harp); Zinovi Bistritzky, Virginia Halfmann, Gordon Staples, Lillian Downs, Beatriz Budinszky, James Waring, Alvin Score, Rick Margitza (violin); Edouard Kesner, Meyer Shapiro, Nathan Gordon (viola); Thaddeus Markiewicz (cello); William Perich (flute); Angelo Carlisi (alto saxophone); Wild Bill Moore (tenor saxophone); Tate Houston (baritone saxophone); Bob Babbitt, James Jamerson (bass instrument); Max Janowsky (12-string bass); Lem Barney, Elgie Stover, Hank Dixon, Freddie Gorman, Marlene Barrow, Jackie Hicks, Walter Gaines, Bobby Rogers, Ken Stover, Louvain Demps, The Andantes, C.P. Spencer (background vocals); Robert White , Joe Messina (guitar); Felix Resnick (violin); David Ireland (viola); Italo Babini (cello); Danya Hartwick (flute); Larry Nozero (soprano saxophone); Eli Fountain (alto saxophone); George Benson (tenor saxophone); John Trudell, Maurice Davis (trumpet); Carl Raetz (trombone); Johnny Griffith (celesta, keyboards); Earl Van Dyke (keyboards); Jack Brokensha (vibraphone, percussion); Chet Forest (drums); Eddie Brown, Earl DeRouen (congas, bongos); Jack Ashford (tambourine, percussion). Audio Mixers: Ken Sands; Larry Miles; Steve Smith . Liner Note Authors: Marvin Gaye; Ben Edmonds. Recording information: Golden World (Studio B), Detroit, MI; Hitsville (Studio A), Detroit, MI; Sound Factory, Los Angeles, CA; United Sound Studios, Detroit, MI. Photographer: Jim Hendin. Arrangers: Paul Riser; David Van De Pitte.

Djangology buy CD music Additional personnel includes: Maybelle Carter (vocals, guitar, autoharp); Jimmy Martin, Doc Watson, Merle Travis (vocals, guitar); Earl Scruggs (guitar, banjo); Vassar Clememts (guitar, fiddle); Randy Scruggs (guitar, autoharp); Pete "Oswald" Kirby, Norman Blake (dobro); Roy "Junior" Huskey, Ellis Padgett (bass). It's ironic that the 30-year anniversary of this classic album coincides with the runaway success of the O BROTHER WHERE ART THOU soundtrack, one of the best-selling movie soundtracks in history. Both albums find contemporary folk-rock musicians reaching back to the sounds of bluegrass, country, and folk (often lumped together under the heading "old-timey music"). The difference is that when the Nitty Gritty Dirt Band did it in 1972 it was a new (even risky) idea. Harry Smith's 1952 ANTHOLOGY OF FOLK MUSIC had inspired rock-generation kids like those who would form the Dirt Band to seek out traditional American music. The NGDB went a step further with this triple album by getting the old-timey artists themselves to collaborate on a tribute to the traditional American musical tapestry. Thus, we have Doc Watson singing "Tennessee Stud," Roy Acuff taking on the Hank Williams spiritual "I Saw the Light," and Earl Scruggs picking the "Nashville Blues," with the Dirt Band and various country/bluegrass luminaries backing them up. The most amazing thing about WILL THE CIRCLE BE UNBROKEN is that it all works so well and fits together so seamlessly. An undertaking like this could easily have been a train wreck; instead it's a triumph. 2cds;Re-Mastered 30th Anniv. Replaces #46589 Cap. Recorded At Woodland Studios, Nashville, Tennessee. Nitty Gritty Dirt Band: Les Thompson (vocals, mandolin); Jimmie Fadden (vocals, harp); Jim Ibbotson (vocals, drums); Jeff Hanna (vocals, washboard); John McEuen (banjo, mandolin).

