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Our Price: $13.25 CDFor Sale Usually ships in 1-2 days
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Audio Mixer: DJ Free.
Photographer: Daniel Bianchetta.
Arranger: Soulfood .
Personnel: Peter Schimke (piano); Soulfood (synthesizer).
Personnel: Peter Schimke (piano).
Serenity Review
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Purchase Serenity CD To buy, Click on price to add to cart | Dr Andrew Weil Breathing: Master Key To Self Healing CDs (2000)
Serenity album
$19.89 Includes an 11 page booklet with breathing exercises by Andrew Weil.
Original music composed by Mark McCoin.
Live Recording
Dr. Andrew Weil's Breathing: The Master Key to Self-Healing ...
| | Jim Brickman Beautiful World CD (2009) Bonus Tracks; Deluxe Edition
Serenity CD music
$10.65 For his 2009 effort, pianist (and new age juggernaut) Jim Brickman ...
| | Mannheim Steamroller 25 Year Celebration CDs (1999)
Serenity music CDs
$20.25 All tracks have been digitally mastered ...
| | Jesse Cook The Rumba Foundation CD (2009)
Serenity songs
$13.89
| | Loreena Mckennitt - Nights From The Alhambra DVDs (2007) Digipak; With CD
Serenity album
$21.49 Recorded live at the Alhambra Palace in Grenada, Spain, this performance finds popular Celtic-influenced Canadian musician Loreena McKennit accompanied by virtuosic ...
| | Lena Horne At The Waldorf Astoria/At The Sands CD (2002)
Serenity CD music
$11.95 Recorded live at the Waldorf Astoria, New York, New York and the Sands, Las Vegas, Nevada on Feburary 20, 1957 and November 3-5, 1960. Originally released on RCA (1038) & RCA (2364).
Vocalist Lena Horne is most widely known for her film appearances and nightclub performances, and this excellent collection offers up two of the latter, one live set from 1957 at New York City's prestigious Waldorf Astoria Hotel and another from 1960 at Las Vegas's renowned Sands venue. And as this 20-track release makes clear, the Brooklyn-born singer was often more comfortable in front of an audience than in the studio.
Rather than relying on signature tunes such as "Stormy Weather," Horne goes for more adventurous set lists that include energetic numbers such as "Come Runnin'" ...
| | Sonic Youth Daydream Nation CD (1988)
Serenity music CDs
$6.49
| | Ben Scott Tibetan Charkra Meditations CD (1999)
Serenity songs
$11.49
| | David Lanz Christmas Album CD (1999)
Serenity album
$14.39 This mega popular new age pianist -- who jokingly refers to himself as a SNAG (Sensitive New Age Guy) -- has been one of Narada's core artists since the mid-80s and has one of the genre's best-selling albums of all time in 1988's Cristofori's Dream. Over the years, Lanz has contributed elegant arrangements of holiday classics to a series of label samplers, and in 1994 he put out Christmas Eve, which tied more interpretations together with brief ...
| | Sar All Stars Interpretan A Rafael Hernandez CD (1992)
Serenity CD music
$8.55
| | Paxman Daddy's Dream CD (2006)
Serenity music CDs
$16.45
| | Crowded House Farewell To The World CDs (2006)
Serenity songs
$18.19 Crowded House called it a day on November 24, 1996, with a farewell concert at the Sydney Opera House attended by well over 100,000 people, making it one of the largest concerts in Australian history. The double-disc set Farewell to the World was released a decade later to commemorate the ten-year anniversary of the event, and while the performance lacks the loose energy and off-the-cuff banter that made Crowded House's concerts memorable, it has aged well, and not just because Neil Finn's songs sound every bit as fresh and sharp as they did upon their initial release. That much can be discerned from a listen to any of the group's albums, or their excellent hits compilation, Recurring Dream, but what Farewell to the World reveals is what a tight, professional live band Crowded House could be if the occasion called for it -- and certainly, this farewell show was an occasion that called for it. This was a large-scale, historic performance, and it sounds like it: the band plays all the hits and standards, with none of the left-field detours that could characterize their live shows (and are well documented on the many fan club-only live releases over the years), and they play with focused precision that may not be as exciting as some of their other live shows, but it certainly is easy to enjoy, whether it was in person at the Sydney Opera House in 1996 or hearing it on record years later. This may not be a major release, but for fans it is a welcome one: a souvenir of a fine farewell show, and a nice reminder of the strengths of Crowded House as a live band. ~ Stephen Thomas Erlewine
2006 legitimate issue of the most sought after concert recording by the New Zealand foursome. Previously available for a very short time only on videocassette, this ...
| | THR3 Piece Veterans Day CD (2007)
Serenity album
$7.99
| | Matty Matlock Unsung Musician: Arranger CD (2008)
Serenity CD music
$12.89
| | Moodswing Orchestra CD (2009)
Serenity music CDs
$9.75 The title Ben Perowsky Presents Moodswing Orchestra may be an unintentionally misleading one, simply because this grouping of musicians is a real band with Perowsky's drums, bells, "sincussion," and voice being perhaps its most prominent features. This octet also features Oren Bloedow on bass, Markus Miller on turntables, Glenn Patscha on both electric and acoustic piano, the ubiquitous Steven Bernstein on trumpet, Doug Weiselman on woodwinds, Marcus Rojas on tuba, and Pamelia Kurstin on the Theremin. This ensemble is joined on six of the nine tracks here by vocalists ranging from Bebel Gilberto to Joan Wasser, Jennifer Charles, Miho Hatori, and Elyas Khan. The sound of the the Moodswing Orchestra walks a delicate line balance between jazz, cinematic-sounding serial music, modern classical music, shimmering noir-ish alternative rock, and late-night DJ beats and atmospheres. The beauty is in the restraint here. These pieces are wonderfully composed and arranged by Perowsky, Bloedow, Patscha, and Miller, with the various vocalists contributing their own lyrics. Charles' otherworldly, half-whispered/half-sung "Dolly" walks the line between bluesy country, slippery rock, and nocturnal fantasy with strange guitar sounds, Weiselman's clarinet playing a dark-shaded jazz interlude, with electronics framing a sonic cone for her voice to pour through in the mix. "King's Fall," with vocals by Gilberto, walks the line between rubbery, sultry funk with Bloedow's bassline, Brazilian hip-hop, and minimalist jazz. It's the longest and most enchanting track on the set with additional vocals by Patscha and Bloedow accenting the backbeat. Intensity picks up as trumpets, electric pianos, and electronics compete with the three vocalists for a place in the ever more dynamic and sonically accelerated mix. Another notable is the opener "Miss Adelaide," with the wispy trace of Wasser's voice crawling out of the ether with a slow, tribal beat that reminds one at first of the Golden Palominos circa Pure and This Is How It Feels, but then asserts itself out of that groove to shimmy right ...
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