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Motorhead Extended Versions CD

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Ever since the release of their 1981 release No Sleep 'til Hammersmith (one of heavy metal's all-time classic live albums, and a U.K. chart-topper), thrash metal pioneers Motörhead have been the subject of quite a few subsequent live sets, many of which appeared to be have been released without the approval of Lemmy and co. (1988's No Sleep at All, plus such archival releases as 1989's Blitzkrieg on Birmingham '77, 1997's King Biscuit Flower Hour, etc.). The 2002 Motörhead edition of the ongoing budget-priced Extended Versions series from BMG appears to fall in this category, as well. Comprised of ten tracks, the album features the group's latter-day lineup (Lemmy, Phil Campbell, Mikkey Dee) roaring through classics that will be extremely familiar to longtime fans: "Bomber," "Overkill," and "Ace of Spades," in addition to such oft-overlooked '80s nuggets as "Killed by Death" and "Orgasmatron." If you're looking for the definitive live versions of the majority of the songs here, No Sleep 'til Hammersmith is obviously the wiser choice. But if you want to hear more recent Motörhead proving that they can still thrash through their classics with fury, then Extended Versions is worth a listen. ~ Greg Prato
Extended Versions Music


Detailed Extended Versions Music Information



List Price $6.98 (You save $1.03)
Category Rock/Pop Albums, Rock CDs, Heavy Metal, Live Performances, Hard Rock
Label BMG Special Products
Orig Year 2002
All Time Sales Rank   182606  
CD Universe Part number 4971576
Catalog number 146868
Discs 1
Release Date Jul 23, 2002
Studio/Live Live
Mono/Stereo Stereo
Motorhead Extended Versions Songs


Motorhead Extended Versions Album Track Listing



1.Orgasmatron  $0.99
2.Metropolis  $0.99
3.Killed by Death  $0.99
4.Bomber  $0.99
5.Born to Raise Hell  
6.No Class$0.99
7.Ace of Spades  $0.99
8.Overkill$0.99
9.Iron Fist  $0.99
10.Stay Clean  $0.99
Extended Versions Music


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CD $15.75  3 stars
Black Widow may have enjoyed a reasonably long and defiantly varied career. But to anyone who cares, they will be remembered for just one song, "Come to the Sabbat" -- not a hit single, but a standout on a cheapo label compilation in the early '70s, and destined to live on for decades after the band. Naturally, the accompanying Sacrifice album has bounced along in its wake, first as an increasingly expensive vinyl collectors' item, more recently as a regular on the CD reissue circuit, and here it comes again, this time bearing more primal Black Widow than you could ever have dreamed of hearing. Ultimate Sacrifice: One opens, naturally, with the original seven-song album. More fascinating, however, is the chance to hear five of the seven ("Way to Power" and "Attack of the Demon" are absent) in their original demo form, where they are revealed, if anything, to be even more dramatic than on the final vinyl. "In Ancient Days" in particular profits from the looseness of the performance, while "Come to the Sabbat" packs a feel of abandonment that makes the familiar version seem quite sedate. Of course, the bonus tracks are really only of interest if you truly worship the original record, and, once past "Come to the Sabbat," there probably aren't many people who feel that strongly. But the liners tell the band's tale well, the remastering is impressive, and if you're not doing anything next weekend, you might well want to drop by Black Widow's house. They've got somebody visiting, you know. [In 2004, Castle reissued Sacrifice on CD with five bonus tracks, retitling it Ultimate Sacrifice: One.] ~ Dave Thompson Black Widow may have enjoyed a reasonably long and defiantly varied career, but to anyone who cares they will be remembered for just one song, "Come to the Sabbat." Not a hit single, but a standout on a cheapo label compilation in the early '70s, it was destined to live on for decades after the band -- it was even sampled for a Saint Etienne remix in the mid-'90s. Naturally, the accompanying Sacrifice album has bounced along in its wake, its initial reception as an overwrought concept album now forgotten in the rush to praise it as one of the most ambitious prog albums of the age. Set around a full-scale magical rite conjuring the goddess Astoroth, the album's reputation as a satanic artifact is, in fact, very overblown despite the lyrical evidence; live, the stage show was choreographed by Alex Sanders and his wife, Maxine, founders of the Alexandrian strain of Wicca. Their participation alone ensured a balance between the expected shock value and actual spiritual significance, and that same equanimity is present on the album. ...
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