Djangology songs Recorded live at the Apollo Theater, New York, New York on October 24, 1962. An astonishing record of James and the Flames tearing the roof off the sucker at the mecca of R&B theatres, New York's Apollo. When King Records owner Syd Nathan refused to fund the recording, thinking it commercial folly, Brown single-mindedly proceeded anyway, paying for it out of his own pocket. He had been out on the road night after night for a while, and he knew that the magic that was part and parcel of a James Brown show was something no record had ever caught. Hit follows hit without a pause -- "I'll Go Crazy," "Try Me," "Think," "Please Please Please," "I Don't Mind," "Night Train," and more. The affirmative screams and cries of the audience are something you've never experienced unless you've seen the Brown Revue in a Black theater. If you have, I need not say more; if you haven't, suffice to say that this should be one of the very first records you ever own. ~ Rob Bowman Additional Tracks; Live Recording The James Brown Band: James Brown (vocals); Lucas "Fats" Gonder (spoken vocals, organ); Les Buie (guitar); Al "Brisco" Clark (tenor & baritone saxophones); St. Clair Pinckney, Clifford "Ace King" MacMillan (tenor saxophone); Louis Hamblin, Teddy Washington, Mack Johnson (trumpet); Dickie Wells (trombone); Hubert Perry (bass); Clayton Fillyau, Sam Lathan (drums). The Famous Flames: Bobby Byrd (organ, background vocals); Bobby Bennett, "Baby" Lloyd Stallworth (background vocals). Personnel: Les Buie (guitar); William "Po Devil" Burgess (alto saxophone); Al "Brisco" Clark (tenor saxophone, baritone saxophone); St. Clair Pinckney (tenor saxophone); Lewis Hamlin, Roscoe Patrick, Teddy Washington (trumpet); Dicky Wells (trombone); Bobby Byrd (organ, background vocals); Lucas Fats Gonder (organ); George Sims, Clayton Fillyau (drums); Lloyd Stallworth, Bobby Bennett (background vocals). Liner Note Authors: Harry Weinger; Alan Leeds. Recording information: The Apollo Theater, New York, NY (10/24/1962). Editors: Chuck Seitz; Gene Redd. Photographer: Chuck Stewart.

Djangology album for sale These 1968 live recordings from the Filmore East and West are the definitive live document of San Francisco's premier psychedelic group. 1968 was prime time for the Airplane, as the instrumental interplay between Kantner, Casady and Kaukonen had really begun to gel. So too had the interaction between lead vocalists Grace Slick and Marty Balin reached near-telepathic heights, and it can all be heard here. From the mind-melting proto-acid-rock of "Somebody to Love" to ribald, bluesy brashness of "Plastic Fantastic Lover," this is the Airplane in full flight. POINTED HEAD also makes it plain that the early Airplane had a special way with cover tunes. Folk god Fred Neil's "Other Side of This Life" gets a furiously rocking revision, and Donovan's "Fat Angel" is stretched out to encompass some wonderfully trippy jamming. BLESS ITS POINTED LITTLE HEAD is a candid but flattering photo of this seminal American band. The album that showed the uninitiated just how astonishing this band was live is hereby reissued with performances of Today; Won't You Try/Saturday Afternoon , and Watch Her Ride that were intended for the original release but were left off due to the time constraints of vinyl! Liner Note Author: Jeff Tamarkin. Recording information: Filmore East, NY (09/24/1968-11/05/1968); Filmore West, San Francisco, CA (09/24/1968-11/05/1968). Photographer: Mike Frankel. Arranger: Jefferson Airplane. Jefferson Airplane: Jack Casady (bass guitar); Marty Balin, Grace Slick, Jorma Kaukonen, Paul Kantner, Spencer Dryden. Personnel: Marty Balin, Jorma Kaukonen, Paul Kantner (vocals, guitar); Grace Slick (vocals, keyboards); Spencer Dryden (drums).

Djangology CD music Propelled by the creative genius of Tex Avery, Chuck Jones, and Friz Freleng, Warner Brothers' LOONEY TUNES introduced the world to some of the greatest cartoon characters to ever grace the animated cel: Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Yosemite Sam, Foghorn Leghorn, Speedy Gonzalez, Pepe LePew, Wile E.Coyote, Road Runner, Tweety, Sylvester, Marvin the Martian, Tasmanian Devil, and many more. This second volume honors Warner Brothers' golden age of animation with 60 more cartoon shorts remastered and restored to their original, uncut versions. The much-anticipated follow-up to Volume 1 includes 60 of the funniest cartoon shorts ever, along with commentaries on more than 30 cartoons, 9 behind-the-scenes featurettes, 2 documentaries, a 50-th Anniversary "Bugs Bunny Show," Road Runner 1962 TV Pilot, "From the Vaults," a new 2004 short "Daffy Duck for President", more.