| | Sonny & Cher Look At Us CD Sonny & Cher Discography of CDs
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Our Price: $12.95 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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The duo's debut album on CD for the first time ever! Features the original artwork, new liner notes & 3 bonus tracks: 'It's The Little Things', 'Don't Talk To Strangers' & 'Hello'. Originally released on Atco in 1965, it now features a total of 15 tracks, also including their #1 smash 'I Got You Babe', plus the hits 'Just You' & 'The Letter'. 1998 Sundazed release.
Personnel: Sonny Bono, Cher (vocals); Donald Peake, Monte Dunn, Steve Mann, Barney Kessel (guitar); Don Randi, Harold Battiste (piano); Michel Rubini (harpsichord); Frank Capp, Hal Blaine (drums); Gene Estes, Brian Stone (percussion). Liner Note Author: Ken Sharp. Recording information: Gold Star Studios, Hollywood, CA. Arranger: Sonny Bono. For their first album-length excursion in the wake of "I Got You Babe," Sonny & Cher don't tread too far outside the influence of Phil Spector, including covers of "Unchained Melody," "Then He Kissed Me," and "Why Don't They Let Us Fall in Love," of which the latter shows off the most appealing elements of each singers' voice. "It's Gonna Rain," which Ahmet Ertegun favored over "I Got You Babe," is a sub-Rascals attempt at white electric soul, while "500 Miles" is Spectorized folk-rock that Sonny carries for one verse and a chorus longer than he should have. The three bonus cuts are as valuable as anything off the original album -- "It's the Little Things" and "Don't Talk to Strangers" (not the Beau Brummels tune) are both throwbacks to a slightly older Spector sound, without as much concession to the folk-rock influences of 1965 as the album material. "Hello" is a B-side on which they simply talk, George Burns & Gracie Allen-style, in a distant precursor to the between-song patter that helped get them a television series and a second career. ~ Bruce Eder Sonny and Cher had released a handful of previous singles, under both their own names and the pseudonyms Caesar and Cleo, but this is their full length debut album, a curious mix of folk-rock jangle and Spector-influenced orchestral pop. Sonny Bono worked under Spector as a go-fer, session musician and staff songwriter, and his admiration for the producer's patented Wall of Sound verges on slavish imitation in spots. It's clearly felt on "Let It Be Me" and a note-for-note cover of the Crystals' "Then He Kissed Me." It's the folk-rock material, like the enormous hit "I Got You Babe," the sweet "Five Hundred Miles," and a terrific version of the Beau Brummels' "Don't Talk To Strangers," that's the most interesting. Wisely, Sundazed chose to use the superior mono mixes for this excellent reissue.
Purchase Look At Us CD To buy, Click on price to add to cart | Sonny & Cher Wondrous World Of Sonny & Cher CD (1966)
Look At Us
$11.95 CD debut of the couple's second album, first released in 1966 on Atco. Features the original artwork, new liner notes & three bonus tracks: Sonny's solo hit 'The Revolution Kind', plus the ...
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| | Jan & Dean Surf City/Dead Man's Curve CD (2004) (Import) United Kingdom
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| | Jack Oblivian So Low CD (1998)
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| | Vincent Herring Sterling Place All-Stars CD (1999)
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$11.59 4 great jazz musicians, who all live on the same street in Brooklyn (Sterling Place), unite on this solid set
/Ronnie Mathews/Richie Goods/Carl Allen. Personnel: Vincent Herring (soprano & alto saxophones); Ronnie Matthews (piano); Richie Goods (bass); Carl Allen (drums). Recorded at East Side Sound, New York, New York on July 7 & 8, 1998. Includes liner notes by Linda Presgrave. Personnel: Vincent Herring (soprano saxophone, alto saxophone); Ronnie Mathews (piano); Carl Allen (drums). Liner Note Author: Linda Presgrave. Recording information: East Side Sound, ...
| | R E M Document CD (1987) (Import) Bonus Tracks; United Kingdom
Look At Us
$11.79 Mid-priced reissue of the foreign edition of their 1987 landmark album with six bonus tracks added, 'Finest Worksong'(Other Mix), 'Last Date', 'The One I Love' (Live), 'Time After Time Etc.' (Live), 'Disturbance At The Heron House' (Live) and 'Finest Worksong' (Lengthy Club Mix). 17 tracks total, also including their first top 10 hit, 'The One ILove', plus the top 75 'It's The End Of The World As We Know It (And I Feel Fine)'. The album was their first to make the top 10, their first to go platinum and their last for I.R.S. Records.
R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (bass, keyboards, background vocals); Bill Berry (drums). Additional personnel: Steve Berlin (horns); Carl Marsh (synthesizer). Recorded at Sound Emporium, Nashville, Tennessee. British import with three bonus tracks. Personnel: Michael Stipe (vocals); Peter Buck (guitar); Steve Berlin (horns); Bill Berry (drums). Photographers: E.M. Hammond; W.J Holt; Michael Meister; Jim McKay. R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every R.E.M. album in the following decade -- is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger. In other words, it's not only a commercial breakthrough, but a creative breakthrough ...
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