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Wackside Lost In Music CD

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Lost In Music Music


Detailed Lost In Music Music Information



Category Rock/Pop Albums, R&B CDs, CD singles, Disco
Label Lifetime (import - UK)
Orig Year 2006
CD Universe Part number 4607373
Catalog number 5008
Discs 1
Release Date Apr 02, 1999
Studio/Live Studio
Mono/Stereo Stereo
Wackside Lost In Music Songs


Wackside Lost In Music Album Track Listing



1.Lost in Music
Lost In Music Music


Lost In Music Other Versions



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Lost In Music Music Reviews



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The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to with a smile on your face. Each track offers at least one musical hook, whether it is the beauty of 'Human Nature' (who can resist the 'dada dada da da da') or the 'whoo whoo' of 'Billie Jean'. It's all too good. Principally recorded at Westlake Audio, Los Angeles, California. Additional Tracks Personnel includes: Michael Jackson (vocals, percussion); Paul McCartney ...
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CD $8.79  SALE 5 stars Top 100 Audio Samples
Melanie Fiona's debut single, "Give It to Me Right," was a perfect 2009 pop-R&B recording. The single coupled a timeless classic (the Zombies' "Time of the Season") with roof-raising vocals and infectious pop hooks that stuck like peanut butter. Fiona's single was perfect, albeit a touch formulaic. Because of this, it's no surprise that a large chunk of her debut album, THE BRIDGE, is much of the same. Like any good 2009 pop-soul recording, the album offers influences from decades of soul music. Fiona, a Kanye West protégé, collaborates with about as many styles of music as she has producers and writers, who include most prominently Canadian R&B singer-songwriter Andrea Martin, Rob Fusari, Peter Wade Keusch, Sidh Solanki, Vada Nobles, Bill Blast, Future Cut, Stereotypes, Dan Strong, JK, Jay Fenix, and Affiliate. This mash-up of masterminds is a good thing; it offers the listener generous portions of put-together pop songs which color outside ...
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Released without the usual flurry of hype, Before I Self Destruct fulfills 50 Cent's contractual obligation to the Interscope label. It also doubles as a throwback album, returning the rapper to the hunger and hatred of his early mixtapes while skillfully recasting him as a wannabe upstart. That is, for the most part. The four radio-friendly bedroom numbers that conclude the album are out of place but fairly good to dime-piece beautiful, with the best being the Ne-Yo showcase "Baby by Me" ("Have a baby by me, baby/Be a millionaire"). As pleasing as these final numbers are, if you leave the room after the macho bruiser "I Got Swag" ("I'm infinitely special/Girl the Lord is gonna bless you/If you do what I tell you to do"), you'll return to a confusingly different album, one that's as glamorous but less vital. The monstrous run of tracks that leads up to this flash and polish can be summed up by 50's "This ain't Tha Carter/It's Sparta!," a witty, deceptive, and brutish line barked over a prime Dr. Dre beat during the great "Death to My Enemies." On the cut, the producer sounds like he's been digging on RZA, but the tension and dark-night feel he has created for "Psycho" is easily identifiable as Dre. Add an especially rapid 50 trading horror-show rhymes with Eminem and the G-Unit soldiers will testify that the Shady/Aftermath dream is still alive. While "So Disrespectful" is the perfect title for a song that shocks, stuns, and brings reminders of the gritty G-Unit Radio mixtape series at its best, the Rick Rock-produced "Stretch" is an even craftier balance of amoral and humorous as it references Plastic Man and Mr. Fantastic before explaining the profitable benefits of cutting cocaine. There are only three guest ...
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It's been eight long years between Maxwell's third and fourth studio albums. BLACKSUMMERS'NIGHT is the first release of a trilogy, with BLACKSUMMERS'NIGHT(rooted in gospel, with a twist, apparently) and BLACKSUMMERS'NIGHT(promised as a disc of slow jams) to follow. Just as Maxwell arrived in 1996, offering an alternative to the exaggerated masculinity that was dominating contemporary R&B, he returns when the airwaves are still stuffed with raging hormones. He has made no concessions to them however--the highly romantic BLACKSUMMERS'NIGHT is all devotion, regret, and heartache. Maxwell's backing musicians morph with every shift in emotion through arrangements that are unfailingly exquisite and sensitively nuanced, even when briskly played. And if the singer got into any adventures while he was away, he does not detail them during these 38 unified minutes. He did go through a serious, failed relationship however, just as "Pretty Wings," the ...
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EPIPHANY is the follow up Michele's Grammy winning debut, I AM, and though the title and the production credits, which list R&B maestro of the ...
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When K'Jon languorously croons "I'm finally gettin' around" on the title track of his 2009 debut slab I GET AROUND, he's putting it lightly. Like Anthony Hamilton and so many others before him, the years of hustle pour out in the singer's impassioned voice, and when he intones the near-cliche "I just want you so bad/it just seems so real" in the intro to the torch song "On The Ocean," there's a hunger behind his words ...
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Uncut Dope: Geto Boys' Best
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When Uncut Dope was released in 1992, the Geto Boys had four records behind them, and they were riding high on the success of We Can't Be Stopped. This was thanks in large part to the touching "Mind Playing Tricks on Me," a song clean enough to be played on mainstream radio that managed to be almost as psychologically grim as the horrifying "Mind of a Lunatic." This is a lean collection of a dozen tracks, most of which are pulled from The Geto Boys and We Can't Be Stopped, which makes perfect sense. Making Trouble was a debut that barely hinted at the group's potential, and 10/12ths of Grip It! On That Other Level was altered and/or re-sequenced for release as The Geto Boys. With the addition of a few at-the-time new tracks -- including "Damn It Feels Good to Be a Gangsta" -- this provided a decent look at a group that hadn't released a full-blown masterpiece. However, the two albums ...
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Photographer: Stephen McDonnell.
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Smooth Sax Tribute To John Legend
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If a copy of Smooth Sax Tribute to John Legend were to land on the doorstep of John Legend, the singer/songwriter/pianist might put it on for a few minutes, chuckle, and then toss it in his trash can. Or maybe he'd give it to someone for Christmas. These ...
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Drawing Voices CD  (2007)

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Karaoke Klassics Vol. 3-Great Standards
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