| | Dancehall 101 Vol. 3 CD (1 Customer Review)
For fans of classic dancehall , the Dancehall 101 series proves to be an indispensable tool for hard to find cuts. Dancehall 101, Vol. 3 boasts both the rare gems as well as the more ubiquitous singles found on other compilations. The opening track, Musical Youth's bubblegum hit "Pass the Dutchie," and Mad Cobra's "Flex" are examples of the more commonly heard tunes. As crossover hits, both tunes ruled airwaves on and off Jamaica. Hardcore fans will appreciate offerings such as Junior Cat's "Iron Gloves" and Red Dragon's "Yu Body Good," which didn't climb any charts but are classic dancehall scorchers. ~ Rosalind Cummings-Yeates
Musical Youth/Mad Cobra/Dawn Penn/J.Osbourne/Red Dragon Dancehall 101 Vol. 3 Music Dancehall 101 Vol. 3 Songs | | Dancehall 101 Vol. 3 CD DISC 1: |
| 1. | Pass the Dutchie - Musical Youth |
| 2. | Flex - Mad Cobra |
| 3. | Buddy Bye - Johnny Osbourne |
| 4. | Iron Gloves - Jr. Cat |
| 5. | Cover Me - Tinga Stewart/Ninjaman |
| 6. | Modeling - Reggie Stepper |
| 7. | Whining Skill - Reggie Stepper & Super Beagle |
| 8. | Yu Body Good - Red Dragon |
| 9. | Gal Fi Beg - Buju Banton |
| 10. | Hot This Year - Dirtsman |
| 11. | Stop - Skullman |
| 12. | Ting a Ling - Shabba Ranks |
| 13. | When I See You Smile - Singing Sweet |
| 14. | Typewriter - Louie Rankin |
| 15. | Stopper - Cutty Ranks |
| 16. | Bum Flick - Little Lenny (bonus track) |
| 17. | Ring the Alarm - Tenor Saw (bonus track) |
| | Dancehall 101 Vol. 3 Songs DISC 2: |
| 1. | Pass the Dutchie - Musical Youth |
| 2. | Flex - Mad Cobra |
| 3. | Buddy Bye - Johnny Osbourne |
| 4. | Iron Gloves - Jr. Cat |
| 5. | Cover Me - Tinga Stewart/Ninjaman |
| 6. | Modelling - Reggie Stepper |
| 7. | Whining Skill - Reggie Stepper/Super Beagle |
| 8. | Yu Body Good - Red Dragon |
| 9. | Gal Fi Beg - Buju Banton |
| 10. | Hot This Year - Dirtsman |
| 11. | Stop - Skullman |
| 12. | Ting a Ling - Shabba Ranks |
| 13. | When I See U Smile - Singing Sweet |
| 14. | Typewriter - Louie Rankin |
| 15. | Stopper - Cutty Ranks |
| 16. | Bum Flick - Little Lenny |
| 17. | Ring the Alarm - Tenor Saw |
|
Dancehall 101 Vol. 3 Music Review Purchase Dancehall 101 Vol. 3 CD To buy, Click on price to add to cart | Strictly The Best Vol. 1 CD (1991)
Dancehall 101 Vol. 3
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Recording information: V.P. Records.
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| | 24 Karat Gold Dancehall Megamix Part 2 CD (2001)
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| | From Dubplate To Download: The Best Of Greensleeves Records CDs (2002) (Import) United Kingdom
Dancehall 101 Vol. 3
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This is a more important album than it looks on the surface. The 40 tracks here -- and as the cover says, they were are all massive Top Ten hits -- essentially mark the start of the transition from roots reggae to the dancehall style; a passing of the torch as definitive in Jamaican music as the passage from rocksteady ...
| | Strictly The Best Vol. 31 CD (2003)
Dancehall 101 Vol. 3
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The Strictly the Best series has always been reliable for delivering dancehall's big hits, but on their 31st volume they've reached a new plateau. With 2003 being the year dancehall found success on America's charts and rap acts like 50 Cent started to appear on dancehall's healthy bootleg mix CD industry, there's been quite a bit of trading of ideas among urban and ragga producers and both genres ...
| | Niney The Observer Observer Attack Dub CD (1995)
Dancehall 101 Vol. 3
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(Niney is best known as a producer who continues to present the finest in Jamaican talent from his studio in Kingston. He has produced a few lackluster dub albums in the past, but "Observer Attack Dub" finds him making a quantum leap in musical quality by jumping backward in time for his source material; all of the tracks on this disc were originally recorded between 1969 and 1976 by legendary producer King Tubby, and are given brand-new dub treatments by Niney for this release. The all-star instrumental cast gives Niney plenty of rock-solid groove to work with, and he rules the mixing board like a man inspired. His remixes create new musical gestures as if out of a void, and the sound is exquisite, much better than one would have the right to expect from recordings of this vintage. This disc is highly recommended. ~ Rick Anderson
Recorded at Joe Gibbs Studio and The Original Randys Studio, Jamaica between 1969 and 1976.
Recording information: Old Joe Gibbs Studio, Jamaica (1969-1976); Original Randys Studio (1969-1976).
Musicians: George Fulwood (bass), Santa Davis (drums), Chinna Smith (lead guitar), Tony Chin (rhythm guitar), Keith Sterling (keyboard), Bobby Ellis (trumpet), Deadly Headly (tenor sax), Vin Gordon (trombone).Recorded ...
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Junior Murvin, along with co-writer/producer Lee Perry, created a certifiable reggae classic in "Police and Thieves." Covered by The Clash and symbolic of its time (the mid-1970s) musically and politically, the song is the centerpiece of an album considered by reggae fans to be one of the greatest albums of the genre.
Murvin sings powerful, intense lyrics with a sweet-sounding falsetto voice (recalling Smokey Robinson), while Lee Perry frames the songs with dark, almost haunted ...
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Squier adds a little bit of keyboard color to his otherwise guitar-driven repertoire on 1984's Signs of Life, ...
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Spare time, a spare room, and spared smokes; like a cool-handed stage direction in a Sam Shepard play; like a grit-paced mood-swing in a Larry Brown novel, these are the elements to a truly American alchemy. These are also the ingredients that gave rise to a fresh blend of alt-country, indie rock and folk blues: The Additives, a band from Bridgeport, Chicago; with an uncanny ability to create visual narratives out of the alienation and the outsider braininess that are the makeup of today's Americana tradition. Hearing The Additives for the first time, one gets the notion that the Big Song through which American music ventures has become more interesting, and a shit-load cooler.The Additives' second release, Should It End, plays out as all great sophomore efforts should: not only is it a significant step up in production quality from the home recordings of Back In Bridgeport, but it is also a solid indication of a songwriter and band melding into a singular voice, one of musical adventure and lyrical penetration; a voice in the midst of absorbing the human condition with eyes wise to our foolish hearts. This time around, instead of recording in the spare room of Joe and Sheila's apartment, they recruited the services of Oscar Salinas and Mike Czaszwicz to capture the band's expanding journey.The Additives hunkered down at the Cro's Nest studios for five straight days of recording in September ...
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