| | Perry Lamarca Hopelessly Romantic CD Perry Lamarca Discography of CDs
The name Perry LaMarca is one you may not know...yet. But the chances are good that you've heard his work. Perry's credits include music for Disney, Disneyland, Universal, the America's Cup, and numerous commercial jingles that have aired extensively on radio and television. Since 1991, Perry has also worked with Ray Conniff, who still enjoys enormous popularity in Latin America; he functions as Mr. Conniff's recording director, assistant conductor and keyboardist. As a young boy, when Perry was not practicing the piano (which he began at age seven), he was listening to his parents' Percy Faith, Hugo Montenegro and Ray Conniff albums, carefully studying each arrangement. By the time he was in high school, Perry had mastered the art of arranging and was writing his own charts--his love of beautiful music was obvious in the musical construction, harmony and instrumentation. In college, Perry studied privately under the tutelage of film music maestros John Williams and Bruce Broughton. Perry's passion for the film music genre is evident when you carefully listen to his arrangements and recordings.Perry's talents shine brightest in his life-long love of beautiful music. He has produced three albums of easy listening music in Japan, where there is still an appreciation of instrumental recordings. His CDs are also available in China and receive considerable airplay there.The recordings on the Parfait Records CD are quite special. Perry originally produced them exclusively for broadcast on easy listening radio stations and they have never before been available for purchase. Hopelessly Romantic Music Perry Lamarca Hopelessly Romantic Songs | 1. | My Special Angel |
| 2. | Arthur's Theme (Best That You Can Do) |
| 3. | East of the Sun (And West of the Moon) |
| 4. | True |
| 5. | I Need You |
| 6. | Suddenly |
| 7. | Never My Love |
| 8. | Baby Come to Me |
| 9. | Cherish |
| 10. | She's Got a Way |
| 11. | Best of My Love, The |
| 12. | Ebb Tide |
| 13. | All I Have to Do Is Dream |
| 14. | Can't Take My Eyes off of You |
| 15. | Make Believe It's Your First Time |
| 16. | Lost in the Fifties Tonight (In the Still of the Night) |
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MUSICAL BIOGRAPHYName: Tom ReddockBorn: The second day of 1939Place of birth: Pacific Grove, California, Planet Earth, Galaxy Milky Way. Occupation: SomnambulistPreoccupation: Sonic Sculptor Musical Influences:The thumb-bell of a passing bicycle in May of 1958, on a gravel street in New Koza, Okinawa – in that moment my ears were opened; an early morning wind through the short stubby pines in the mountains above Death Valley; an utter silence so complete it made the ears ache, on the floor of Death Valley at 12:43 PM on Thursday, the 12th of June, 1969; distant thunder; Clifford Brown; a soft forest rain in the Sierra Nevada Foothills; 43,000 people cheering at a SF Forty Niners game in 1966; Ben Webster; Hank Meals laughing; e. e. cummings; a distant train whistle; Harry Partch; a Redwinged Blackbird on a 1951 hot July afternoon in Sacramento; a human heart beat; John Cage; the river at the Second Campsite on Oregon Creek in 1974; John Coltrane; the majesty of the Daibutsu in Tōdai-ji, Nara, Japan, where the Sika deer roam freely and eat passively from your hand.Listen carefully, the universe is singing. It’s all music.On Sonic Sculpture“Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at 50 m.p.h. Static between the stations. Rain. We want to capture and control these sounds, to use them, not as sound effects, but as musical instruments.”John Cage said this two years before I was born. I was unaware of him at the time. More than sixty years will have passed before I had emerged into this life, become aware of the music of the world around me, grown old, and, finally, read his words. He was sure of himself. When his audience severely criticized him after the first performance of his silent piece, 4’33”, he brushed the criticism off saying it was “because they didn’t know how to listen”. He was right. To listen one must focus ...
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First appeared on the Skitzofreniks 2000 release “C’mon Dude?!?”, which sold over 2,500 copies thru Brick Records and received over 3 months of airplay at JAMN 94.5 (Boston) as well as other commercial and college radio stations across the U.S. and overseas. Appeared on 4 tracks (“Big ‘N Nasty”, “Mailbox Baseball”, “A Laughing Matter” and “Massholes Theme”) on fellow Massholes member The Legendary Axe’s 2001 “The Sharpest in the Shed EP” released on Centerfield Records, and distributed by Landspeed Records. The 9 song EP sold over 1000 copies world wide. His 2001 parody of Ludacris’ “Southern Hospitality”, “Andover Hospitality” received over 4 months of mix show airplay at JAMN 94.5 (Boston) as well as countless other commercial and college radio stations across the U.S and overseas. The 12” white label of “Andover Hospitality” b/w “So Suburban” sold 400 copies in roughly ...
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