| | 30 Seconds To Mars CD 30 Seconds To Mars Discography of CDs
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L.A. Alt.Rock Band Toured(Ing) With Puddle Of Mudd & Incubus
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
30 Seconds To Mars: Jared Leto (vocals, guitar, synthesizer, bass, programming); Shannon Leto (vocals, drums); Solon Bixler (guitar, synthesizer, programming).
Producers: 30 Seconds To Mars, Brian Virtue, Bob Ezrin.
Principally recorded at Cherokee, Sunset Sound Studios, Los Angeles, California.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Though the band goes to every possible length to obscure it, full disclosure demands mentioning the fact that 30 SECONDS TO MARS is led by actor Jared Leto, known for such films as PANIC ROOM and REQUIEM FOR A DREAM, and twice named one of People magazine's "50 Most Beautiful People." That said, charges of dilettantism would seem entirely out of order here, as all four members of the group seem entirely committed to their hard-edged sound. Stylistically, though the band itself cites such influences as Pink Floyd (whose latter-day producer Bob Ezrin is at work here) and the Cure, the more obvious reference points are Nine Inch Nails and perhaps Tool. Thick layers of aggressive guitar and booming drums alternate with dark, moody synth-laced passages while Leto's vocals range from full-on roar to feral growl. 30 Seconds To Mars Music Review Average Rating: (4.8 out of 5 stars)   List All Reviews One cd everyone should have
Marketing is everything, one should think. Because the marketing people tried their best not to show Jared Leto in the booklet and the featured short film.
Forget that he is an actor. He should be making music full time. This cd will make you forget all the bad so called nu metal bands.
But make no mistake, this isn't nu metal. It's plain good music. Clear voices, original lyrics, and a hell of a website. If you enjoy electronic guitar music, with an edge, this is it.
Submitted by a reviewer (Schiedam, Holland) 
Was This Review Helpful? Yes No 1 of 1 found this helpful.  so so
This album has its high and low points. At times in a couple of there songs they try to go with this space theme in their lyrics which I thought came off kind of cheesy. At other times though the lyrics, vocal styling, and music all came together beautifully. It felt as though there were different bands sharing on album.
Submitted by bac2015 (Pittsburgh Pa, USA)
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Amazing!!!
This is a awesome cd! Some of my favorite songs from this album are Capricorn and Oblivion. You won't be disappointed.
Submitted by swh888 (Portland, Oregon)
Was This Review Helpful? Yes No AMAZING
This is one of the best albums I've ever heard. Give it a chance, you won't be dissapointed. Just because it isn't mainstream doesn't mean it sucks. This CD is so underrated if you're wanting something edgy and unheard of BUY THIS.
Submitted by Matt (Reno, NV, USA)
Was This Review Helpful? Yes No suprised
only reason i heard about this band was becuase of my friend was telling me about there concert. hopefully everyone hears about them this is a great rock cd. very short cd tho is the only down fall.
Submitted by insane_j (Tampa, FL)
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Buy 30 Seconds To Mars CD Purchase 30 Seconds To Mars CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
30 Seconds To Mars
 $6.39   
The Corrs: Jim Corr (vocals, guitar, keyboards); Sharon Corr (vocals, violin); Andrea ...
| | Dredg El Cielo CD (2002)
30 Seconds To Mars
$8.49
| | Lamb Of God - Killadelphia DVD (2005)
30 Seconds To Mars
 $9.69
| | Dredg Catch Without Arms CD (2005)
30 Seconds To Mars
$8.49
Personnel: Nathan Calvin (vocals).
Audio Mixer: Terry Date.
Recording information: Studio Litho, Seattle, WA.
Editor: Ingrid Erickson.
Arranger: Chris DeGarmo.
It makes sense that Terry Date produced Catch Without Arms, Dredg's second record for Interscope. The producer is a veteran of Deftones albums, and it's that band's rich but still rocking palette that's the intent here. And they succeed. Like past Dredg releases Catch has a conceptual flow. But openers "Ode to the Sun" and "Bug Eyes" ...
| | 30 Seconds To Mars Beautiful Lie CD (2005)
30 Seconds To Mars
$10.39
"A Beautiful Llie" was produced by Josh Abraham, whose credits also include Velvet Revolver and Linkin Park. This edition includes bonus track 'Was It A Dream' (acoustic version).
30 Seconds to Mars: Matt Wachter, Tomo Milicevic, Shannon Leto.
Additional personnel: Neel Hammond, Caroline Campbell (violin); Miguel Atwood-Ferguson (viola); Vanessa Freebairn-Smith (cello); Matt Serletic (piano); Oliver Goldstein (synthesizer); Steve Dress (double bass).
Arranger: ...
| | New Order Low-Life CD (1985)
30 Seconds To Mars
$10.45
New Order: Bernard "Barney" Sumner, Gillian Gilbert, Peter Hook, Stephen Morris.
Recorded at Jam and Britannia Row Studios, London, England.
Recording information: Britannia Row Studios, London, England; Jam, London, England.
