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Purchase Steeple On The Common 2 CD To buy, Click on price to add to cart | Nini Rosso Il Silenzio CD (2007) (Import)
Steeple On The Common 2 album
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Steeple On The Common 2 CD music
$13.49 Yasmin Levy has proved herself to be the leading exponent of Ladino song (Ladino is the language of the Sephardic Jews whose roots are in Spain). However, her previous albums have never quite captured her potential. This time, though, she's hit the spot, finding both the intensity of performance and delicacy of arrangement that's been her hallmark. The style is a mix of influences that blend perfectly -- listen carefully and you can hear traces of flamenco nestled alongside Middle Eastern music, with influences from around the Mediterranean liberally scattered across the sound. Her voice is in glorious form, with a depth of purity that illustrates just how she's matured and fully grown into her ability. Her own band, now well bedded-in, ...
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| | Balfa Brothers Play Traditional Cajun Music: Vols. 1 & 2 CD (1987)
Steeple On The Common 2 CD music
$13.59 Originally released on Swallow (6011) in 1965 and Swallow (6019) in 1974. Includes French and English translations.
If you want to go straight to the source and hear real Cajun music without any hint of crossover, look to the Balfa Brothers. Though they were a popular live attraction as early as 1948, Dewey, Will, Burke, Harry, and Rodney (with assistance from family friend Hadley Fontenot on accordion) didn't record their first LP until 1965. Their second followed a full nine years later. Both are included on this seminal Cajun disc, and the purity of the group's performances is stunning.
Theirs is an entirely acoustic sound, based on the jangling rhythm of the guitar, the sprightly tinkling of the triangle, and two wailing fiddles, alternately melancholy and joyous. Dewey Balfa, the band's ...
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| | Nathan Michel Beast CD (2005)
Steeple On The Common 2 album
$14.75 Following his adventurous excursions into Zappa territory with Dear Bicycle, Nathan Michel takes a 90-degree turn with his laptop and his instruments and his bleeps on The Beast. Right away, the guitar-fueled "Dust" lets everyone know that this won't be a rehash of the bloop'n'bleep-happy Tigerbeat6 campaign, but rather the bastard stepchild of Pet Sounds and Something/Anything? all rolled into a 42-minute song cycle. And while comparing The Beast to two of pop music's most holy of documents may seem sacrilegious to some, it's a fully warranted comparison. Layer upon layer of digital and acoustic percussion run amuck around quirky but melodic chord charts, heavily inspired by the aforementioned releases but not relying solely on imitation to get the point across. Michel's vocals at times sound like Air Supply's Graham Russell, but this is a good thing in a sea of IDM artists who insist on singing, with the result often being a horrible layer of sound on top of otherwise good music. And the influence of Zappa hasn't entirely gone away, as revealed by the melodies on "Status Dive," with their choppy singsong delivery up and down a scale that wouldn't be out of place on We're Only in It for the Money. But for all its quirks and idiosyncrasies, ...
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