| | Russ Freeman Drive CD Russ Freeman Discography of CDs
Since the Rippingtons do Russ Freeman's bidding, he hasn't found it necessary to do a full-fledged, regular solo album since he founded the group in 1986. (There have been duo albums with David Benoit and Craig Chaquico as well as a solo holiday record, however.) But listeners "started encouraging me to 'step out' more and to play more guitar," he writes in the liner notes to Drive, and "hence, this album," his first such release since 1985's Nocturnal Playground. That statement is the key to what distinguishes the disc from a Rippingtons album. Although Freeman has called upon a few guest musicians, with Chris Botti contributing muted trumpet work to "Soul Dance," Jeff Lorber keyboards to "Brighter Day," and Eric Marienthal sax to "Anywhere Near You," the tracks are designed as showcases for Freeman's guitar playing, not otherwise leaving room for other soloists. The Freeman fans who encouraged him no doubt will find the result satisfying, but the overall musical direction is no different from that of the Rippingtons. As usual, Freeman has built a series of bright, bubbly percussive tracks (he and two others are credited with "rhythm programming"), over which he solos melodically on either electric or acoustic guitar for three to five minutes, after which the tunes fade out. A version of Don Henley's "Boys of Summer" hews closely to the original, and the take on Grover Washington, Jr.'s "East River Drive" is another homage; the rest are originals. There are hints of R&B and Latin influences, but they never become more than hints as the music rolls along pleasantly. Anyone supposing that Freeman might take the opportunity of the altered billing to try something new would be mistaken; for better or worse, Drive isn't going to change anyone's mind about the guitarist. ~ William Ruhlmann
Recorded at The Clubhouse, Orange County, California; Quad, New York, New York; Boca Rio Studios, Boca Raton, Florida.
Personnel: Russ Freeman (guitar, keyboards, programming); Eric Marienthal (saxophone); Chris Botti (trumpet); Barry Eastmond, Bill Heller (keyboards, programming); Jason Miles, Jeff Lorber (keyboards); Buddy Williams (drums); Pablo Batista (percussion).
Audio Mixers: Doug Oberkircher; Mark Wexler; Russ Freeman .
Liner Note Author: Russ Freeman .
Recording information: Boca Rio Studios, Boca Raton, FL.
Photographer: Sonny Mediana.
Arrangers: Jason Miles; Russ Freeman ; Barry Eastmond.
Personnel: Russ Freeman (guitar, keyboards, programming); Eric Marienthal (saxophone); Chris Botti (trumpet); Barry Eastmond, Bill Heller (keyboards, programming); Jeff Lorber, Jason Miles (keyboards); Jeff Mironov (guitar); Will Lee (bass); Buddy Williams (drums); Pablo Batista (percussion).
Drive Music | List Price | $11.98 (You save $5.19) | | Category | Rock/Pop Albums, Jazz Instrument CDs, Smooth Jazz, Guitar, Jazz | | Label | Peak | | Orig Year | 2002 | | All Time Sales Rank | 16769  | | CD Universe Part number | 4845684 | | Catalog number | 8511 | | Discs | 1 | | Release Date | Aug 13, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jason Miles; Russ Freeman | | Engineer | Doug Oberkircher; Jason Miles; Russ Freeman; Tony Black | | Personnel | Will Lee - bass Buddy Williams - drums Jeff Mironov - guitar Russ Freeman - guitar, keyboards, programming Russ Freeman - guitar, keyboards, programming Barry Eastmond Pablo Batista - percussion Bill Heller - keyboards, programming
Also: Chris Botti, Chris Botti, Jeff Lorber, Eric Marienthal, Jason Miles |
Drive Review
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Purchase Drive CD To buy, Click on price to add to cart | Rippingtons Life In The Tropics CDs (2000)
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$8.15 Life in the Tropics -- the first Peak Records release for the Rippingtons -- features guitarist Russ Freeman and is a great smooth jazz celebration of rhythmic delights that resemble the tropical splendor of an island oasis. The natural beauty of each composition is reflected by the great talents of the Rippingtons: Kim Stone on bass, Dave Kochanski on keyboards, Ramon Yslas ...
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$9.65 On Let It Ripp, the contemporary jazz masters known as the Rippingtons offer a mixed exhibition of musical paintings that freely roam their "live" aesthetic more than on any previous studio project. Recorded with no outside musicians except for the horns of Jerry Hey, Gary Grant, and Steven Hoffman, this excellent collection of 11 original songs written by Russ Freeman exemplifies the culmination of 17 years of being on the road. Special guest saxophonist ...
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$37.35 Studio One Story is an extremely ambitious and unusual multimedia release, devoted to documenting the history of Clement "Coxsone" Dodd's Studio One, one of the most important (perhaps the most important) reggae labels. Housed in a standard CD-sized two-disc box set, it's a combination DVD and CD, with a fat book of liner notes to boot. Certainly the component that will garner the most attention is the DVD disc, which contains no less than four hours of film footage. About three-quarters of the DVD is devoted to a film on the history of Dodd and Studio One, featuring extensive interview footage with Dodd and numerous artists he worked with, including Dennis Alcapone, Ken Boothe, Alton Ellis, Sugar Minott, engineer Sylvan Morris, studio musicians, and others. The remainder of the DVD contains more than an hour of bonus interview footage that didn't make it into the main feature film. The CD disc has 16 classic Studio One recordings, representing styles from ska and rocksteady to dub, with tracks by major artists like Ellis, Minott, the Heptones, the Skatalites, Lone Ranger, and Jackie Mittoo.
On one hand, the DVD in particular is a valuable document, especially considering that reggae is rarely given such serious and comprehensive documentary treatment. On the other hand, it's not optimum as entertainment, though it's worth slogging through for anyone seriously interested in the music's development from the 1950s through the 1980s. On the plus side, most of the figures interviewed, particularly Dodd, have a lot to say about Studio One's contribution to reggae. The scope is admirably wide, reaching back to Dodd's days in the 1950s as a sound system operator importing American R&B records through the construction of his studio and his development of innumerable artists, the Wailers being the most famous. Dodd was also an entrepreneur whose influence on Jamaican music was not limited to his studio productions, as he was also a label owner and sound system operator, and ran several music shops in Kingston.
Factors that make it tough to watch all three hours at once, though, are the languid pace of the footage, in which some clips are just scene-setting glimpses of Jamaican life, or in which the camera just follows Dodd and friends around as they revisit some old dancehalls. The patois of the interviewees will be hard to follow for many non-Jamaican viewers, though, remarkably, English and French subtitles are provided; even if you think your ear for patois is good, ...
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