Photographer: Trevor Key.
New Order's third LP, Low-life, was, in every way, the artistic equal of their breakout, 1983's Power, Corruption & Lies. The point where the band's fusion of rock and electronics became seamless, it showed the bandmembers having it every way they wanted: heavily sequenced and synthesized, but with bravura work from Bernard Sumner's guitar and Peter Hook's plaintive, melodic bass; filled with hummable pop songs, but still experimental as far as how the productions were ...
| | Chocolate Watchband Forty-Four CD (1984) (Import) United Kingdom
30 Seconds To Mars
$16.89
| | Long Since Forgotten All The Things You Said... CD (2002)
30 Seconds To Mars
$11.95
| | Shirley Caesar Gospel Will Never Change CD (2005)
30 Seconds To Mars
$8.25
| | Lynn Anderson Rose Garden CD (2007) (Import)
30 Seconds To Mars
$5.85
| | Tom Cochrane No Stranger CD (2006) (Import) Canada
30 Seconds To Mars
$21.05
2006 release from one of Canada's rock legends, having racked up millions of album sales, both solo and with Red Rider as well as hundreds of thousands of radio spins from dozens of radio hits, 17 albums, 6 Junos, and induction into the Canadian Music Hall of Fame!
Tom Cochrane is perhaps not the most well-known entity, but in his own country, he has a stature akin to John Mellencamp, Tom Petty or Bruce Springsteen. There's a reason for that: the man is a gritty, solid songwriter, who captures slices of everyday life and portrays them as they are; what passes before our own eyes or happens in the experiences of workaday life are profound, even if only to us. Cochrane has always celebrated those moments without tagging anything else onto them. He has been described as meat-and-potatoes; and maybe so. But if that's the case, check his hit "Life Is a Highway" that the country group Rascal Flatts rode all the way to the top of the charts and kept there for a long while because of its inclusion in the film Cars. If it's meat and potatoes, it's not just because of a hip little hook; the words in Cochrane's songs connect on a level most songwriters wish they could get even somewhat close to. Fellow countryman Bryan Adams may have socredd more chart hits, but that's because of his willingness to dwell in some eternal yet mythical teenage landscape, but he's not half the writer Cochrane is, and it's safe to bet that Cochrane's songs will be recorded by others for decades. This brings us to No Stranger, Cochrane's 2006 foray into stripped-down rock & roll played in the garage, the bar, or the concert hall. He can claim all those spaces as his own.
As the first track, "The Party's Not Over," takes hold over a straight rock four/four backbeat and jangling, ringing, wide-open acoustic and electric guitars, Cochrane sings globally: "Jonah and Ali leave your boots at the door/You were brothers once, now leave your weapons on the floor/You don't need them anymore/As if God was on the side of anybody's war..." And then he brings it closer to home: "Take it all one day at a time/Everyone above ground is like a shiny new dime/'Don't go it alone you say it all the time/Watching your back as you're watching mine." He never shouts, never screams, it's all coming down to the simplest point and still feels like an anthem. "Glide" is more self-instruction gleaned from experience, with beautiful snaky guitars layered on top of the unplugged six-strings and rounded, warm power chords as a shuffling drum kit pushes it along at the right tempo. What he's up to is simple: transferring emotion, the emotion of living to the living. Nostalgia has no real place in Cochrane's songs; the past only matters in the grain of what's happening in the moment. It's all instructive. There is no escape, only travel. There is no hesitation, only the value of jumping right in with eyes wide open: check "While You Are Young." It's easy to see the appeal that Cochrane's tunes hold for country artists in the 21st century. ...
| | Genesis Trick Of The Tail CD (1976) Import
30 Seconds To Mars
$50.05
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007.
TRICK OF THE TAIL was Genesis' first LP after the departure of Peter Gabriel.
Genesis: Phil Collins (vocals, drums, percussion); Steve Hackett (electric & 12-string guitars); Tony Banks (12-string guitar, piano, keyboards); Mike Rutherford (12-string guitar, bass).
Engineers: David Hentschel, Nick Haddock Bradford.
Recorded at Trident Studios, London, England in October & November 1975.
After Peter Gabriel departed for a solo career, Genesis embarked on a long journey to find a replacement, only to wind back around to their drummer, Phil Collins, as a replacement. With Collins as their new frontman, the band decided not to pursue the stylish, jagged postmodernism of The Lamb Lies Down on Broadway -- a move that Gabriel would do in his solo career -- and instead returned to the English eccentricity of Selling England by the Pound for its next effort, A Trick of the Tail. In almost every respect, this feels like a truer sequel to Selling England by the Pound than Lamb; after all, that double album was obsessed with modernity and nightmare, whereas this album returns the group to the fanciful fairy tale nature of its earlier records. Also, Genesis were moving away from the barbed pop of the first LP and returning to elastic numbers that showcased their instrumental prowess, and they sounded more forceful and unified as a band than they had since Foxtrot. Not that this album is quite as memorable as Foxtrot ...
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