| | Fernando Ortega This Bright Hour CD Fernando Ortega Discography of CDs
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Fernando Ortega's take on contemporary Christian pop is fresh and eclectic; on This Bright Hour, he infuses his material with elements of folk and even world music to create a sound clearly distinct from most other performers in the genre. The album contains "How Firm a Foundation," Ortega's massive CCM radio hit. ~ Mark Donkers
Personnel includes: Fernando Ortega (vocals).
Fernando Ortega This Bright Hour Songs This Bright Hour Music Review Purchase This Bright Hour CD To buy, Click on price to add to cart | Jim Brickman Picture This CD (1997)
This Bright Hour album
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Principally recorded at Megatrax Studios, North Hollywood, California from July to August 1996; The Hit Factory, New York, New York from May to June 1996; WallyWorld, San Rafael, California ...
| | Paul Brandt Outside The Frame CD (1997)
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Paul Brandt sings straight-up American country music, with lots of heart, spirit, and a strong rockin' feel. He's emerged over the past few years as a strong presence in Nashville, after his debut disc CALM BEFORE THE STORM went gold. Brandt also won the title of Billboard's best-selling new male artist of 1996, and this disc bears witness to his abilities. ...
| | Fernando Ortega Storm CD (2002)
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Fernando Ortega's fifth album of Christian worship music follows on in a logical progression from ...
| | Fernando Ortega Breaking Of The Dawn CD (1998)
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| | Fernando Ortega CD (2004)
This Bright Hour album
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| | Fernando Ortega Shadow Of Your Wings: Hymns And Sacred Songs CD (2006)
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| | Maxine Sullivan Lady's In Love With You CD (1986) Import
This Bright Hour music CDs
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| | Ash Mundae Model Citizen CD (2000)
This Bright Hour songs
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| | Sonny Clark Sonny's Crib CD (1959) Bonus Tracks; Limited Edition
This Bright Hour album
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Digitally remastered using 20-bit technology by Ron McMaster.
This is part of Blue Note's Limited Edition Connoisseur series.
Recorded in 1957, Sonny's Crib features a front line of Curtis Fuller, Donald Byrd, and John Coltrane with Sonny Clark on piano, Art Taylor on drums, and Paul Chambers on bass. Truly still a bebop recording, done a full year before the landmark Cool Struttin' session, nonetheless the set produced some awesome readings of classic tunes, like the opener, "With a Song in My Heart," with one of the knottiest Byrd solos ever. As Chambers and Taylor up the rhythmic ante and Clark comps with enormous chords in the background, the entire line solos, but it is Byrd's that is stunning in its complexity -- though Coltrane could play bebop as well as anybody. The most notable tracks on the session are the classic readings of Kurt Weill's "Speak Low" and "News for Lulu," the latter of which has been adopted by John Zorn as his theme. On the former, Clark's rearrangement, with Coltrane leading the front line, is truly revelatory. Using a Latin rhythm in cut time, Clark sets up a long, 22-note melody line that moves right into Trane's solo. He moves the key around and harmonically shifts gears as Clark follows and stays in the pocket for him while Trane uses the middle register for legato pyrotechnics. Fuller's next and covers over the blues inherent in the tune with pure swing, before Byrd brings it back into the fold with a gorgeous counterpoint of the melody. Clark taps his way into extended harmonics on the sixths and sharpens the accents as he trounces the original key and plays double trills to get back. The latter is a smokin' Latin take on the hard bop blues, with a staggered melodic ...
| | Greater Cavalry Full Gospel Cho Movin' CD (2003)
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| | Songs Kids Love To Sing 25 Bible Action Songs CD (2003)
This Bright Hour music CDs
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| | Into His Presence One CD (2005)
This Bright Hour songs
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| | Elvis Costello Almost Blue CD (1981) Digipak; Special Edition
This Bright Hour album
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Elvis Costello & the Attractions: Bruce Thomas (bass guitar); Pete Thomas (drum); Steve Nieve.
This is where Costello began to display the chameleonic tendencies that would serve him so well throughout his career. Abandoning snappy, "new wave"-associated rock for the first time, Elvis decided to visit Nashville and record his take on the country classics he loved so much. Enlisting the services of George Jones producer Billy Sherrill, Costello cloaked himself and the Attractions in countrypolitan trappings (including lush strings) for some distinctive version of country evergreens like "Tonight the Bottle Let Me Down" and "Sweet Dreams." Only the punk-derived fervor of "Why Don't You Love Me Like You Used To Do" and the bar-room raunch of "Honey Hush" interrupt the elegant, emotional balladry. Costello also pays tribute to a more recent generation on aching covers of Gram Parsons' "I'm Your Toy" and "How Much I Lied." Ryko's bonus cuts sweeten the pot considerably, ...
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