| | Tennessee Ernie Ford Country Gospel Classics, Vol. 1 CD Tennessee Ernie Ford Discography of CDs
EMI. 2004. Country Gospel Classics, Vol. 1 Music Tennessee Ernie Ford Country Gospel Classics, Vol. 1 Songs | 1. | What A Friend We Have In Jesus |
| 2. | Must Jesus Bear The Cross Alone? |
| 3. | In The Garden |
| 4. | Whispering Hope |
| 5. | His Eye Is On The Sparrow |
| 6. | Rock Of Ages |
| 7. | Were You There? |
| 8. | All Hail The Power |
| 9. | The Old Rugged Cross |
| 10. | Did You Think To Pray? |
| Country Gospel Classics, Vol. 1 Review
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When the first volume of Johnny Cash's AMERICAN series appeared in 1994, it would have been difficult to predict its critical and commercial success, much less the fact that an illness-beset Cash would be turning out a powerful fourth installment of the series eight years later. Like its three predecessors, AMERICAN IV is a home-recorded, bare-bones Rick Rubin production wherein Cash tackles old classics by other writers as well as more contemporary tunes by artists from the rock world, with a smattering of his own new compositions thrown in. It's also arguably the strongest since the first volume.
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$11.49 The following is a description of Brian's playing as on Axuality, written by a well-known industry professional who would prefer to remain unnamed. (sorry -smile-)"The unique style of Brian’s playing is characterizedby tone-and-time-modulation which in its characteris reminiscent of the human voice. The phrasing and musicalinflection used by Brian during improvisation is in manyways similar to that used by human beings duringspontaneous speech. While listening to Brian’s musicone gets an impression of floating away, and the lackof lyrical content only supports this feeling as themusic is not ridden by human chatter, while stillhaving the familiar qualities of the human voice deliveredby the guitar solos. The improvisational nature of the music keeps the listenerconstantly wondering about what is coming next, ratherthan bored by repetitive patterns that are so prevalentin the mainstream music.In conclusion, it is a very fresh way of performingand songwriting, and the compositions have an organiccharacter as they are literally being “grown” on thespot by the artist."Industry professional name withheld *******Recent Press Release:So that you'll believe the following statement, we'll prove it first. Proof: Brian Butler is an improv rockjazz guitarist, actually making up everything he plays as he plays it.Statement: Brian Butler really does have a new and different style.His new CD entitled "Axuality" is filled largely with instrumental tunes -some goodtime tunes, some rhythm & hip, some thinking tunes. And the few vocals are quite unusual and equally thought-provoking. As a live performance act, Brian's music is improvised entirely on the moment, as he is playing it. Likewise, a large part of his recorded material is the same, and the rest is very minimally rehearsed to 'get it right'. Why is the rehearsal held to an extreme minimum?- because the most evocative quality of his music is the up-front sincerity and "live" feel of a music that is planned ...
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