Cranberries Bury The Hatchet CD

Remastered + 5 Bonus Tracks

The Cranberries: Dolores O'Riordan Burton (vocals, guitar, keyboards); Noel Hogan (acoustic & electric guitars); Mike Hogan (bass); Fergal Lawler (drums, percussion).
Producers: The Cranberries, Benedict Fenner
All tracks have been digitally remastered.
The Cranberries: Dolores O'Riordan Burton (vocals, guitar, keyboards); Noel Hogan (acoustic & electric guitars); Mike Hogan (bass); Fergal Lawler (drums, percussion).
Producers: The Cranberries, Benedict Fenner.
The Cranberries: Dolores O'Riodan Burton (vocals, guitar, keyboards); Noel Hogan (acoustic & electric guitars); Mike Hogan (electric bass); Fergal Lawler (drums, percussion).
Producers: The Cranberries, Benedict Fenner.
Engineers: Benedict Fenner, Mike Plotnikoff.
Personnel: Noel Hogan (acoustic guitar, electric guitar); Mike Hogan (bass guitar); Fergal Lawler (drums, percussion).
Audio Mixer: Mike Plotnikoff.
Recording information: Le Miraval, France (1998-1999); Metalworks, Toronto, Ontario, Canada (1998-1999); Olympic, London, England (1998-1999); Sarm West, London, England (1998-1999); Windmill Lane, Dublin, Ireland (1998-1999).
Illustrator: Jon Crossland.
Photographers: Rupert Truman; Andy Earl.
The Cranberries stumbled with their move toward heavier, politically fueled modern rock on To the Faithful Departed, losing fans enamored with their earlier sound. Like many groups that see their stardom fading, the band decided to return after a short hiatus with a mildly updated, immaculately constructed distillation of everything that earned them an audience in the first place. It's immediately apparent that Bury the Hatchet has retreated from the ludicrous posturing that marred To the Faithful. There are no blasts of distorted guitar -- as a matter of fact, there are no songs that even qualify as "rockers" -- and there is little preaching, even on Dolores O'Riordan's most earnest songs. Every note and gesture is pitched at the adult alternative mainstream, which is a good thing. Though they ran away from the dreamy jangle of their first hits, the Cranberries never sounded more convincing than on mid-tempo, folky pop tunes with polished productions. Sonically, that's precisely what Bury the Hatchet delivers, complete with little flourishes -- a Bacharachian horn chart there, cinematic strings there -- to illustrate that the band did indeed know what was hip in the late '90s. All this planning -- some might call it calculation -- shouldn't come as a surprise, since Bury the Hatchet is essentially a make-or-break album, but what is a surprise is that the end result is the most consistent record of their career. It's not necessarily their best -- it lacks the immediate singles of their first two records -- but all the songs work together to form a whole; not even embarrassments like the skittering "Copycat" interrupt the flow of the record. True, the album never challenges listeners, but it delivers on their expectations -- and after To the Faithful Departed, that comes as a relief. ~ Stephen Thomas Erlewine
Though Ireland's Cranberries began by churning out sparkling, breathy rock-pop, they soon ventured into a darker, heavier brand of rock that reflected the sociopolitical strife of their homeland. On BURY THE HATCHET the band achieves the perfect marriage between luxurious pop stylings and a darker, more unsettling vision. Dolores O'Riordan's strong, clear voice rides smoothly over simple, engaging melodies fleshed out by a chiming blend of acoustic and electric guitars for much of the album. But on songs like "Promises," the guitars get heavier, and the mood turns darker, showing a deeper side of the Cranberries' work. No matter the darkness expressed in the lyrics though, the invigorating, upbeat strum and crack of the guitars and drums keeps things moving at a good clip. And that occasional catch in O'Riordan's voice is just arresting enough to draw you in, without ever seeming like an affectationRolling Stone (5/13/99, pp.93-94) - 3 Stars (out of 5) - "...shimmering pop numbers...and earnest acoustics...These youthful old pros have never sounded more winning or unified."
CMJ (4/26/99, pp.28-9) - "...sweet shimmering ballads and tart, distorted jangle-pop....the Cranberries pack strings into their lush, Smith-inspired rock to really hit their mark."
Guitar Magazine (7/99, p.97) - "...their best album to date....no drop-off in quality between the record's strongest tracks and the rest of the album....the band's most complete work yet."
Mojo (Publisher) (5/99, p.112) - "...Ms. O'Riordan and her merry men have now turned their rapier-keen wits to the existential realities or ordinary, everyday life..."