Coldplay Rush Of Blood To The Head CD

Coldplay includes: Chris Martin (vocals); Guy Berryman, Jon Buckland, Will Champion, Phil Harvey.
Recorded between 2001 & 2002.
"Clocks" won the 2004 Grammy Award for Record Of The Year. A RUSH OF BLOOD TO THE HEAD won the 2003 Grammy Award for Best Alternative Music Album. "In My Place" won the 2003 Grammy Award for Best Rock Performance By A Duo Or Group With Vocal.
Personnel: Chris Martin (vocals, guitar); Jon Buckland (guitar); Chris Tombling, Susan Dench, Richard George, Laura Melhewish, Anne Lines, Leo Payne, Peter Lale, Audrey Riley (strings); Will Champion (drums, percussion).
Audio Mixers: Coldplay; Danton Supple; Ken Nelson; Mark Pythian.
Recording information: Studio 1 Air (09/2001-05/2002); Studio 1, Air Abik (09/2001-05/2002); Studio 2 Mayfair (09/2001-05/2002); Studio 2, Mayfair, England (09/2001-05/2002); Studio 3 Parr Street (09/2001-05/2002); Studio 3, Parr Street (09/2001-05/2002).
Photographers: Zed Nelson; Tom Sheehan.
After touring in support of their debut album, Parachutes, Coldplay was personally and professionally exhausted. Frontman Chris Martin insisted he was dry; by the time they closed their European tour in summer 2001, he hadn't written a song in months. The U.K. music press immediately pounced on the idea of Coldplay calling it quits, but somewhere lurked the beauty of "In My Place." The spirit and soul of this ballad allowed Coldplay to pull it together to make a second album. What came from such anguish and inquisition was A Rush of Blood to the Head. Coldplay has surely let it all go on this record. Acoustics are drowned out by Jon Buckland's riveting guitar work, and vocally, Martin has sharpened his falsetto, refining his haunting delivery. It's a strong album; you can feel, hear, and touch the blood, sweat, and tears behind each song, and that's exactly what Coldplay was going for. Co-producer Ken Nelson and mixer Mark Pythain (the team behind the blissful beauty of Parachutes) allowed Coldplay to make an album that's initially inaccessible, but that's what makes it intriguing. Lush melodies and a heartbreak behind the songs are there, but also a newfound confidence. From the delicate, shimmery classic "In My Place" to the piano surge of "The Scientist," Coldplay exudes an honest passion. The disco haze of "Daylight" and the love-drunk ballad "Green Eyes" are divine examples of solid lyrical arrangements, but "Politik" and the stunning guitar-driven "God Put a Smile Upon Your Face" project a nervy edge to the band. Echoes of early post-punk showcase Coldplay's ballsy musicianship. Don't fret -- it's not exactly rock & roll, but Radiohead, Echo & the Bunnymen, and the Smiths aren't exactly rock & roll either, and they're well loved. "Yellow" didn't follow the rock formula, but it sold well, and similarly A Rush of Blood to the Head might not instantly grab listeners, but it's not tailored that way. It pushes you to look beyond dreamy vocals for a musical inner core. Regardless of the band still being in their mid-twenties, they've made an amazing record, and if it ends up being their last, A Rush of Blood to the Head didn't sugarcoat anything. It's a bittersweet design no matter what. ~ MacKenzie Wilson
In 2000, Coldplay appeared seemingly out of nowhere and immediately advanced to the head of the Britpop class in the UK, while easily outdistancing the likes of Oasis and Blur in terms of US popularity. The most striking thing was that they did it with zero attitude and unassuming, melodic tunes humbly presented with a minimum of fuss and a maximum of memorability. That trend continues on the band's second album, A RUSH OF BLOOD TO THE HEAD.
There's little stylistic alteration from PARACHUTES here, which is just fine, considering how enormously and instantly appealing that style is. While Travis, Elbow, and other entrants in the Britpop sweepstakes offer a not dissimilar sound, none can communicate with the honest immediacy and directness of Coldplay. Part of theRolling Stone (12/26/02, p.103) - Included in Rolling Stone's "50 Best Albums of 2002"
Rolling Stone (9/19/02, pp.97-8) - 4 stars out of 5 - "...A nervier, edgier, thoroughly surprising album....the band has figured out how to let loose and rock out...[it's] first-rate guitar rock with some real emotional protein on its bones."
Spin (1/03, p.72) - Ranked #26 on Spin's list of 2002's "Albums of the Year" - "...Harder and darker than 2000's sweetly naive PARACHUTES....gorgeous arena pop."
Q (12/02, p.65) - Included in Q Magazine's "50 Best Albums of 2002"
Q (9/02, pp.198-9) - 4 stars out of 5 - "...This is pretty much the apotheosis of post-Radiohead guitar-rock, a collection of vastly moving songs that will render stadiums as intimate as bedrooms..."
Uncut (1/03, p.97) - Ranked #67 in Uncut's "100 Best Albums of the Year"
Uncut (9/02, p.116) - 5 stars out of 5 - "...the best British rock album since OK COMPUTER...acomplished, original and majestic..."
CMJ (9/2/02) - p.6) - "...There is a cavernous beauty to this album's melodic depression that can't be denied..."
Mojo (Publisher) (p.54) - Ranked #100 in Mojo's "100 Modern Classics" -- "[T]his surely ranks as the most intimate arena rock yet wrought."
Mojo (Publisher) (1/03, p.76) - Ranked #31 in Mojo's "Best Albums of 2002"
Mojo (Publisher) (9/02, p.94) - "...fragile love songs with a hint of the metaphysic...Coldplay still sound like they care about what they're doing."
NME (Magazine) (8/22/02, p.42) - 9 out of 10 - "...An album of outstanding beauty, an organic, wholesome work..."