| | Gregory Scott Waking Hour CD Gregory Scott Discography of CDs
The first release from Gregory Scott includes the pop hits "Spark", "Closing In", and the haunting ballad "Last Goodbye."Look for Gregory Scott's highly anticipated new Christian album on CD Baby in Spring of 2005!
Arrangers: Gregory Scott; Jim DeCicco.
Personnel: Gregory Scott (vocals, background vocals); Jim DeCicco (keyboards, background vocals).
Photographer: Paul Gregory.
Waking Hour Music | Category | Rock/Pop Albums, Rock CDs, Pop, R&B | | Label | Pyram-Axis | | Orig Year | 2002 | | CD Universe Part number | 4904085 | | Discs | 1 | | Release Date | Sep 12, 2001 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Gregory Scott; Gregory Scott; Jim Decicco | | Engineer | Jim Decicco | | Personnel | Gregory Scott - vocals, background vocals
Jim DeCicco - keyboards, background vocals
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Gregory Scott Waking Hour Songs Waking Hour Review
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Veteran American Reggae singer - musician Tom "SEEFARI" Carroll has garnered international acclaim for his dynamic live performances and innovative recorded work. SEEFARI has toured and recorded with musicians from all over the world, playing diverse styles of roots music. His unique style of reggae reflects his eclectic influences"SEEFARI was nothing short of a roots sound power.".SojournerTre' (clevelandreggae.com)"Seefari's reggae ranges with effectiveness from roots to dancehall and his original vocal style imbued with great sweetness and communicativeness ...perfectly interacts with his essential, pulsating and electric riddims ...an highly original stylist with strong abilities in songwriting.a sort of "cyberroots" of great potential."... Ras Walter - Reggae Time Webzine - Italy"The vibes are nice ... serious and sincere ... the lyrics are heavily balanced towards message as exemplidfied by the agricultural awareness alert Homegrown" ... Chuck Foster, The Beat (LA)"Laid back fusion reggae that has a tendency to bend - but not break the rules that dominate the genre...insightful lyrics...soulful vocal delivery...a more modern, urban feel to the music".......Xtian Spencer, Impact Weekly ( Dayton,OH)"Long-time Rastaman Tom "Seefari" Carroll has a definite reverence for roots reggae but he isn't afraid to use technology to achieve a contemporary sound. " ...Don Thrasher, Dayton Voice"SEEFARI is a reggae master...always when I play that "Funky reggae" song (Chillin') I get tons of calls...lots of requests for that song ...fantastic reggae"...Rev Cool, DJ (Around the ...
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It is generally acknowledged that Ella's really great years were the mid 50s, the period covered by this box set when she was recording with the likes of Louis Armstrong, Count Basie and Ellis Larkins, performing the works of Cole Porter, Rodgers & Hart and Duke Ellington. 83 tracks over 4CDs with a 52 page illustrated booklet including session detail, her story focusing on this period and rare photos from the time.
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ROBERT GORDON WITH LINK WRAY/FRESH FISH SPECIALS was originally released as 2 seperate LPs. The single compact disc contains 9 additional tracks that did not appear on the original albums.
Lester Bangs once described Robert Gordon as looking as if he belonged in a natural history museum identified as "Bopcatus Americanus," and while his first album wasn't the one that inspired the comment, the vintage duds and greased-up pompadour he sports on the front cover would have done any pop-culture archeologist proud. While Gordon first hit the New York City rock scene as a proto-punk with Tuff Darts, when he struck out on his own in 1977 he was one of America's first rockabilly revivalists, covering the likes of Eddie Cochran, Billy Lee Riley, and Carl Perkins as if he was waiting for Sam Phillips to stop by and discover him. For this album, Gordon paired up with legendary guitarist Link Wray, and the result was a solid and evocative tribute to first-era rock & roll, though with a few details turned around. Wray was never really a rockabilly player, and while he brings plenty of fire and gritty presence to these sessions, the "Rumble" man sometimes seems to be holding back uncomfortably on the quieter songs, waiting for the opportunity to offer the full-bore blast that was his stock in trade (and he delivers it on cuts like "Flying Saucers Rock & Roll"). The rest of Gordon's band often sounds more utilitarian than inspired, but they also don't overplay and rock these tunes with clean power. And while Gordon doesn't bring much of a personality of his own to this material (the originals were written by Wray, not Gordon), there's no arguing that he had great pipes and sings these songs with the conviction of a true believer. It would be a few years before the great rockabilly awakening would truly happen in America, but Robert Gordon was one hepcat who already believed in the Big Beat in 1977, and his first album was filled with inspired moments. ~ Mark Deming
Rockabilly was pretty much a dead issue as far as American music fans were concerned when Robert Gordon released the two albums featured on this CD, and if he didn't kickstart the revival that would take hold a few years later all by his lonesome, he was certainly carrying the flag at a crucial time. Gordon also gave a major boost to the career of legendary guitar mauler Link Wray, who gets co-star billing on their two albums together, and though Gordon's classical take on rockabilly didn't always mesh with Wray's tough, noisy attack, Wray certainly made the most of his presence here, sounding potent if restrained on the quieter numbers and blowing the roof off when the opportunity knocked. If these albums have a flaw, it's the material: both 1977's Robert Gordon with Link Wray and 1978's Fresh Fish Special are dominated by rockabilly classics that most fans of first-era rock are very -- but very -- familiar with, and as good as Gordon sounds on them, he can't quite top the originals. However, that wasn't so much the case when these albums were cut, and while Gordon doesn't get the room to put much of a new stamp on "The Way I Walk," "Flying Saucers Rock & Roll" or "Summertime Blues," he sings them like they hold ...
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