Air Moon Safari Vinyl LP Record

Air: Nicolas Godin (spoken vocals, talk box, acoustic & electric guitars, harmonica, Wurlitzer, organ, Mini-Moog synthesizer, vocoder, synthesizer, glockenspiel, bass, tambourine, shaker, percussion, drum programming, sound effects, background vocals); Jean Benoit Dunckel (spoken vocals, strings, syrinx, piano, Fender Rhodes, Wurliitzer, organ, Melotron, clavinet, Mini-Moog synthesizer, synthesizers, glockenspiel, hand claps, sound effects, background vocals).
Additional personnel includes: David Whitaker (conductor); Enfants Square Burcq (vocals); Beth Hirsch (spoken vocals); P. Woodcock (acoustic guitar, tuba); Eric Regert (organ); Marlon (drums); Stephane "Alf" Briat, Caroline L. (hand claps).
Producers: Jean-Benoit Dunckel, Nicolas Godin.
Engineers: Jean-Benoit Dunckel, Nicolas Godin, Stephane "Alf" Briat.
Principally recorded at Around The Golf studio and Gang Studio, Paris, France.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files and contains a live video of the song "People In The City," filmed at The Mayan Theatre on July 12, 20001.
Producers: Air, Quentin Dupieux, Modjo.
The first full-length collection of Air remixes focuses solely on tracks from their sophomore 10,000 Hz Legend album, and only three individual songs at that. Highlights come from the "Don't Be Light" remixes, unsurprising since four of the seven versions are of that one song. It's worked over well by a pair of eccentrics: Neptunes from hip-hop and Mr. Oizo from electronica. The Hacker contributes a solid up-tempo electro version of the same song and newcomer Jack Lahana offers up a new-school funk reworking of "People in the City." Everybody Hertz is really a poor release, though -- surprising for an act so committed to quality control. ~ John Bush
Although electronica had its fair share of chillout classics prior to the debut of Air, the lion's share were either stark techno (Warp) or sample-laden trip-hop (Mo' Wax). But while Air had certainly bought records and gear based on the artists that had influenced them, they didn't just regurgitate (or sample) them; they learned from them, digesting their lessons in a way that gave them new paths to follow. They were musicians in a producer's world, and while no one could ever accuse their music of being danceable, it delivered the emotional power of great dance music even while pushing the barriers of what "electronica" could or should sound like. (Never again would Saint Etienne be the only band of a certain age to reveal their fondness for Burt Bacharach.) The Modulor EP had displayed astonishing powers of mood and texture, but it was Air's full-length debut, Moon Safari, that proved they could also write accessible pop songs like "Sexy Boy" and "Kelly Watch the Stars." But it wasn't all pop. The opener, "La Femme d'Argent," was an otherworldly beginning, with a slinky bassline evoking Serge Gainsbourg's Histoire de Melody Nelson and a slow glide through seven minutes of growing bliss (plus a wonderful keyboard solo). The vocoderized "Remember" relaunched a wave of robot pop that hadn't ...