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Boby Lapointe Comprend Qui Peut Songs Comprend Qui Peut Review
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As any quick perusal of old Top 40 rock & roll station playlists will attest, singles were where the shakin' action was, as rock & roll albums were scarce as hen's teeth back in those pre-Beatle days. But when the record companies decided to issue one, it was usually an artifact of high rockin' value and some major influence. Naysayers to the contrary, this debut album by the Northwest's first great rock & roll combo is just such an artifact. The Wailers dispensed crude, greasy, largely instrumental rock & roll music for those who came to shake it up and shake it down, and it's all on fine, rhythmic, open display here. This album is amazing in its own simplistic, nuthin'-special ...
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Details TBA. Cut. 2005.
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Please visit michellehotaling.com for the latest news and shows!Not many young women these days can attest to being lifelong Bette Midler groupies, but that's exactly what Michelle Hotaling was when she fled her small town in upstate NY at the age of 17 to study in the Big Apple. While in college, she hit the road with a friend to follow Midler's Divine Miss Millenium Tour to get an education not found in the classroom."I'm either just anachronistic or a reincarnated gay bloke that didn't survive the 70's and wanted to come back as soon as possible," Michelle often chides when asked about her musical roots (which are laden with icons like Carly Simon, Laura Nyro, and Joni Mitchell). Initially wanting to emulate Bette Midler and Barbra Streisand, she wrote a memoir about her Midler Mania (BETTE OR BUST published by a division of Random House) and found herself working at Streisand's company, Barwood Films, at the age of 18. She sang in cabarets around Manhattan, embracing the masterpieces of Harold Arlen and Gershwin, all the while completing her Bachelor of Arts in Communications at the age of 19 much to the surprise of her college dean. "My parents would only let me move to Manhattan if I went to college. I was worried it would waste too much time because I already knew what I wanted to do with my life... so I finished as fast as I could."Nothing ever came easy for Michelle, but she always had faith in her drive."I love it when people tell me "no." In fact, I dare them to because it stirs something inside me... this level of defiance that has allowed me to accomplish things I would have never even considered before." Aspirations in the film world kept her away from whole-heartedly pursuing music when she relocated to Los Angeles after college. Michelle immersed herself in film production, setting out to make BETTE OR BUST into a movie. But performing became inevitable, as she seemlessly received acting and modeling roles and found herself battling to just land a regular job. "I must have interviewed for over thirty positions at studios and production offices. I was a published author, a total overachiever, and had two years of experience working in the industry behind me. But the doors wouldn't open and I was constantly told I was too ambitious. That's something no one would ever tell you in New York. But in LA? Forget it!ā€¯The angst and listlessness Michelle felt in Tinseltown brought her to the Pacific Coast Highway, where she'd park her car and write volumes in her journal. It was also the time that a new muse, Stevie Nicks, entered her musical repertoire and inspired new musical endeavours. "I love Stevie because like her, I was never musically trained. My parents could not afford piano lessons or vocal lessons, so I'd escape to the school auditorium or spend hours in church, pecking away at the keys and teaching myself. The fact that Stevie could write such captivating, intense songs based on her own instincts and limited training made me believe that maybe I could do it." Michelle began to put her journal entries to music and understand an instant gratification that the filmmaking process didn't provide.Driving over Laurel Canyon Blvd. nearly a year after she relocated to California, "Dreams" by Fleetwood Mac came on the radio. Michelle looked up to her visor and saw the slip of paper on which she scribbled "Follow Instincts" when she had first arrived in Los Angeles. In an instant she did a u-turn on the top of the hill, drove back to her apartment, and began packing. She knew that if she really wanted to thrive in music, she had to get back to New ...
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