| | Nashville Pussy High As Hell Vinyl LP Record Nashville Pussy Discography of CDs
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Kiss, Motorhead, and Ted Nugent are just a few of the influences that come to mind when a revving motorcycle segues into a driving AC/DC-influenced guitar riff and Nashville Pussy does what it does best; sleazy, high-octane Southern hard rock with attitude to spare. HIGH AS HELL, its second album, delivers the goods, as illustrated by "She's Got the Drugs," with its munching-on-glass vocals and Sid and Nancy-style love story.
The title track boasts a foot-stomping, Texas blues-rock groove, while "Go to Hell" puts a new twist on country music heartbreak in a grisly depiction of a man catching his wife in an adulterous affair. "You Ain't Right" finds the song's hero ending a bitter relationship, and Nashville Pussy has fun with handclaps, recalling early Aerosmith, with "Rock and Roll Outlaw." The self-explanatory "Blowjob From a Rattlesnake" tells of a run-in with the law leading to an disagreeable prison stay, while the closest thing to a manifesto comes to life in "Drive," where bad deeds are rationalized as just "...different ideas of fun."
Recorded at Studio Litho, Seattle, Washington.
Nashville Pussy: Blaine Cartwright (vocals, guitar); Ruyter Suys (guitar); Corey Parks (bass); Jeremy Thompson (drums).
Magnet (8-9/00, p.87) - "...12 generous helpings of white-trash bliss....somewhere in between AC/DC and a Southern-fried Motorhead....[It] is the sonic equivalent of a tornado in a trailer park..." Magnet (8-9/00, p.87) - "...12 generous helpings of white-trash bliss....somewhere in between AC/DC and a Southern-fried Motorhead....[It] is the sonic equivalent of a tornado in a trailer park..." CMJ (5/22/00, p.3) - "...Opens up a nasty can of punk-metal whup-ass....the band's Motorhead-reverant debut [is] looser, more Southern-fried twin-guitar squeal....It's about time someone brought rock back to where it started, and [they] know it's all below the belt." Nashville Pussy High As Hell Songs | 1. | Struttin' Cock |
| 2. | Shoot First and Run Like Hell |
| 3. | She's Got the Drugs |
| 4. | Wrong Side of the Gun |
| 5. | Piece of Ass |
| 6. | High as Hell |
| 7. | You Ain't Right |
| 8. | Go to Hell  |
| 9. | Rock 'N' Roll Outlaw |
| 10. | Let's Ride |
| 11. | Blowjob From a Rattlesnake |
| 12. | Drive |
| High As Hell Music Review Purchase High As Hell CD To buy, Click on price to add to cart | Bob Dylan Christmas In The Heart CD (2009)
High As Hell album
$10.09 After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are handed down from generation to generation, songs that are part of the American fabric, songs so common they never seem to have been written. These are the songs Dylan chooses to sing on CHRISTMAS IN THE HEART, a cheerfully old-fashioned holiday album from its Norman Rockwell-esque cover to its joyous backing vocals. Apart from the breakneck "Must Be Santa," which barrelhouses like a barroom, Dylan doesn't really reinterpret these songs as much as simply play them with his crackerjack road band, dropping in a little flair -- restoring "we'll have to muddle through somehow" to "Have Yourself a Merry Little Christmas," singing the opening of "O Come All Ye Faithful" in its original Latin -- but never pushing tunes in unexpected directions. Many would argue having Dylan croon ...
| | Trans-Siberian Orchestra Night Castle CDs (2009)
High As Hell CD music
$11.35 NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these traits through a newly created narrative does have the effect of hearing it in a somewhat new light, shifting the focus entirely to the band's attack, not melody. Still, there's not that much new here -- and the coda of seasonal covers, including the first sober version of "Nutrocker" ever cut, doesn't do much to break that spell. But for those already enchanted by the Orchestra, this will continue to enthrall.
Night Castle appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's ...
| | An An Evening With Il Divo: Live In Barcelona CDs (2009) With DVD
High As Hell music CDs
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| | Shakira She Wolf CD (2009)
High As Hell songs
$11.18 Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells and the toilet doesn't flush. "Darling, it is no joke, this is lycanthropy," she sings on the title track with no small trace of humor, and this blend of cheerful weirdness and sick beats -- often supplied by the Neptunes, delivering tough, sensual rhythms in a way they haven't in a long time, but also John Hill and Wyclef Jean -- is giddily addicting, a celebration of all the strange sensuality that comes out at night. ~ Stephen Thomas Erlewine
Last time around, Shakira touched upon so many styles she couldn't be contained to one album, splitting Oral Fixation in two. This time, she focuses on ...
| | Belin All The Way In CDs (2009) With DVD
High As Hell album
$13.75 At times, it was hard to figure out whether Berlin were an average synth pop band trying to carve out their own niche or just a mediocre rock band jumping on the new wave bandwagon. Sure, they had some good singles and radio hits, but as an album band, they left a lot to be desired. Terri Nunn was beautiful and sexy, but it seemed like Berlin wanted to be more than just a commercial band with a hot vocalist: they seemed to be striving for greatness but settled for "that'll do." Unfortunately, they never had a chance to really prove themselves, breaking up after their commercially disappointing Count Three & Pray album, released in 1986. Nunn has kept the Berlin name alive over the years, touring with a different group of musicians and playing all the hits while releasing the occasional studio or live album. With a recorded output that seems to dwindle in quality with every release, one might hope that All the Way In would deviate from the standard "live hits" collection and offer up something really special. Sadly, ...
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